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Lebendige Vergangenheit: Leonard Warren
 
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Lebendige Vergangenheit: Leonard Warren

Giuseppe Verdi , Amilcare Ponchielli , Charles Gounod , Jacques Offenbach , Georges Bizet , Gioachino Rossini , Ruggero Leoncavallo , Jean Paul Morel , Frieder Weissmann , Wilfred Pelletier , William Tarrasch , RCA Victor Orchestra and Chorus , Leonard Warren , Jan Peerce Audio CD
5.0 out of 5 stars  See all reviews (1 customer review)


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MP3 Download, 15 Songs, 2006 $7.99  
Audio CD, 1997 --  

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Product Details

  • Performer: Leonard Warren, Jan Peerce
  • Orchestra: RCA Victor Orchestra and Chorus
  • Conductor: Jean Paul Morel, Frieder Weissmann, Wilfred Pelletier, William Tarrasch
  • Composer: Giuseppe Verdi, Amilcare Ponchielli, Charles Gounod, Jacques Offenbach, Georges Bizet, et al.
  • Audio CD (April 22, 1997)
  • Number of Discs: 1
  • Label: Preiser Records
  • ASIN: B0000023P7
  • In-Print Editions: MP3 Download
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #543,793 in Music (See Top 100 in Music)

 

Customer Reviews

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6 of 6 people found the following review helpful:
5.0 out of 5 stars Magnificent performances by a legendary baritone, February 16, 2005
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This review is from: Lebendige Vergangenheit: Leonard Warren (Audio CD)
I agree with most of what was said in the previous review of this album, with one difference. Except for the 1941 recordings (and there are only 4 of them here), this is indeed Warren in prime dramatic form. The "Rigoletto" excerpts here compare favorably with his 1950 complete recording, and the cuts from "Trovatore" are remarkably similar to the same arias on his 1952 complete version.

Unlike Tibbett, whose singing was more sharply declamatory and intrinsically "inward-looking" in the presentation of his characters, Warren's genius lay in giving a well-defined character within the parameters of what the composer wrote. Indeed, except for the "Largo al factotum" here, one rarely hears Warren break the legato flow or over-hold high notes as many baritones since have done. Perhaps, to some ears, this is not "dramatic," but it was what attracted Toscanini to select him as his Rigoletto in 1943. Like his vocal coach, Giuseppe de Luca, Warren drew his character with fine shadings and coloration of the voice, much like his successor Sherrill Milnes, though Milnes lacked the metallic ring of Warren and Tibbett.

My biggest disappointment here was Jan Peerce's Don Alvaro in the "Forza" duet. He sings with accuracy, good tone and vocal heft, but there is no feeling of the tortured charatcer here, as one heard from Martinelli, Masini, Gregorian or Tucker at his best.

The transfers sound a bit dated because they include a great deal of the original 78-rpm surface noise, but with it they give us the full sound of Warren's voice. I always loved these recordings because, unlike his mono complete recordings, there was more "space" around the voice, and a voice as big as Warren's sometimes sounded a bit cramped or congested when the soundspace was too dry. In short, a valuable collection for those who already love Warren as well as those who have never heard him.
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