Product Details

• Actors:  Enrico Lo Verso Francesco Giuffrida
• Format: Anamorphic, Closed-captioned, Color, DVD, Subtitled, Widescreen, Surround Sound, Digital Sound, NTSC
• Language: Italian (Unknown)
• Subtitles: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 2.35:1
• Number of discs: 1
• Rated: NR (Not Rated)
• Studio: New Yorker
• DVD Release Date: January 20, 2004
• Run Time: 128 minutes
• Average Customer Review: 4.6 out of 5 stars  See all reviews (8 customer reviews)
• ASIN: B0000D9PFH
• Amazon Best Sellers Rank: #138,802 in Movies & TV (See Top 100 in Movies & TV)
• For more information about "The Way We Laughed" visit the Internet Movie Database (IMDb)

Customer Reviews

Most Helpful Customer Reviews

23 of 25 people found the following review helpful:

5.0 out of 5 stars A Stunningly Masterful Telling of an Intimate Story, January 27, 2004

By 

Grady Harp (Los Angeles, CA United States) - See all my reviews
(HALL OF FAME REVIEWER)    (VINE VOICE)    (TOP 50 REVIEWER)    (REAL NAME)   

This review is from: The Way We Laughed (DVD)

THE WAY WE LAUGHED is clearly one of the finest films ever made about the intensity of familial connections in general, and brotherly love in particular. Gianni Amelio is a sensitive director not only to storyline, but to character development, scenic atmosphere, capturing monumental conversations in the mere lingering of the camera on the eyes of the characters, pacing, and in inspiring his actors.

The story is about two brothers from Sicily - Pietro, the younger brother has left home for Turin, Italy creating a life style and appearance of an upper class lad, and the older brother Giovanni who is illiterate, real, warm and a laborer whose life is focused on the pride he feels for his younger brother's intellectual achievements: Giovanni is just arriving in Turin as the film opens in 1958. The story spans 6 years, is divided into six chapters - one day in each of the 6 years - and it is from these short glimpses that we are asked to follow the interaction of the two brothers.

For all of Giovanni's warmth and open love for his younger brother Pietro, the Younger Pietro appears secretive, has odd habits, is quietly deceitful, yet accepts the hospitable and financial love and assistance from his brother. There are long stretches of silence between the brothers about which we are not informed, and events transpire that lead Pietro to become a successful student and Giovanni to become a Padron for immigrants, gradually raising himself to be a married landowner.
In the 5th chapter we see a conflict that involves both brothers and a third 'victim' and it is this unfortunate crime that forever alters the lives of both brothers. This turning point is magnified in the last chapter as the successful Giovanni has just had a son named for his brother and the brother is summoned to his large home in the Po River Valley to stand as Godfather to his nephew. But the change in the once proud Pietro shows a role reversal and while some may consider he has been in an institution for drugs or something else, he actually has been in Reform School, having lost all his joy for life, and now will proceed to prison. Though the reason for his downfall is not clear, it appears in retrospect that he has taken the blame for Giovanni's crime - perhaps the more compassionate standard of brotherly love imaginable. At any rate, the film leaves us with the concept that there is no way to measure the depth of love in familial bonds between two brothers. There is no right, there is no wrong, there is only love.

This is visually a dramatic epic that manages to capture the grit and grime of the living conditions of the poor working class in Turin, the wondrous plays of light in the deserted streets of Turin at night, and the redemptive beauty of the sun-drenched Po River Valley where the films comes to an end. Enrico Lo Verso is amazingly fine as Giovanni, walking with all the pride of Sicily and the humility of the uneducated. As Pietro, Francesco Guiffrida captures every facet of this enigmatic character and slowly wins our compassion for the road he has elected to take. THE WAY WE LAUGHED is a brilliant achievement and another example of the extraordinary work of Italian cinematic talent.

14 of 18 people found the following review helpful:

5.0 out of 5 stars One of the Most Remarkable Films of Any Decade, January 1, 2004

By 

Louis A. Mandarini (Miami, FL) - See all my reviews
(REAL NAME)   

This review is from: The Way We Laughed (DVD)

This film is one of the most remarkable and touching movies to come along in decades and deserves to be seen by anyone who appreciates the craft of movie making.

The film, directed by Gianni Amelio, and set in the late 1950s and early 1960s, centers on the relationship between two Sicilian brothers in Turin: the older brother Giovanni (Enrico Lo Verso) and his younger sibling Pietro (Francesco Guiffrida). Pietro is too slick for his own good; he's an operator who has clearly been raised to believe he's smarter than everyone else around him. He lies, cuts class and takes care only of himself. At the beginning of the film, when he ducks out of meeting his brother at the train depot, we learn that Pietro is embarrassed by his older brother, Giovanni, an illiterate laborer who has traveled up from Sicily to be with his brother.

Pietro's motivations are lost entirely on Giovanni, who loves his younger brother unconditionally. Giovanni takes a series of dead end jobs to help support Pietro's schooling, not knowing that his younger brother is the worst student in class, cuts class constantly, and has no regard for the opportunities he's been given. Giovanni is motivated entirely by providing for his younger brother's success, and indeed, he tells all of his co-workers at his various backbreaking jobs about his brother the student, and what a tremendous success he is.

"The Way We Laughed" doesn't deal with time in a straight linear fashion, and it moves ahead by years at a time. By the film's conclusion, Giovanni has become through his hard work a successful landowner with a large spread in the Po River Valley. His brother, Pietro, has had some kind of a breakdown, or maybe has become a drug addict (it's not entirely clear), but nonetheless, Giovanni still takes care of him and seeks to provide for him. In the touching final scenes of the film, Giovanni brings his dazed, mute younger brother to his estate to meet his wife and children.

The themes of "The Way We Laughed" have been around for centuries, but they have seldom been handled with such beauty or evocation. The exultation of the hard working and illiterate, but ultimately good-hearted and honest older brother over the shifty, selfish and, in the end, self-destructive younger brother, could easily have come off as preachy and abrasively conservative; that is decidedly not the case with this film. Indeed, in seeing this film again and thinking about it, the movie reminds me very much of Flannery O'Connor's short story, "Everything That Rises Must Converge," not only in the juxtaposition of its themes, but also in the deftness with which those themes are handled. It's no easy thing to handle the millennia-old prodigal son theme, and still wring something fresh out of it, but that's what Gianni Amelio does with this film.

One other aspect of "The Way We Laughed" that deserves special mention is the cinematography, which is lush and beautiful, and which sets a perfect tone for the various acts of the movie: Turin is dark, wet and foreboding, the Po River Valley is colorful, rich and sunny. etc...

In sum, "The Way We Laughed" is a movie that any cineaste must see and will most certainly enjoy.

2 of 2 people found the following review helpful:

3.0 out of 5 stars Brotherly bonds and love and secrets..., March 20, 2008

By 

D. Kanigan (CT, USA) - See all my reviews
(VINE VOICE)   

This review is from: The Way We Laughed (DVD)

Movie is set in Turin, Italy in the post-war poverty era of the 50's and 60's. Two Sicilian brothers immigrate to Turin - the elder is illiterate and the younger with promise to become a teacher and professor.

Movie is divided into six stories over the 1958 to 1964 time period titled (1) Arrivals, (2) Betrayals, (3) Money, (4) Blood, (5) Families. Giovanni, the older brother, moves from a kind hearted man in poverty to a tough labor boss who acquires influence (and not always with clean hands) to a family man trying to put his unsavory (?) past behind him.

Meanwhile Pietro, the younger brother, struggles to meet his older brother's admiration and expectations - he's shifty, he lies, he cuts class, he steals, he fails school - and all w/o his older brother's knowledge who is toiling in low paid jobs to pay for his brother's expenses. Pietro eventually eventually pulls it out and becomes the brother taking the high road.

The Brothers' love for one another, the secrets that they keep from each other, the different path that each man takes - all make this a fascinating story. However, I found that the movie left a number of nagging gaps for me in the story-line and character understanding/definition driving my movie rating.