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19 of 19 people found the following review helpful:
5.0 out of 5 stars
Kunz and Gedda at their best!, January 17, 2000
By A Customer
This review is from: Lehár: Die lustige Witwe (The Merry Widow) ~ Philharmonia Orchestra and Chorus (Audio CD)
Having heard quite a number of performances, this recording is still the one that I will go back with great pleasure. Gedda and Kunz are simply gorgeous. The meltingly beautiful love duet between Gedda and Emmy Loose has never, never have been matched. Kunz's Danilo makes all the authentic tenor Danilos sound like a little boy. Kunz's charming, gently seductive voice was made to sung this role. Schwarzkopf is in better voice here than in the remake and she too beat pretty much all the competitors (with the possible exception of Hilde Gueden). Emmy Loose's lovely voice adds extra glory to the wonderful cast. Ackermann's conducting may not have the incisiveness of Matacic, but has a beautiful, nostalgic atmosphere that is quite appropriate for the music. The recording is in mono, but has a fine warm quality, unlike many of the metallic sounding digital recordings. In short, this is a gem!
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7 of 7 people found the following review helpful:
5.0 out of 5 stars
The Best!, June 25, 2000
By A Customer
This review is from: Lehár: Die lustige Witwe (The Merry Widow) ~ Philharmonia Orchestra and Chorus (Audio CD)
Listeners who want to hear the very best recording of perhaps the best Viennese operetta should listen to this one. Gedda, Schwarzkopf,and Loose are splendid, but Kunz's witty, warm combination of dialog and singing provides the spice wich makes this an extremely satisfying performance.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
The cheapest way to aquire a uniquely delightful recording, April 15, 2007
This review is from: Lehár: Die lustige Witwe (The Merry Widow) ~ Philharmonia Orchestra and Chorus (Audio CD)
This older CD issue of EMI's 1953 Merry Widow is out of print but extremely cheap here at Amazon Marketplace. The sonics are favorably comparable to the latest remastering, in large part because the original sonics are fairly mediocre to begin with.
This classic portrayal from Schwarzkopfdoesn't need any more accolades, but I wanted to say how much joy it has brought me over the years. I have bought several modern Widows, too, but thrown them all away. This gem will be remembered as long as the work itself, and it's all the more amazing since Schwarzkopf never performed in a staged operetta of any kind.
I came late to Schwarzkopf's mono Merry Widow under Otto Ackermann, which finds her in even more ecstatic voice than in her acclaimed stereo remake. Many listeners may prefer Erich Kunz, whose Danilo is mellower and less fiercely temperamental than that of Wachter in the later set. No one should miss either recording, given the shortfall of joy these days.
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