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27 of 28 people found the following review helpful:
5.0 out of 5 stars
Incomparable, December 10, 2000
I recently learned in one of the trade magazines that Charles Todd is actually a mother-son writing team. No problem. From the outset, I've found this to be one of the most well-conceived, historically accurate series ever. The idea of a WW1 veteran tormented by the Scottish burring of comments and observations (inside his own head) of a solider he admired and respected, yet had to condemn to death on the battlefield shouldn't work. But it does. It's no small accomplishment; neither is the circuitous plotting and stunning characterizations-of even the most minor characters. Each book deals less with who-did-it and far more with why-did-s/he-do it; and the convoluted rationales of the central characters are never short of fascinating. What I found particularly enjoyable about Legacy Of The Dead was the meticulous detailing of the search for Eleanor Gray, missing for three years; as well as the identity of the child in possession of the heroine, Fiona MacDonald, who is imprisoned on a charge of murdering the nameless skeletal remains of a woman (who might or might not be Eleanor Gray). This is sleuthing at its best. I've loved each book in this series, and this latest met my every expectation. I recommend the series wholeheartedly.
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18 of 20 people found the following review helpful:
4.0 out of 5 stars
Legacy Of The Dead, October 19, 2000
Fiona MacDonald came to live with her aunt in Duncarrick as a young war widow with a baby. At first, she is accepted by the villagers. But after her aunt's death, Fiona becomes the victim of a vicious smear campaign. Someone has been circulating annonymous letters, accusing her of wantoness. And soon, she is effectively shunned by nearly everyone in the community . Not content with the misery he or she has caused Fiona, her unseen enemy soon ups the stakes and accuses her of having committed murder in order to steal the baby for herself. Fiona is unable to refute the charges or to prove that the child living with her is her's. And when a few months later the police uncover the remains of a young woman, Fiona is arrested and charged with murder based on the circumstancial evidence. Ian Rutledge is sent north to placate Lady Maude Gray. The police believe that the remains they found may be those of her missing daughter's, Eleanor, and that the child Fiona had been rearing could be Eleanor's baby. However Lady Maude is outraged at such a notion and refuses to help in the investigation. She is unwilling to believe that Eleanor is dead or that she could have borne a child out of wedlock. Rutledge has been sent in to soft soap her, and to see if he can gain her trust and cooperation. He has very little success with the harsh and proud lady. And when Rutledge goes to Duncarrick to meet the woman who is at the center of all this mystery, he is stunned to find that he recognises Fiona as Hamish MacLeod's fiance. MacLeod is the young man he executed for refusing to fight, and whose ghost is currently haunting him. Rutledge feels that he must help Fiona, but he faces the distrust and anger of a community bent on punishing her for imagined misdeeds. He tries to get her to confide in him, but she refuses. Fiona is full of secrets that are not her's to divulge, and she seems to have chosen death over breaking faith with whomever she made the promises to. Rutledge realises that he must discover what happened to Eleanor Grey in order to save Fiona from the hangman's noose. But the harder he digs, the more evidence he seems to find that points to Fiona's guilt. This seemingly simple plot posseses many intriguingly complex subplots -- whose child is Fiona raising? Whatever did become of Eleanor Grey? Why was no one interested or curious about what had become of her since 1916? And who is Fiona's deadly enemy and what is the cause of all this fury he or she feels towards her? Charles Todd spins quite an intricate web, that draws you in and keeps you guessing. And he paints a wonderfully vivid picture of a small Scottish community just after WW1: cold and narrow, dour and humourless, grounded in a Knox-like righteouness that has very little room for compassion and understanding. Todd also paints a vivid portrait of two brave and courageous women: Fiona and Eleanor. Fiona who puts her loyalty and frienship for another above her own well-being; and Eleanor who had the courage to leave her previleged life behind in order to do something worthwhile with her life. A very intricate and interesting novel that is also rich in atmosphere. A wonderful read.
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11 of 12 people found the following review helpful:
3.0 out of 5 stars
No wrap up!, May 18, 2010
This review is from: Legacy of the Dead (Inspector Ian Rutledge Mysteries) (Mass Market Paperback)
I really thoroughly enjoyed the entire story, the characters, the progression. And then the ending was abrupt and unsatisfying. Like the author ran out of paper at the end and didn't feel like going to the store to get more. Epilogue. I need an epilogue. I want to know how Lady Maude dealt with the truth. I want to know how Rutledge's uncle deals with it all. I want to know what happens to the kid. I want to know if Rutledge's boss took advantage of how it played out to torment Rutledge more. I really resent it when authors get hours of commitment from me (I listened to the audio version so I couldn't even peek ahead to see the ending) and then dump me.
It feels disrespectful of the characters, of the plot, of the story, of the reader - the author(s) leaves too many loose ends. Yeah, we know the key stuff like who killed whom and from where the boy came, and the bad guys are dealt with ok. But this book was rich with characters and story lines which engaged the reader, and to give no info on how those areas came together is beyond disappointing.
So I'd give the story 5 stars, and the ending minus 1 star.
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