Customer Reviews

Law of Return

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Pawel's second novel about post-civil war Spain is, in my view, as good as the first, which was excellent. It's a good story with appealing characters and a fresh setting. One of the things I like best, though, is that her hero isn't really heroic, nor is he simply a charming rogue. He's a decent man who isn't always decent, and that's a kind of complexity that many mystery writers seem to avoid. Pawel handles it well, though, and gives us a better novel than the average we're offered.

Carlos Tejada Alonso y Léon, who was introduced to readers in Rebecca Pawel's Edgar Award-winning novel "Death of A Nationalist," has recently been promoted to the rank of lieutenant in the Guardia Civil and transferred from Madrid to Salamanca, a city famous for its university. Tejada studied law here before joining the Guardia during the Civil War. He is just past thirty years-old - certainly very young to be a lieutenant. However, Tejada's entire profile is unusual for a National Guardsman. He is the second son of a wealthy landowner, a conservative, and a staunch Nationalist. A Falangist, he backed Franco from the beginning. Now he enforces the laws and policies of the Generalissimo's authoritarian government, and searches for "enemies of the state," usually Republicans, who are jailed, sometimes tortured, and frequently killed. Tejada is basically a decent man, a hero of the siege of Toledo - and while I am certainly not an apologist for Fascism, (on the contrary), there must have been some good people who fought and believed in the Nationalist cause, even if they were on the wrong side of history.

I wrote in my review of "Death of a Nationalist," that author Rebecca C. Pawel presents the reader with a very interesting dilemma. How does one empathize with a protagonist who is a member of the Fascist cause, one of the victors in Spain's bitter, bloody Civil War? How does one embrace, in a literary fashion, someone who works to enforce Fascist policies? This continues to be an issue in "Law of Return," although personally, I resolved my problems with Tejada in the last book. I find too many admirable qualities in him to pass over because of his politics - which I am definitely not in agreement with. I accept him for the man he is, and for the man he has the potential to become.

It is 1940, and although the Civil War has been over for a year, fear, paranoia, hunger and shortages are everywhere. One of Tejada's new responsibilities in Salamanca is overseeing local parolees who must report to him weekly. There are approximately seventy-five, and many are considered troublemakers because of their Socialist leanings and/or former affiliations. Of particular interest are a group of four, all former university professors called "the petitioners."

These men are labeled "petitioners" because of a historical incident which occurred on October 12, 1936, at a public ceremony at the University of Salamanca commemorating Dia de la Raza. Keynote speaker, Falangist General Millan de Astray finished his address with the slogan, "Viva la Muerte!" ("Long Live Death!"). Miguel de Unamuno, a great Spanish author, educator, humanist and philosopher, was standing next to the general on the platform. He said, "Vencera pero no convencera."). ("You will win but you will not convince"). Enraged, Millan had to be physically restrained from striking Unamuno, who was immediately removed from his position at the university and placed under house arrest. He died two months later. Ironically, Unamuno was a devout Catholic and accepted by the Falangists. He had misinterpreted Franco's cause, however, thinking it represented nationalism. Manuel Arroyo, Guillermo Fernandez , Tomas Rivera, and Arturo Velasquez are fictional characters who, as professors, circulated and signed a petition protesting the treatment of their colleague.

There are times when I so dislike our protagonist, even though I understand his reasoning. This is due to the author's extraordinary talent in developing complex, true-to-life characters. She is also on-target when portraying the political conflict of the period. Tejada, when interviewing Dr. Rivera, thinks, "You were a damn fool to meddle in what didn't concern you." (Because Rivera signed the petition knowing there would probably be retribution). Yet one knows, from reading about him, that Tejada would never just obey orders or keep silent when faced with what he believed to be injustice. Carlos Tejado is an anti-hero, struggling with his personal political beliefs, his firmly entrenched dedication to justice and the law, and the grim post-war situation he finds himself in. He begins to understand that in the tonal scale of life, the differences between right and wrong are more subtle and variegated than black and white.

When one of the petitioners disappears, Tejado's investigation takes him to the seaside resort of San Sebastian, and then on to Nazi occupied France. On this trip he comes into contact, once again, with the lovely schoolteacher he met in Madrid, Elena Fernandez. She had been dismissed from her job because of her leftist politics, and returned home to Salamanca to be with her parents. However, this is not Tejada's first post-Madrid encounter with Elena. Her father is Guillermo Fernandez, a distinguished Classics professor. He is also one of the "petitioners" and a parolee. When Elena accompanied him to one of the weekly meetings, she and Tejada saw each other. The growing relationship between these two greatly enriches the narrative. Their mutual attraction, affection and respect, along with their opposing political viewpoints, makes for a good match and an interesting read. Both Elena and Carlos are extremely bright and literate people which provides a strong base of commonality. It helps that she is clever at figuring out mysteries too.

There is an important and moving side story here. Professor Joseph Meyer, a German-Jewish friend and colleague of Professor Fernandez, writes begging for help to cross into Spain from France before he is forcibly repatriated to Germany and sent to a concentration camp. The Fernandez family's humanity, as individuals and as a unit, is emphasized here considering the risk they are willing to take for an outsider.

"Law of Return" is just plain fascinating. Its originality is refreshing and the taut, well written prose is far different from what is found in many formulaic crime novels on today's market. This is much more than a mystery, however. It is historical fiction at its best. Ms. Pawel paints a vivid portrait of post-war Spain, whose people are trying to come to grips with past horrors and return to some semblance of normalcy. The author's descriptions of the humiliation, defeat and isolation of those who did not support Franco's cause is palpable.

I highly recommend "Law of Return," and suggest reading "Death of a Nationalist" first for maximum enjoyment. Both books stand on their own, however, without any prequel. I am about to begin the third novel in the series, "The Watcher In The Pine," and can't wait to get started.
JANA

This second book in Pawel's series relocates newly promoted Gaurdia Civil officer Carlos Tejada from Madrid to the northern university city of Salamanca in 1940. As Hitler's armies cruise through Europe in the background, things are quieter in Spain following the end of the Spanish Civil War. Although Salamanca wasn't a hotbed of insurgency, there are still ex-Reds and other troublemakers to monitor. One of Tejada's new duties meeting with everyone on a list of questionable people, required to check in with the Guardia on a weekly basis. Coincidentally, one of these is the father of Elena, the Socialist woman Tejada encountered in "Death of a Nationalist." An eminent classicist, he had signed a protest against the firing of a former university rector who had spoken out against Franco. As it so happens, one of his other co-signatories disappears in the first week of Tejada's new assignment. As Tejada painstakingly hunts for clues to the man's disappearance, which may have coincided with the moving of a lot of cash from his estate, the classics professor and his family are faced with a request for succor from a Jewish colleague fleeing Germany.

The proceedings are rather more conventional than the previous book, and the novelty of having a right-wing protagonist has worn off (in interviews Pawel has been careful to call him an anti-hero). Throughout his investigation, Tejada must tread cautiously due to a choleric superior and the influence of Slamancan grandees who are related to the missing man. Elena and her family must tread carefully due to both the precariousness of their situation (limited food rations and income) and the illegality of aiding someone trying to escape the Germans. These two threads gradually bring Tejada and Elena closer together, despite their being on opposite sides of the political spectrum. While the story is rich in period detail and atmosphere, neither plotline is particularly compelling (although a cross-border foray to Biarritz in occupied France adds some much needed spice). It's not a bad read, just not a gripping one, and nowhere near the quality of Death of a Nationalist.

The copy I received is a paperback publisher's advance copy. The description specified that it was a hardcover copy. Very bad.

I read and greatly admired Rebecca Pawel's first book, The Death of a Nationalist. It introduced a world (post-Civil War Spain) and characters (Guardia Tejada and Elena) that were deeply realized and set forth interesting struggles between political and personal views, framed in the context of a crime novel. The Law of the Return does a great job of reviving this world and these wonderful characters. At a literary level, it is still well written and deals with the continuing struggles between ideology, personal beliefs and relationships. In one key way, however, I liked this book more than irs predecessor. I came to like the two lead characters and care what happened to them, so it was gratifying to see them advance in their love, despite the political barriers that threaten to set them apart. Call me old-fashioned....

It looks like Ms. Pawel has set down her pen for a few years. I hope she picks it up again. If she comes back to this storyline that would be great, but even if she doesn't I trust she will find another world to explore.

It really annoys me when authors don't do their research properly. For example, in this book there is Banco Bilbao Vizcaya. BBV was the fusion of Banco Bilbao with Banco de Vizcaya... and that happened in the 80's. The name Batista, Spanish version, is always spelled with one T, not two. And the list goes on. It might be very petty, but I find that these errors detract from an otherwise well researched story, with an interesting plot, and interesting characters.

This is a period of history about which I know very little. Pawel is an excellent writer and has created an interesting, intelligent and complex character in Tejada. On one hand, he will use force if he feels it is "necessary," and yet he is a good man caught in a time of political loyalties. They story is not as gripping as "Death of a Nationalist," which I highly recommend and would read first, but is more of a mystery and suspense set during a time of political turmoil. I was completely caught up by the story and found it a straight-through, four-hour read. Highly recommended.

Rebecca Pawel has a lot of things going for her series of Carlos Tejada crime novels. First of all, she has set her story in a great time and place. Its 1940 and France has just fallen to the Nazis and Spain is recovering from a protracted and brutal civil war. Facism is spreading its terror throughout Western Europe. This is the time and place where so many great suspense novelists like Eric Ambler and Alan Furst have planted their stories.

The hero/anti-hero is a fascist officer in the Guardia Civil. Tejada is a complex hero. He does not have a problem rounding up Reds and other fellow travellers. Tejada is no stranger to obtaining information using the third degree. However, he is not your standard fill in the blank evil (Gestapo, NKVD)totalitarian cop. He may be serving a bankrupt regime but he has a nuanced view of the world.

Finally, Rebecca Pawel is a very talented writer. She has all the gifts that the above average crime writer. Her intelligence radiates throughout the story.

However, where things go wrong is when the novel loses its focus and drifts from being a crime novel into a love story. The chemistry between the two lovers is good but in the end their love story douses out the essential crime element of the novel.

My advice is start the series from the beginning. One will have more patience with this story, if one has read the novel that goes before it.

In 1940, Carlos Tejada looks forward to his promotion to lieutenant in the Guardia Civil and his assignment to the university town of Salamanca as he studied there before the Civil War exploded. He does not expect his job to tax his brain as he has to keep track of parolees consisting of former professors who became classified as convicts for defying a Franco decree.

Also returning to the city is Carlos' college lover Elena Fernandez, who lost her job because she was politically incorrect. Carlos must report on her father as one of his parolees to his superiors.

When a paroleegoes missing, Carlos investigates. He follows Elena to the border where she claims she meets her father to take him home. Actually, Elena is helping a family friend, German Jewish Professor Joseph Meyer, flee France before the French return him to Germany for ethnic cleansing. Will Carlos do his duty to Spain and turn in a woman he still desires and might be a killer or will he help sneak the twosome into Salamanca while also trying to solve the murder of his missing parolee?

Though Carlos is part of the law and involved in a murder mystery, LAW OF RETURN is more an entertaining historical thriller that spotlights the beginning of Franco's long rule in Spain. Of interest is that though Spain is Fascist like Germany and Italy, the Jewish Meyers feels that this is a safer spot for him than Vichy France and obviously Germany. Readers who take pleasure in a deep historical tale will find Rebecca Pawel's story providing plenty of pleasure.

Harriet Klausner