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Le Convenienze Ed Inconvenienze Teatrali


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$32.99 & FREE Shipping on orders over $35. Details Temporarily out of stock. Order now and we'll deliver when available. We'll e-mail you with an estimated delivery date as soon as we have more information. Your account will only be charged when we ship the item. Ships from and sold by Amazon.com. Gift-wrap available.


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Product Details

  • Actors: Clemente
  • Directors: Recchia
  • Format: Multiple Formats, AC-3, Classical, Color, Dolby, NTSC, Subtitled, Widescreen
  • Subtitles: English, Italian
  • Region: All Regions
  • Aspect Ratio: 1.77:1
  • Number of discs: 1
  • Rated: NR (Not Rated)
  • Studio: Bongiovanni
  • DVD Release Date: June 29, 2010
  • Run Time: 151 minutes
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • ASIN: B003PAVNLC
  • Amazon Best Sellers Rank: #359,352 in Movies & TV (See Top 100 in Movies & TV)

Special Features

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Editorial Reviews

An opera about a company who are staging an opera? Donizetti is at the height of his comic powers and provides an abrasively disenchanted take on a world he knew all too well, with it tantrum-throwing primadonnas and narcissistic tenors, its spite and env

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Most Helpful Customer Reviews

6 of 6 people found the following review helpful By SILVIA COSTA on October 9, 2010
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Donizetti is best known by his masterpiece "Lucia de Lammermoor", and opera lovers usually know a few other of his operas that belong to the repertoire, like "La Favorita", "Lucrezia Borgia", "Maria Stuarda", Roberto Devereux", "La Fille du Régiment and "Don Pasquale". Nevertheless, Donizetti composed nearly 65 operas, and even the most passionate opera lover does not know them all. Donizetti's forgotten operas are resurrected from time to time, and sometimes we are surprised by finding a little gem. That's the case of "Le convenienze ed Inconvenienze Teatrali", an "opera buffa" that surprises you by its theatrical and musical quality. First, it makes you laugh, by satirizing arias of other composers, and casting a man to sing the character Mamm'Agata, wonderfully acted and sung by Paolo Bordogna. Also, the aria "Ah, tu mi vuoi", sung incompetently (purposely) by the character Guglielmo, with German accent, is remarkably comic. Second, some of the original arias are so good that we ask ourselves why we did not hear them before. For instance, "Lazzarune, scauzacane", sung by Mamm'Agata, and "Che credete che mia moglie", sung by the character Procolo. The vocal quality of some singers could be criticized, but I don't think this is that important in an opera that has been hidden for such a long time. So, five stars.
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