Leave Your Sleep (2CD)

Natalie Merchant | Format: Audio CD

Product Details

• Audio CD (April 13, 2010)
• Original Release Date: 2010
• Number of Discs: 2
• Label: Nonesuch
• ASIN: B002ZCDR88
• In-Print Editions: Audio CD  |  MP3 Music
• Average Customer Review: 4.3 out of 5 stars  See all reviews (153 customer reviews)
• Amazon Best Sellers Rank: #5,315 in Music (See Top 100 in Music)

Editorial Reviews

'This album captures so many magical moments, the best times I've ever had as a musician,' declares singer-songwriter Natalie Merchant of 'Leave Your Sleep,' her ambitious, two-disc Nonesuch debut. Merchant, celebrated solo artist and one-time voice of 10,000 Maniacs, took on what could have been a daunting task: she's adapted 19th and 20th century British and American poetry - well-known and obscure works, anonymous rhymes, children's lullabies, all of it timeless
material full of direct emotion - and fashioned new songs from these words. Among the poets she chose were Robert Graves, Charles Manley Hopkins, Edward Lear, Ogden Nash, and Robert Louis Stevenson. The project, five years in the making, has clearly had a liberating effect on Merchant. Never has she sounded so free-spirited, so full of musical
adventure, whether backed by small jazzy combos or elegant chamber ensembles. The tracks she's created range from exotic ('The King of China's Daughter') to earthy ('Peppery Man'), soothing ('I Saw A Ship A-Sailing') to swinging ('The Janitor's Boy'), mischievous ('It Makes A Change') to moving ('Spring and Fall'). The string arrangements are particularly
stirring, recalling Joshua Rifkin's now-classic work on Judy Collins' 'Wildflowers.'
There's plenty of child-like wonder, counterbalanced with grown-up sophistication. Says Merchant, 'It was an exciting, new approach for me to work with rhythm and rhyme schemes created by other writers. The poems inspired vastly different musical settings with their themes that ranged from humorous and absurd to tragic, romantic, and deeply spiritual. Over the course of three years I wrote 40 of these poem-songs and 30 were eventually recorded.'
Merchant co-produced 'Leave Your Sleep' with Venezuelan musician-composer Andres Levin, a frequent collaborator of David Byrne and Arto Lindsay, and one of the creators of the eclectic Red Hot charity series. Over the course of a year's worth of exhilarating, musically shape-shifting sessions, they drew upon no less than 125 musicians from the varied worlds
of, among other things, Cajun, country, jazz, chamber music, R&B, Celtic, and reggae. The revitalized Merchant explains, 'I called on old friends and approached many new musicians I only knew through admiring their work... The sessions were recorded in live ensemble workshop settings that captured pure and authentic sounds played with incredibly fresh and
spontaneous energy.'
'Leave Your Sleep' is an inspired return for Merchant, her first studio album in six years - an effort long awaited by her considerable fan base. It also marks her 25th year as a uniquely successful major-label artist, one whose work has consistently enjoyed equal measures of commercial and critical success. Though she has regularly lent her talents over the last few years to the many nonprofit causes she supports, Merchant has actively returned to the concert stage in recent months, previewing material from 'Leave Your Sleep,' on a series of dates in England and continental Europe. A full U.S. tour is being planned for summer 2010.

Most Helpful Customer Reviews

144 of 150 people found the following review helpful

5.0 out of 5 stars Songs of Childhood [Not a childrens record] April 13, 2010

By O. MICHAEL

Format:Audio CD

Releases by Natalie have been few and far between since she left 10,000 Maniacs, so the release of the first new material in 7 years will be welcome news to her fans. Natalie is now signed to the Nonesuch label and this album is available in 2 different versions. A 2 disc set [the Complete Works] and a Selections from the Album Leave Your Sleep [Selections from it] . Initially Natalie wanted to release it in two separate volumes, but the record label decided it would be better to release it as a double album - as it currently sits so high in the Amazon charts the marketing men obviously got this right. I think there will be a lot of people who will turn their nose up at this because of what it is percieved to be - childrens poetry set to music. But anyone who has heard any tracks from it will be pleasantly surprised.

That music and poetry should meet at some point is not a surprise. There has over the years been a number of musical projects related to the work of different poets, I can think of the "Now & In Time to Be" project that featured the works of WB Yeats or Rufus Wainwright recent trips into Shakespeare territory. And now we have this release. An initial glimpse at the poets involved lead to the thought "who be them?" as I had never heard of many of them before, but dont let that put you off.

This is not an album for children. It is at some level an album about childhood. From Natalie's own words it features poetry "about, for or by children" and "a child's emergence into the world of language". It may well appeal to children, but it is, as far from, a kids record as you can imagine.... The complexities of the arrangements and the music itself make it something far more mature, almost encyclopedic in its exploration of different musical genres. It really is an amazing record. Many of these poems, taken at face value, you think could have never made an interesting song. But how wrong you would be. All the songs seem to have a life of their own. Even when the lyrics seem throwaway, the final finished song is not, and that says so much about Natalie's skill and ability, as an arranger and vocalist.

Some of the songs that stand out for me are - "Nursery Rhyme of Innocence" a poem about a child verging on adulthood, not a kids song at all, recorded with the wonderful Irish band Lúnasa. It has a deeply celtic feel to it, and sounds like it has always been destined to be a traditional folk ballad. "Isabel" has a real rollicking old-timey stringband feel to it, with lovely fiddle, banjo and guitar playing. The song "It makes a change" almost has a late 1960 English pop feel to it. For some reason it reminds me of the Beatles. "Bleezer's ice cream" has a bouncey/jazzy setting to it, while the song "The peppery man" goes for a very deep south bluesy/jazz backing - with Waits-ian beat and brass section and gospel-like harmonies. "The King of China's daughter" takes us too a sound that seems totally Chinese, accompanied by traditional instruments and players, again with lovely harmonies. There is a very nice video of this on Natalie's website. "If no one marries me" has a very haunting acoustic sound allowing the lyrics to stand out. "Spring and fall" reminds me of something that Kate Bush might record and has a very sad orchestral sound. You almost need to keep a checklist for the genres this album delves into.

There is a very dreamy quality to much the album - the songs and lyrics have innocence to them at one level but on some levels a darkness and melancholy to them. Some of the lyrics maybe nonsense, but there are couplets from them, which make sense and strike a cord with the listener. As well as painting very vivid images in the imagination. The album covers such a wide variety of musical genres that its suprising it holds together so well as a single work, but that is down to Natalie's voice which has never sounded better. Her voice is so clear and restrained and has a beautiful vibe to it. You can almost sense that she is singing to, or with, her daughter.

Natalie's belief in this project is to be commended, she funded the project herself, in order to maintain control and retain the rights over the music. Natalie is on record as saying she actually had 50 songs prepared for the project and these are the final 26 she chose for the project. So I imagine there is a possibilty there may be a volume 2 at some point in the future, especially as this looks destined to be a great success, and I for one would be over the moon! [With or without the cow] .

The only thing that is disappointing about the album is we have to wait longer for an album of new material, written by Natalie. It really is a great album, one I have been looking forward to since seeing her appearance on Celtic Connections back in January. It has been well worth the wait. In short I would recommend this album to anyone who got as far as searching for this page on Amazon.

Highlights:
Nursery Rhyme of Innocence
The Dancing Bear
The Peppery Man
It makes a change Read more ›

28 of 31 people found the following review helpful

5.0 out of 5 stars Songs of Childhood [Not a childrens record] April 13, 2010

By O. MICHAEL

Format:Audio CD

Releases by Natalie have been few and far between since she left 10,000 Maniacs, so the release of the first new material in 7 years will be welcome news to her fans. Natalie is now signed to the Nonesuch label and this album is available in 2 different versions. A Leave Your Sleep (2CD) [the Complete Works] and a single disc release [Selections from it] . Initially Natalie wanted to release it in two separate volumes, but the record label decided it would be better to release it as a double album - as it currently sits so high in the Amazon charts the marketing men obviously got this right. I think there will be a lot of people who will turn their nose up at this because of what it is percieved to be - childrens poetry set to music. But anyone who has heard any tracks from it will be pleasantly surprised.

That music and poetry should meet at some point is not a surprise. There has over the years been a number of musical projects related to the work of different poets, I can think of the "Now & In Time to Be" project that featured the works of WB Yeats or Rufus Wainwright recent trips into Shakespeare territory. And now we have this release. An initial glimpse at the poets involved lead to the thought "who be them?" as I had never heard of many of them before, but dont let that put you off.

This is not an album for children. It is at some level an album about childhood. From Natalie's own words it features poetry "about, for or by children" and "a child's emergence into the world of language". It may well appeal to children, but it is, as far from, a kids record as you can imagine.... The complexities of the arrangements and the music itself make it something far more mature, almost encyclopedic in its exploration of different musical genres. It really is an amazing record. Many of these poems, taken at face value, you think could have never made an interesting song. But how wrong you would be. All the songs seem to have a life of their own. Even when the lyrics seem throwaway, the final finished song is not, and that says so much about Natalie's skill and ability, as an arranger and vocalist.

Some of the songs that stand out for me are - "Nursery Rhyme of Innocence" a poem about a child verging on adulthood, not a kids song at all, recorded with the wonderful Irish band Lúnasa. It has a deeply celtic feel to it, and sounds like it has always been destined to be a traditional folk ballad. "Isabel" has a real rollicking old-timey stringband feel to it, with lovely fiddle, banjo and guitar playing. The song "It makes a change" almost has a late 1960 English pop feel to it. For some reason it reminds me of the Beatles. "Bleezer's ice cream" has a bouncey/jazzy setting to it, while the song "The peppery man" goes for a very deep south bluesy/jazz backing - with Waits-ian beat and brass section and gospel-like harmonies. "The King of China's daughter" takes us too a sound that seems totally Chinese, accompanied by traditional instruments and players, again with lovely harmonies. There is a very nice video of this on Natalie's website. "If no one marries me" has a very haunting acoustic sound allowing the lyrics to stand out. "Spring and fall" reminds me of something that Kate Bush might record and has a very sad orchestral sound. You almost need to keep a checklist for the genres this album delves into.

There is a very dreamy quality to much the album - the songs and lyrics have innocence to them at one level but on some levels a darkness and melancholy to them. Some of the lyrics maybe nonsense, but there are couplets from them, which make sense and strike a cord with the listener. As well as painting very vivid images in the imagination. The album covers such a wide variety of musical genres that its suprising it holds together so well as a single work, but that is down to Natalie's voice which has never sounded better. Her voice is so clear and restrained and has a beautiful vibe to it. You can almost sense that she is singing to, or with, her daughter.

Natalie's belief in this project is to be commended, she funded the project herself, in order to maintain control and retain the rights over the music. Natalie is on record as saying she actually had 50 songs prepared for the project and these are the final 26 she chose for the project. So I imagine there is a possibilty there may be a volume 2 at some point in the future, especially as this looks destined to be a great success, and I for one would be over the moon! [With or without the cow] .

The only thing that is disappointing about the album is we have to wait longer for an album of new material, written by Natalie. It really is a great album, one I have been looking forward to since seeing her appearance on Celtic Connections back in January. It has been well worth the wait. In short I would recommend this album to anyone who got as far as searching for this page on Amazon.

Highlights:
Nursery Rhyme of Innocence
The Dancing Bear
The Peppery Man
It makes a change Read more ›

17 of 18 people found the following review helpful

5.0 out of 5 stars Wonderfully Brilliant April 13, 2010

By To Be Simple VINE™ VOICE

Format:Audio CD

I am a big fan of 10,000 Maniacs/Natalie Merchant. It has been tough waiting so long for a new album after her last release (The excellent "The House Carpenter's Daughter"). The long wait has been amply rewarded with the two-disc set "Leave Your Sleep." The album details are covered enough in the product description and other reviews, so I will not go into the impressive list of contributing musicians and amazing process Merchant used in making the album.

The aspect of "Leave Your Sleep" that impresses me most is the high quality of Merchant's voice. She has never sounded this good, which is saying something. Sure, the selection of poetry is awesome and the music itself is brilliant, but it is Natalie's vocals that tie everything together and make this album such a masterpiece. She delivers perfect vocals throughout the two discs. Given the wide variety of styles among the 26 songs, one would think there might be a few so-so songs. Not so. Natalie can take virtually any genre and make it her own. I am enjoying everything about "Leave Your Sleep." It will take me more time to fully digest everything about the album, but so far after listening through the discs several times I am amazed at how my already lofty expectations have been exceeded. I only hope that Natalie doesn't leave us hanging so long between this album and her next.

10 of 10 people found the following review helpful

5.0 out of 5 stars Joins the Pantheon of All-Time Greats April 25, 2010

By Arthur D. Thomas

Format:Audio CD

After reading the book that accompanies the album, listening carefully to every song, and thinking about it for a while, I have decided that "Leave Your Sleep" belongs in the same category as "Automatic for the People", "Graceland", "Sgt. Pepper" and the other mold-breaking albums that changed everything and took music to a new level. This album represents so much effort, genius, taste, love and devotion that words really can't describe it. I have been a big fan of Natalie Merchant for many years, because of her musical talent. Now I am a much bigger fan, because of who she is.