From Publishers Weekly
Hodges (Saint George and the Dragon) masterfully adapts William Caxton's 15th-century translation of The Golden Legend to serve up a saint's tale with strong folkloric elements. Offero, a strong man who works as a bearer (porter), wants to serve the greatest king in the world. When he discovers that the king fears the devil, Offero concludes the devil is mightier, and serves him until he learns that the devil fears Christ. Offero's search to serve Christ teaches him that his own inner grace is even stronger than his physical prowess. Watson's (The High Rise Glorious Skittle Skat Roarious Sky Pie Angel Food Cake) artwork achieves a startling blend of the ancient and the timeless, the archetypal and the particular he paints narrative elements in representational oils, reserving the backgrounds for abstract patterns that hint at the mythic roots of legend. All ages.
Copyright 2002 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.
From School Library Journal
Grade 2-6-Hodges does a fine job of adapting and retelling the saint's story from William Caxton's 15th-century Golden Legend, acknowledging that these tales were not meant to be historical. Offero has a desire to serve the greatest king in the world. He serves a variety of masters, including a monarch and a cruel devil, believing each is the greatest ruler, until the sign of a cross causes the devil to flee, and Offero looks for Christ. A hermit tells him that he should take travelers across the river to find Christ, and one night he carries a young boy who becomes so heavy that he feels like the world is on his shoulders. The child is Christ, carrying the burdens of the world. Changing the man's name to Christopher, which means the Christ-bearer, Christ sends him back to the river to continue helping travelers. Hodges's style is fluid and has the cadence and rhythm of an experienced storyteller. The text is well illustrated by Watson's sometimes complex, full-page paintings done in oils on acrylic. While the figures are realistic, the backgrounds are mysterious and impressionistic, dark and somewhat foreboding until after the encounter with Christ, when they become infused with light. As she did in St. Jerome and the Lion (Orchard, 1991; o.p.), Hodges brings the story to life for young readers.
Jane G. Connor, South Carolina State Library, ColumbiaCopyright 2002 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.