Amazon.com Review
Leni Riefenstahl: Five Lives traces the fascinating and controversial life and work of the famous German photographer-filmmaker. Riefenstahl started her creative career as an aspiring dancer in the 1920s in Germany and then became a movie actress. She starred in a number of films, taking challenging roles that were sometimes dangerous and physically rigorous, such as the ice-bound and skiing roles in
Storm over Mont Blanc,
The White Flame, and
SOS Iceberg. These outdoor films foretold the spirit of adventure that later guided Riefenstahl's photography career.
The crux of controversy that overshadows Riefenstahl's career is her handpicked appointment by Adolf Hitler to direct the infamous Nazi party rally film Triumph of the Will. Although, according to her memoirs, Riefenstahl tried to withdraw from the film, she created a work that depicted Hitler's plane descending from the clouds as if it carried a god, and she has been accused "of having significantly increased, by means of this film, the emotional bond of the Germans to Hitler." Riefenstahl then went on to direct the German film Olympia covering the 1936 Olympics. With WWII came great change and Riefenstahl's eventual imprisonment by the French. In her later years, she continued her photography career by documenting her trips to Africa and getting her scuba license in her 70s. Her close-up underwater pictures of sea life float like a dream in vivid color. For as damning as her association with the Nazis is, Riefenstahl is a complex and talented artist. This book is full of remarkable images of her acting and directorial career as well as her still photography, and it includes a detailed biography of her life and career--complete with family and personal pictures. --J.P. Cohen
From Library Journal
Produced in collaboration with the artist, now 98, the latest in Taschen's oversized photographers' series showcases Riefenstahl's undeniably unique life here called "lives" as a dancer, actress, photographer, filmmaker, and, most recently, deep-sea diver. Mostly, it is a collection of reproductions of stills from her films and photos from her various books (Last of the Nuba and others have been reissued by St. Martin's in recent years). Although her talent is clear and the work speaks for itself in many ways, larger questions invariably arise. She is certainly one of the most controversial figures in 20th-century arts, and it is nearly inconceivable to discuss her without also examining her connection to Hitler and her years as his favorite filmmaker. Yet the contributors here either gloss over such troubling historic issues or take the artist at her word. In this regard, the book recalls Riefenstahl's dissembling 1995 memoir, though it would best be paired in library collections with the critical biographical film The Wonderful, Horrible Life of Leni Riefenstahl. Still, this is a fine, affordable choice for libraries that don't already own Riefenstahl's individual photography books. Douglas McClemont, New York
Copyright 2001 Reed Business Information, Inc.