| ||||||||||||||||||||||||||||
Product Details
Would you like to update product info or give feedback on images? |
Men--convicts--in a prison cell plot a dynamic escape by digging a hole (hence the title) in their prison cell. This is the basic plot of it, that's all. And the dramatic arena is naturally very limited; basically everything in a confinement of a prison. The actions are also mainly limited to the act of digging.
By deliberately limiting his cinematic palette to bare-bone simplicity, Jacques Becker weaves out a complex web of human camaraderie and conflicts. You have to trust one another to commit this kind of escape, but at the same time, can you really trust these fellow inmates? All the dramatic ellements concentrate into this fundamental question about human relationship. And from there florishies a stunning, awesome drama of wild, strong men, naturally with the currents of their own vulnerabilities underneath, which quite often finds its way to burst in front of your eyes.
A superb ensemble cast including some of the finest character actors in french cinema and one man who actually experienced this story (Jean Keraudy, who introduces the film as his own story) creates an extraoridinary psychological as well as physical realism.
And the harsh, stark black&white cinematography can be easily pointed out as one of the highest achievement in attempting to create an imediate realistic experience as a cinematic imagery in film history.
In one word, this is a must see film, a masterpiece. Both an entertaining crime drama, and a true work of art.
*note: jacaues becker used to be assitant director to jean renoir in the 1930's, and appears into films such as Boudu Saved from Drowning and Grand Illusion
Here you get maybe the most Zen-like of all commercial cinema films, a radical departure from what Becker had done before in its restrained rather than extravagant style: 4 guys in a cell trying to dig a hole to freedom through a wall of rock, and THAT'S IT! But wait! This is REAL CINEMA, not the friggin' 'Great Escape'! Psychological complexity revealed through the camera that doesn't lie, as in EVERYTHING that goes on in their heads, not through any over-written dialogue, but by letting the cinema do the work: realistic reactions and gestures CAPTURED IN MAXIMUM REALNESS (of the slightly ramshakle French Prison variety, of course) from actors who have fully internalized these characters into an almost Robert De Niro level of Method Acting, without, I'm sure, being trained in any 'method nonsense' that would probably have confused the hell out of them unnecessarily (not surprisingly, one of them was a former inmate himself).
Becker died tragically young right after the film was completed and was at the time married to the beautiful Algerian born French actress Francoise Fabian who later appeared most memorably in Eric Rohmer's classic "My Night At Maude's" as Maude.
... Read more ›
|