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Legal Aspects of the Music Industry (Paperback)

by Richard Schulenberg (Author) "The purpose of this work is to study in detail legal aspects of the music industry, often through an analysis of representative contract provisions in..." (more)
Key Phrases: records hereunder, minimum delivery obligation, minimum recording obligation, United States, Copyright Act, New York (more...)
3.5 out of 5 stars See all reviews (10 customer reviews)


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Editorial Reviews

Product Description
A valuable resource for record labels and recording artists alike, Legal Aspects of the Music Industry offers a critical analysis and a multitude of samples of contracts and agreements commonly used in the music business. Based on the author's thirty years of experience as a music business attorney, and the use of earlier version of this title as the core text of his UCLA extension class, "Legal and Practical Aspects of the Music Industry," this is one professional reference title that no one in the business should be without.

Topics covered include artist recording agreements, independent producers agreements, master purchase agreements, production agreements, option agreements, video, and copyright issues among many others. In addition, a glossary of terms is provided for the legally uninformed.

About the Author
Richard Schulenberg was director of business affairs for CBS Records and general counsel of the music division of Paramount Pictures. He lives in Los Angeles.


From the Hardcover edition.


Product Details

  • Paperback: 512 pages
  • Publisher: Billboard Books (February 1, 1999)
  • Language: English
  • ISBN-10: 0823083276
  • ISBN-13: 978-0823083275
  • Product Dimensions: 9.9 x 6.9 x 1 inches
  • Shipping Weight: 2 pounds
  • Average Customer Review: 3.5 out of 5 stars See all reviews (10 customer reviews)
  • Amazon.com Sales Rank: #665,794 in Books (See Bestsellers in Books)

    Popular in these categories: (What's this?)

    #37 in  Books > Professional & Technical > Law > Business > Entertainment
    #38 in  Books > Nonfiction > Law > Business > Entertainment
    #53 in  Books > Nonfiction > Law > English Law > Employment

Inside This Book (learn more)
First Sentence:
The purpose of this work is to study in detail legal aspects of the music industry, often through an analysis of representative contract provisions in industry agreements. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
records hereunder, minimum delivery obligation, minimum recording obligation, foreign distribution agreements, third party record company, unrecorded masters, compositions hereunder, album hereunder, royalty acceleration, minimum recording commitment, recording sessions hereunder, records embodying performances, such leaving member, foreign subpublishing agreements, renewal term hereof, public performance fees, administering publisher, aggregate mechanical royalty, applicable wholesale price, note that subparagraph, royalties under this agreement, subdistributor price, mechanical license fees, container deduction, following aggregate amounts
Key Phrases - Capitalized Phrases (CAPs): (learn more)
United States, Copyright Act, New York, Rome Convention, California Civil Code, Artist Agreement, Leased Territory, American Federation of Musicians, Example Artist, United Kingdom, Business Affairs, California Code of Civil Procedure, California Labor Code, Columbia Records, Capitol Records, Commitment Album, Los Angeles, Ten Thousand, Album Advance, Black Box, Major Label Branch Distributor, Artist Distributor, Distribution Masters, Writer's Agreement, Fiscal Year
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Customer Reviews

10 Reviews
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Average Customer Review
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Most Helpful Customer Reviews

 
44 of 45 people found the following review helpful:
5.0 out of 5 stars Your right to know inthe Music Industry, December 29, 2000
By E. Peltier "doormouse" (North Arlington, New Jersey United States) - See all my reviews
(REAL NAME)   
In the beginning there was music as a form of communication. Next it became an art limited by a composers own imagination. Now it is a multi-billion dollar a year industry governed by more legal aspects than one could possibly imagine. Wading through the exceptional amount of contractually paperwork and legal jargon defining the complexity of the music business is Legal Aspects of the Music Industry. From lawyers looking for a simplified explanation for a client, to artists looking to better arm themselves to all the label reps, producers, managers, agents and so on in-between Legal Aspects... leaves no one out and no stone unturned. The wide ranging overview includes contractual explanations for royalty administration, publishing, distribution, master ownership, performance rights, management, booking, production, recording, videos, soundtracks, licensing, copyright and more. The presentation of these contracts and legal explanations is what makes Legal Aspects...

so valuable. Their original forms, including all the jargon and legalese is included and then broken down point by point, explaining the finer parts in the text and including full translations of terms and phrases. Alternate provisions are included as well as explanations as to what they entail and how they change the original textual concepts presented. All of this is then enlivened by personal experience and a range of real world examples. Legal Aspects... helps to break down the barriers between the legal, artistic and business worlds in such a way that it works both as a basic educational tool in the way it reads and a valuable reference manual in the way it is laid out. The explanations are clear and concise covering with wit and wisdom a wide array of legal ideas which present themselves on a daily basis in the music industry. It is easy to see after even just glancing through the pages that Legal Aspects... can prove invaluable for anyone even threatening to try and become a part of the business of bringing the art of music to the masses. It is not, however, meant to be a replacement for a qualified attorney who can work with the specifics of situations that are only presented as a boiler plate ideas in the book. Intellectual property and relationship contracts are very complex and dynamic legal ideas and require more than just words on a page in a single book to comprehend even partially. Legal Aspects... works as an excellent starting point to understanding their intricacy. The degree to which Legal Aspects... is written it is easy to follow and provides enough detail to be incredibly informative without bogging down the reader. It allows anyone with legal questions in the music industry to obtain the expert-type advice and beginning legal direction to better prepare them for the obsticals which still lie ahead.

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25 of 26 people found the following review helpful:
5.0 out of 5 stars How to Avoid Getting Ripped Off in the Music Industry....., December 20, 1999
By A Customer
A friend in the entertainment business gave me Legal Aspects of the Music Industry as an early Christmas present when I told him I was thinking of handling my cousin's band. There are other books on the "music industry" but this one gives you a step by step run down of how to avoid being ripped off and how to get things done right...from the start. Schulenberg knows his stuff particularly contracts and rights. Even if you are contemplating a career in the music business, get this book, it's worth every penny!
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8 of 9 people found the following review helpful:
3.0 out of 5 stars ALL THE LEGAL ASPECTS...AND SOME OF THE PRACTICAL ONES, March 22, 2004
By Gian Fiero (Los Angeles, California) - See all my reviews
If you are an aspiring music artist or a personal manager, you will inevitably come into contractual situations that require the employment of an entertainment attorney. This book will help you to understand some of the basic clauses that are found in most of the common industry contracts; however, for the true industry novice, much of the information contained here will go over your head. It does provide shrewd, practical advice on how to approach legal situations in a general sense, but its effectiveness will be best maximized when used to understand and improve communications with your attorney about whatever legal situation you are considering or negotiating.
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Most Recent Customer Reviews

1.0 out of 5 stars No Legal Aspects of the Music Business Found Here!!!
This book was not informative at all. There was no insight into the legal aspects of the music business. I was extremely disappointed in the content. Read more
Published 19 months ago by D. Nelson

5.0 out of 5 stars An Excellent Intro to Music Contracts
When my Entertainment Law professor told his partners that he was going to start practicing Entertainment Law they weren't quite sure exactly what it was he was doing. Read more
Published 24 months ago by M. A. Upshaw

5.0 out of 5 stars Intermediate Level Music Law
This is (for the most part), clearly written in a straightforward manner, but you'll waste a lot of time if you don't already have a foundation. Read more
Published on June 1, 2007 by Adam Frange

4.0 out of 5 stars Good coverage
Many people get al excited when they first try to get into the music business only to get shot down by the many intricate twists and turns involving all the legal aspects of... Read more
Published on May 18, 2006 by Crystal

1.0 out of 5 stars FUD!
So does the author work for the RIAA?" Was my first thought when poking throught this book. Nice content overall, but I simply cannot recommend this book based on one thing alone... Read more
Published on May 9, 2005 by Adam L. Lobaugh

1.0 out of 5 stars Follows typical FUD thought...
"So does the author work for the RIAA?" Was my first thought when poking throught this book. Nice content overall, but I simply cannot recommend this book based on one thing alone... Read more
Published on May 9, 2005 by Adam L. Lobaugh

5.0 out of 5 stars Great book but you need to be a lawyer to truly absorb it
This is a great, in depth book. It's almost impossible to absorb everything without being a lawyer but still, a great primer for anyone interested in the legal side of the music... Read more
Published on January 4, 2004 by Jennifer L. Yeko

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