WARNING: SPOILERS!
The 2004-2005 will hopefully go down as one of the most important seasons in recent television history, not because there was such a plethora of great new series-there weren't-but because it was the beginning of the end of the dominance of reality programming and the rebirth of the scripted television show. The two shows that are getting most of the credit for the sudden demise of the reality show are the two mega-hits on ABC, LOST and DESPERATE HOUSEWIVES, but I hope that UPN's lovely VERONICA MARS will get at least some credit. If LOST and VERONICA MARS are the face of things to come, rather than WIFE SWAP or THE SWAN, then the future for TV could be very bright indeed.
Of all the series that were developed in the wake of BUFFY THE VAMPIRE SLAYER, VERONICA MARS hues most closely to the original (especially in Buffy's high school years) and is one of the best. [October 2005 addition: VERONICA MARS in its second season is highlighting the ties to BUFFY not merely by bringing BUFFY regular Alyson Hannigan back for a brief appearance, but having Charisma Carpenter as a semi-regular and BUFFY creator Joss Whedon as a guest star in one episode in November. Salon.com did its part by awarding this years Buffy Award, for the best show on TV neglected by the Emmys--and named for the Best Show ever ignored by the Emmys--to VERONICA MARS.] If we were to describe the original recipe for the show, it is about 50% BUFFY, 20% NANCY DREW, 15% BEVERLY HILLS 90210, and 15% TWIN PEAKS. In other words, the show is about a super cable blonde high school student who takes on do-badders and tilts the scales of justice, who is an amateur female sleuth, whose escapades all take play in her upper class high school with a contingent of working class students, and who in her spare time investigates the mystery of the death of her best friend Laura Palmer . . . er, ah, I mean Lily Kane.
At the start of the series, Veronica can look back at a very bad year. Her best friend died; her father, the former sheriff, was fired because of disapproval of his handling of the investigation; her boyfriend, Duncan Kane, and the brother of the deceased Lily, has broken up with her; because of her father's firing and the snubbing of her by Duncan and his friends, the formerly popular Veronica finds herself ostracized by her fellow students, especially after her drugging and rape at a party provide her with the label of being a party girl (all expressed by the superb theme song "We Used to Be Friends" by The Dandy Warhols); and in the aftermath of her father's firing, her mother mysteriously disappeared and hasn't been seen or heard from in months. But Veronica is nothing if not resilient, and she is not one to passively take the misfortunes that life heaps upon one. In other words, she has spunk, as well as a quick and inventive wit and lifetime supply of street smarts. Upon being made ex-sheriff, her father sets up as a private detective, and Lily serves both as his receptionist and aide, and ends up having a bit of a practice at school once her reputation as one who can resolve awkward situations begins to spread. By the end of the season one might find Veronica struggling with three mysteries at once, the ongoing one of Lily's death, as well as whatever her father is working on, and some friend at school.
All in all, I found the first season to be thoroughly fascinating and persistently entertaining. The structure of the narrative is a bit of a blend of the long-story-arc episode and the stand-alone episode. Each episode will move the core story for that episode forward, while also taking up any of a number of the ongoing mysteries. And there are a host of mysteries. For instance, we wonder about who are the biological parents of who, whether the have been inadvertent incestuous relationships, and characters who run away to escape the difficulties. Through it all it the utterly unflappable Veronica, utterly determined to get at the truth of things. By the end of the season the big arc for that season-who killed Lily Kane-is solved, thanks to Veronica.
Veronica Mars is a great character who is more than aptly handled by the extraordinarily cute Kristen Bell, who is perfect for the role except for the fact that she is a bit too old to be playing a high school junior. She is so otherwise perfect for the role it is easy to overlook the age gaffe. Although Veronica is a transparent girl-power heroine in the tradition of BUFFY, she stands apart from other such heroines such as Max Guevara and Sydney Bristow in not having especial super powers or abilities, and has no special mystical destiny. What is Veronica's special power? Her quick wit. That's it! She just thinks faster than others. She emerges as both a great strategic and tactical thinker, always two or three steps ahead of everyone else, always anticipating what someone else's response is going to be. Very rarely is she surprised by someone, or unable to response instantly to a variation.
The rest of the characters form a nice and believable group of characters. They largely fall into the competent and outstanding categories. In fact, the only three I would not place merely into the competent category are Enrico Colantoni, who is superb as Veronica's dad Keith. Though they sometimes disagree on things, throughout the show they are obviously the greatest of friends, and when they need to be, great colleagues. Keith tries to protect his daughter, but he also knows that she is someone of rather prodigious abilities, so he doesn't always try to stand in her way. He has a great kid, and he knows it. The only other cast member I think deserves especial notice is Jason Dohring as the mercurial Logan Echolls, who at various times in the course of the season is sadistic, vulnerable, angry, magnanimous, courageous, cruel, tender, grateful, selfish, and romantic. If you don't like him one week, wait a couple of episodes and reevaluate. One bit of casting irony should be noted. Francisco Capra plays Weevil, the head of the local motorcycle gang. In fact, he is a member of one of the most thoroughly connected families in the history of Hollywood, his great grandfather being the great director Frank Capra, his grandfather one of the great power brokers in Hollywood, and he father nearly as active in a host of tinsel town activities. So much for his outsider cred. Nonetheless, Capra, despite being the ultimate Hollywood insider, does a good job as one of the school's bad boys.
All in all, this was a great first season, with a great series of storylines, one of the best season-long mysteries to be unraveled in ages, and a group of characters we come to care for. The show ended with most of the loose ends tied up, probably in part an instance of defensive writing on the part of the production team. With a bevy of rather shocking cancellations in recent years, a lot of writers decide to end a season as if they were ending the season. WONDERFALLS is a great example of this. We are sure to see more. Thankfully, UPN renewed VERONICA MARS, so we'll get to see the spunky, resourceful, irrepressible high school sleuth back in action for a least one more season, and hopefully for more. And maybe, just maybe the powers-that-be in Hollywood will realize that this kind of quality scripted television with long story arcs, and not forgettable, cheap, unrehearsed reality shows are what viewers really want.
