This album represents a triumph in every respect. Very solid song writing in the pop song tradition: lovely melodies, well-written lyrics sweetly sung. However, what distinguishes this album from most everything else being written and recorded by young musicians these days are the arrangements and tempos. With Ben's background in classical music one naturally finds songs written in different tempos, such as the waltz, and use of other string instruments besides a guitar and Ben's cello. Yet, Ben can still throw in fiddle, Bela Fleck's banjo, jaw harp, drums, harps, saxophones and even a vibraphone when called for. And that's the point, Ben uses these varied instruments when called for, not just to show off. To top things off, this is a stunningly well recorded album, no compression here, which plays well on an audiophile system.
I came to Ben, through the music of Abigail Washburn, who's family and mine have been friends for years. So while I owe it to Abby's family to say nice things about her, not hard at all, I owe nothing to Ben. I have become a fan of his simply by listening to him play with Abby, for several years now, and getting to know him a bit at pre-concert gatherings. This is a tremendously talented young man. His album will stand-up quite well against anything else released this year (I'm talking about artists like Elvis Costello and Van Morrison both of whom released strong albums this year) and will repay re-listening for years to come. Isn't that the real test of a great album?