3 of 3 people found the following review helpful:
5.0 out of 5 stars
Definitely one of Durang's best; like Beyond Therapy..., September 27, 1997
By A Customer
This review is from: Laughing Wild and Baby with the Bathwater: Two Plays (Paperback)
Beyond Therapy is definitely the best play I've ever read by Christopher Durang. Baby With The Bathwater takes a definite second. It's hilarious. Who would have thought I would have so much to laugh about? Especially for something as serious as an identity crisis!
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
"I want Dr. Ruth and Mother Theresa to fight to the death in the Coliseum.", February 15, 2006
This review is from: Laughing Wild and Baby with the Bathwater: Two Plays (Paperback)
Always fiercely satiric, Christopher Durang fills his plays with outrage and absurdity, creating moods that vary from anger to sadness and from hilarity to the darkest, most mordant humor, sometimes within the same play. In these two plays from the 1980s, Laughing Wild (1988) and Baby with the Bathwater (1984), both said to be semi-autobiographical, Durang features a young man who speaks to the audience directly, instead of appearing in dramatic, interactive scenes with other characters, as in Sister Mary Ignatius Explains it All (1979) and in The Marriage of Bette and Boo (1985).
Laughing Wild opens with a monologue by "Woman," recently released from an institution, someone who has had a tantrum because she could not reach the tuna fish in a supermarket--a man was blocking her way. With her raucous laugh, she tells us, among other things, that she has also had an altercation with a taxi driver, has fallen in the gutter, and has not read Bleak House. Act II features a monologue by Man, a writer (played in New York by the author himself), who has recently had a confrontation with a woman in the tuna fish aisle.
As he tells about his own life and problems, his bisexuality, and the Catholic church's attitudes and pronouncements, we see him recognizing life's common absurdities. In Act III, Man and Woman reveal their identical dreams and hopes in parallel monologues. Sad, but hilariously satiric of eighties attitudes and self-help movements, Laughing Wild ultimately shows the loneliness of contemporary 1980s life.
Baby With the Bathwater begins as a farce about parenthood by two people who do not have a clue. Their little boy, named Daisy, wears dresses as a child and is unsuccessful in forming any life plans, with Durang satirizing the writer-mother, the unemployed father who crouches beside the refrigerator, and their self-absorption. Daisy is on his own in figuring out who he is and who he may become, speaking to the audience directly at the end of the play.
Over-the-top exaggerations of real life attitudes and events, farce-like humor, and biting satire make Durang's plays memorable and disquieting events, and these two plays, less famous than his Obie-award winners (Sister Mary Ignatius Explains It All, and Marriage of Bette and Boo) show his more personal, less interactive style of playwriting with its smaller, more intimate focus.
"Afterwords" for both plays provide Durang's comments on these productions. Particularly fascinating is his evaluation of the New York theater scene and his belief that "His Pontiff Rich" (NYTimes drama critic Frank Rich) has absolute power. n Mary Whipple
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
Hilarious , well written, October 8, 2000
By A Customer
This review is from: Laughing Wild and Baby with the Bathwater: Two Plays (Paperback)
Those of you looking for a good play look no further. Christopher Durangs Laughing Wild and Baby With the Bath Water are two of the most comical well written plays i have come across for just the fun of it.Laughing Wild left me in stitches i laughed so hard! If you are an actor looking for monologues or scenes to work with for comedy these two pieces are filled with great work and varieties of character to work with.
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