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Lee Krasner: A Biography Paperback – March 13, 2012
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“Art historian Gail Levin’s Lee Krasner is a quintuple whammy of a biography—the story of a major artist; a description of a notorious marriage; an education in 20th-century art; a gossipy immersion into Bohemian New York; and a settling of scores against those who practiced gender bias.” (O, The Oprah Magazine)
“Compelling. Art historian Gail Levin has drawn on her close association with Lee Krasner and extensive research to produce a biography that rings fair and true. (Los Angeles Times)
“It’s about time someone set the record straight about artist Lee Krasner.... Absorbing.... Succinct... Invaluable.... A compelling biography that is as important an addition to the library of American art as any book on Pollock.” (Chicago Sun-Times)
“For the love of art....Art historian Gail Levin frames the extremely colorful life of Lee Krasner, major ass-kicking Abstract Expressionist and formidable genius in her own right, better known for boosting the career of her splashier-than-life husband, Jackson Pollock.” (Vanity Fair)
“Art historian Levin befriended Krasner, starting when she was a grad student who interviewed the artist, and she gives Krasner a well-deserved full-fledged bio.” (New York Post (Required Reading))
Gail Levin’s stunning new biography finally proves Krasner’s relationship with Jackson Pollock was only a sliver of an enormously colorful life.... Levin’s biography ensures that Lee Krasner will never again be known merely as “Mrs. Jackson Pollock. (Minneapolis Star Tribune)
“Thorough.... A biography worth celebrating.” (East Hampton Star)
“[B]iographer Gail Levin sets the record straight: Krasner was a fierce, fascinating and gifted artist... Lee Krasner adds more luster, meticulously tracing the artist’s life.” (Cleveland Plain Dealer)
“Written with unassuming grace. This rigorously researched, straightforward account attempts to set the record straight about Krasner....the artist could not have found a more gifted biographer to retell her story and argue her case.... [a] fascinating and absorbing biography.” (Jewish Daily Forward)
“Meticulous Lee Krasner celebrates Krasner’s accomplishments as an artist, distinct from her famous husband. The book...gives voice to the indomitable but not invulnerable force of nature that was Lee Krasner . . . .Energetic, stubborn, seductive...Krasner comes memorably alive.” (Dan's Papers (Hamptons))
“Levin...is now the first to tell Krasner’s captivating story, writing with equal insight into her teperament, experiences, and art....A consummate scholar, marvelously lucid writer, and gracefully responsible biographer, Levin redresses glaring omissions in the history of abstract art in this imperative portrait of a formidable artist.” (Booklist (starred review))
“Levin deftly connects Krasner’s biography to the social and political upheaval of the time. Her long experience in the art world gives insight into the landscape of 20th-century artists, art dealers and museums.” (Kirkus Reviews)
“Gail Levin’s biography of Lee Krasner beautifully evokes a period in American art that laid the groundwork for the women artists of today. Lee... contributed wonderful work but also encouraged a whole new generation of artists. She grew into true generativity. Bless her and her biographer!” (Erica Jong)
“Rigorous research, deep knowledge of art and cultural history, penetrating analysis and a flair for storytelling bring to life a fully formed Lee Krasner. Those who never knew her will wish they had, and those who did will be amazed.” (Helen A. Harrison, Director of the Pollock-Krasner House and Study Center)
From the Back Cover
Lee Krasner is best known as the artist-wife of Jackson Pollock, the renowned abstract expressionist painter. Yet in this riveting biography, the first full-length account of her colorful life, Krasner emerges as a significant artist who deserves her place in the twentieth century's cultural lexicon.
In this captivating book, art historian Gail Levin probes Krasner's relationship with Pollock, examining how this strong woman struggled to meet the challenges of their poverty, as well as her husband's alcoholism and extramarital affair, all the while encouraging his art. Drawing on new sources and numerous personal interviews—including with Krasner herself—Levin has written a dynamic and moving portrait of a brilliant woman, a most welcome work that recovers Krasner's voice and allows us to understand how her life intersected with and informed her art.
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Top Customer Reviews
She was a powerful artist in her own right who because of the art world's discrimination against women was not given her due. Gail Levin's new biography is a much needed corrective to the view that Lee was just the little wife painting in the bathroom who kept shinning up Pollock's tarnished image.
As this book shows Lee was an artist of some note before she ever met Jackson. She was the one who shored him up and helped him find his own style as well as introducing him to an art world he did not know.
What emerges from this biography is a fresh look at Lee Krasner as a woman from a Jewish family trying to make a name for herself in art. It shows her to be a devoted wife and friend to Jackson Pollock despite his drinking and abuse of her love for him. It details her struggles to keep the marriage together and somehow integrate her art into this volitile mix. Levin's strong writing style, her intimate knowledge of the artist and the art scene give us a moving picture of what it meant to be a woman artist emerging during the 1940s and finally getting some recognition because of the women's movement in the late 1970s.
This book is a triumph of scholarship and will stand the test of time and those who refuse to take a fresh look at this extraordinary woman.
Levin writes from an informed position with regard to the artwork, troves of correspondence and articles from which to quote, and an acquaintance with the artist late in her life. Levin is clearly invested in her subject and sets out to correct some mistakes in the lore about the painter. The mistakes she focuses on fall roughly into two categories: the artist's place in the pantheon of Abstract Expressionists, and authorial missteps or misattributions. Correction in the former category of artistic merit is subjective, but prospective readers will want to know Levin is essentially a hagiographer in this volume. Correction in the latter category of previous writing mistakes turns out to be generally trivial, be they a purported Irving Sandler remark, tiny errors by Pollock biographers, or even the falling out between Krasner and dissertation writer Ellen Landau. Setting the record straight on these topics does little to sway the arc of Krasner's impressive life.
That life arc can be difficult to conceive in this book. A good deal of footnote material is included in the main text, leading a reader through numerous persons, dates, and institutions that are important to document somewhere but for biography purposes bog down the narrative.Read more ›
The fifties was the most exhilarating period in American art and Gail Levin has penned a book to match: a fast paced, fascinating, unputtable-downable read!
Most Recent Customer Reviews
Gail Levin is a well known art historian and her professional skills are apparent in the biography of Less Krasner as well. She leaves no stone unturned. Read morePublished 1 month ago by Elaine Shefer
Excellent material on Lee Krasner and some great views of the art scene which she was much earlier to than Jackson. But did Gail Levin ever throw away a notecard? Read morePublished 10 months ago by Tom Groenfeldt
Plenty of facts, but absolutely no insights. This is a biography without a protagonist--Krasner never emerges as a rounded individual, or even as a particularly interesting... Read morePublished 11 months ago by Peter G
I'm not a big fan of Abstract Expressionism. After reading this biography I gained a greater appreciation of it and especially of Krasner's work. Read morePublished 13 months ago by Lynda Gail Campbell
A good biography of Krasner's life, relations and artistic development despite the early blindness of art critics .Published 18 months ago by rose welch