Legendary Prestige Quintet Sessions [Box set, Original recording remastered]

Miles Davis | Format: Audio CD

Product Details

• Audio CD (May 23, 2006)
• Original Release Date: 2006
• Number of Discs: 4
• Format: Box set, Original recording remastered
• Note on Boxed Sets: During shipping, discs in boxed sets occasionally become dislodged without damage. Please examine and play these discs. If you are not completely satisfied, we'll refund or replace your purchase.
• Label: Prestige
• ASIN: B000F5GNXS
• In-Print Editions: MP3 Download
• Average Customer Review: 4.6 out of 5 stars  See all reviews (13 customer reviews)
• Amazon Best Sellers Rank: #21,254 in Music (See Top 100 in Music)

Track Listings

Disc: 1

1. Stablemates

2. How Am I To Know

3. Just Squeeze Me

4. There Is No Greater Love

5. The Theme

See all 10 tracks on this disc

Disc: 2

1. It Could Happen To You

2. Woody'n You

3. Ahmad's Blues

4. Surrey With The Fringe On Top

5. It Never Entered My Mind

See all 12 tracks on this disc

Disc: 3

1. 'Round Midnight

2. Half Nelson

3. You're My Everything

4. I Could Write A Book

5. Oleo

See all 10 tracks on this disc

Disc: 4

1. Steve Allen Intro

2. Max Is Making Wax (Aka Chance It)

3. Steve Allen Intro 2

4. It Never Entered My Mind

5. Tune Up

See all 10 tracks on this disc

Editorial Reviews

Amazon.com

So which was the greater Miles Davis quintet, the legendary postbop band of the '60s featuring Wayne Shorter, Herbie Hancock, Tony Williams and Ron Carter or the proto-bebop unit of the '50s featuring the emerging John Coltrane? As properly celebrated as the former is, a strong argument can be made for the latter, which in pouring out five albums' worth of material for Prestige in three marathon sessions (to fulfill a contract) took the group aesthetic to dazzling heights--and has been endlessly imitated ever since. Driven by the rhythm section of Red Garland, Paul Chambers and Philly Jones, this band was a remarkable blend of whiplash power and airy emotion--not always perfect or polished, but with the sublimely contained Davis and fiercely uncontainable Coltrane playing off each other, always eventful. (The familiar songs include "Oleo," "If I Were a Bell," "Four" and "My Funny Valentine.") To entice those who already own Chronicles: The Complete Prestige Recordings (1951-1956) or the individual quintet albums (including "Cookin'" and "Relaxin'"), The Legendary Prestige Quintet Sessions offers a bonus disc featuring previously unrecorded radio and TV performances from 1955-58 of acceptable sound quality. Two tracks are from a 1955 installment of The Tonight Show with Steve Allen (whose hipster reputation is retroactively diminished by his painfully square remarks). An intriguing later track, pointing toward Kind of Blue, features Bill Evans at the piano. The enhanced portion of disc four includes transcriptions of five Davis solos. Though the package's cover painting by Davis won't make anyone forget Picasso, the 40-page booklet boasts characteristically incisive notes by Bob Blumenthal. --Lloyd Sachs

More Miles Davis

Walkin'	Chronicle: The Complete Prestige Recordings (1951-1956)	Prestige Profiles
Kind of Blue	The Complete Bitches Brew Sessions	The Complete Columbia Recordings, Miles Davis & John Coltrane

Product Description

MILES DAVIS The Legendary Prestige Quintet Sessions (2006 US 47-track four CD set featuring the first great quintet recorded in 1955 with disc four including an enhanced video section to accompany the bonus live tracks including the full content on the original albums The New Miles Davis Quintet Cookin Relaxin Workin and Steamin complete with forty page illustrated booklet in a wonderful 6" x 11" book pack PRCD4-4444-2)

Customer Reviews

Most Helpful Customer Reviews

46 of 47 people found the following review helpful:

5.0 out of 5 stars Miles' "PreColumbian" Period Gets an Upgrade, May 29, 2006

By 

Richard B. Luhrs (Jackson Heights, NY United States) - See all my reviews
(REAL NAME)   

This review is from: Legendary Prestige Quintet Sessions (Audio CD)

Considering the size of Miles Davis' 1951-56 Prestige Records catalogue, it's surprising that only a single, all-encompassing fifteen-disc effort has been made to compile it - and that well over a decade ago. Wonderful remastered editions of many of the trumpeter's more important mid-fifties albums, including most of those featured on THE LEGENDARY PRESTIGE QUINTET SESSIONS, have since followed; but this is the first boxed edition to present all of and only the original Miles Davis Quintet's Prestige work. In the current "Let's release everything!" era, it's safe to call this a welcome addition to Miles' ever-growing discography.
With John Coltrane blowing tenor sax, Red Garland tickling the ivories, Paul Chambers handling the low end and Philly Joe Jones alternately keeping and reinventing time, Miles' first great quintet would have qualified as a major force in jazz on the strength of its personnel alone. The music this unit crafted, however, was of course some of the finest jazz of its era, and forged a link between the bop and cool schools which would influence practically everything that followed. Most of the compositions here may be covers; but if anything that only emphasizes the power and importance of this band's approach to a piece of music.
Amazingly, three discs - none much over an hour in length - are sufficient to tell the complete story of the Quintet's tenure at its first label, with most of the material recorded in a two-day marathon so that Miles and Company could move to the ostensibly greener pastures of Columbia Records. As a result, there are no outtakes or (except for Miles' set closer "The Theme") alternate versions here; what you get is basically a long live gig as performed in the studio, which is really all you could want from such a distinguished combo.
As for the box itself, the packaging is beautiful and quite protective of the discs, with a removable book providing all necessary details and some classic photos to complement these classic sounds as they issue from your speakers. The fourth disc, featuring television and club recordings from both the band's Prestige and Columbia eras, makes for a fine coda and connects this material to the later music represented in Columbia's ongoing series of Miles Davis boxed sets. A first-class job, in short, and one which Prestige would do well to follow up with similar packages chronicling Miles' early years on the label.

38 of 39 people found the following review helpful:

5.0 out of 5 stars Prestige knocks one out of the park again!, May 24, 2006

By 

Benjamin J. Walters "box set hound" (SF, CA) - See all my reviews
(REAL NAME)   

This review is from: Legendary Prestige Quintet Sessions (Audio CD)

Let me start by saying that I own a few Prestige sets already: Dexter, Sonny, Coltrane, etc. So when my birthday started coming up, I began researching the Miles set. I was hesitant about asking people to shell out $125 for the 8-disc "Chronicle" set, or to spend a bunch of time looking for a used copy that looked new. Imagine my surprise to find this 4-disc set for a fraction of the price! And I only wanted the "good" stuff anyway, right? Perfect!
First impressions after taking it from the Fed Ex guy: the fold-out design like Blue Note used on the Dexter and Herbie sets is waay easier to use one handed when you're changing discs. It's simple, functional, slim on the shelf, and is something you want to show off - thanks to the elegant cover painting by Miles. There is the usual overflowing booklet (40 pages) that I've come to expect from Prestige. It slips nicely inside a holder right in the middle, so it doesn't get all creased to hell when you go to thumb it out as in some previous Prestige sets.
Now for the music. I hate to be the one to say this, but even if you own "Chronicle", you're going to want/need to pick this set up as well. The reason is this: only the first 3 discs are the studio recordings. All tracks on disc 4 are previously UNISSUED!! Tracks 1-4 are from the Tonight Show w/ Steve Allen in '55, 5 & 6 are from the Blue Note in '56, 7-10 are from Cafe Bohemia in '58. So not only are they "live & rare", but you get to hear some development as well. The icing on the cake is that if you pop disc 4 into your pc, you can access Pete Estabrook's transcriptions of 5 Miles solos. I haven't had a chance to verify this yet, but Prestige claims these are suitable for printing.
So, to recap - excellent packaging, excellent sound, unexpected special features. If I could give more than 5 stars I would!

19 of 19 people found the following review helpful:

5.0 out of 5 stars Among the first of many giant steps made by Miles Davis!, May 27, 2006

By 

J. Lund "jazzbrat" (SoCal, USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: Legendary Prestige Quintet Sessions (Audio CD)

With this 4CD boxed set, Prestige falls right in line with the outstanding series of Columbia-era Miles Davis boxed sets. In this case, the label's recordings by what many regard as Miles' first great small group gets freshly remastered and packaged. Yes, with the exception of the bonus tracks this material has been -- and still is -- available in a number of configurations. This just happens to be the best attempt yet to organize all of the quintet material (1955-1956) into a one-size-fits-all set. Furthermore, although the cover artwork could have gone either way -- classic or contemporary -- to good effect, I like the choice to use 1980s-era artwork by Miles himself, which sort of symbolizes the timelessness of the music.

Putting aside the details of the music itself for a moment, I've always been fascinated by the fact that the majority of the tracks included here were rush-recorded in two marathon sessions, solely aimed at fulfilling Davis' contract with Prestige after he had signed and already begun recording for Columbia (which is why most of the music here was recorded AFTER the earliest sessions on the Sony boxed set THE COMPLETE COLUMBIA RECORDINGS 1955-1961). For the 1956 dates, Miles basically decided to take his current working group into the studio and in effect play two concerts (sans audience), with one-take run-throughs of his live repetoire. As happened so often during Miles' career, his unconventional approach resulted in music with an electricity and level of inspiration that stays fresh no matter how many times one listens to it, or how much time has passed since the recording dates.

Although the result is that for the most part no new compositions are performed, that loss is not felt because the focus is less on the songs -- as great as the mix of tunes is here -- than on the personnel. At the time some questioned Miles' choice of sidemen (reedman John Coltrane, pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones). Yet what is obvious from every track here is how well the parts quickly came together to produce a greater sum than what might have been predicted beforehand. The tunes generally fall into two categories: 1) pop standards (including some ballads associated with Frank Sinatra), and updated versions of classic bebop-era compositions. Lastly, the studio cuts comprise the first three discs, while the fourth CD presents several tv and radio airchecks that are officially released for the first time (more great music, but not quite-as-good sound quality as the brilliantly-recorded studio cuts). There's some interesting ECD material as well. Overall this set is a must for first-time buyers and a great way to upgrade for those who already own some or all of this material.