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Technical Details
Size: Nikon F
- Brand Name: Lensbaby
- Model: LBCN
- Lens Type: tilt-shift
- Minimum focal length: 50 millimeters
- Maximum focal length: 50 millimeters
Product DetailsSize: Nikon F
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Product Description
Size: Nikon F
From the Manufacturer
The Lensbaby Composer is a manual focus SLR lens based on a ball and socket configuration that delivers smooth selective focus and other creative photography looks with unparalleled ease. It comes with the selective focus Double Glass Optic installed, which delivers a Sweet Spot of sharp focus surrounded by graduated blur. The Composer also features the Lensbaby Optic Swap System which includes several selective focus as well as other creative optic options. Photographers can simply tilt the Composer to a desired angle and then focus with a manual focusing ring. The Composer stays in the desired bent position without requiring a locking mechanism.
The Composer features a unique manual focus design which requires more rotation to move the optic as focus approaches infinity. This makes it easier to focus on objects at intermediate and distant depths than regular manual focus lenses.
How to Use the Composer
The Composer is a breeze to use. Simply bend the lens to move the Sweet Spot and then focus.
The Composer stays in its bent position without needing to be locked. If you want to ensure the Composer will not move during an extended shooting session, you can lock the lens's position by rotating the Locking Ring. This locking feature makes the Composer ideal for studio photography or for longer or repeated exposures.
Composer Product Specs:
The Composer features a unique manual focus design which requires more rotation to move the optic as focus approaches infinity. This makes it easier to focus on objects at intermediate and distant depths than regular manual focus lenses.
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The Composer is a breeze to use. Simply bend the lens to move the Sweet Spot and then focus.
The Composer stays in its bent position without needing to be locked. If you want to ensure the Composer will not move during an extended shooting session, you can lock the lens's position by rotating the Locking Ring. This locking feature makes the Composer ideal for studio photography or for longer or repeated exposures.
Composer Product Specs:
- Great for a smooth and precise shooting style
- Ships with the Double Glass optic installed (a multi-coated optical glass doublet)
- Features the Lensbaby Optic Swap system
- Focal Length: 50mm
- Focus Type: Manual
- Features a unique barrel focusing ring that becomes more sensitive (requiring greater rotation to move the optic in and out) as focus approaches infinity, making it easier to focus on subjects from 10 feet to infinity.
- Aperture Type: Interchangeable levitating aperture disks
- Apertures: f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16, f/22
- Minimum Focus: about 18” (46cm) / Maximum Focus: Infinity
- Size/Weight: 2.5” (6.35cm) high x 2.5” (6.35cm) wide / 5.5 oz (155.9g)
- Lensbaby Optic Swap System (LBOBUND)
- Lensbaby Accessory Kit (LBABUND)
- Lensbaby 0.42 Super Wide Accessory Lens (AWA42)
- Lensbaby Step-Up/Shade (LBASTEP)
- Lensbaby Soft Focus Optic (LBOSOFT)
- Lensbaby Fish Eye Optic (LBOFE)
- Lensbaby Custom Lens Case for Composer and Muse lenses (LBCCM)
- Focal Length: about 50 mm
- Focus Type: Manual
- Aperture Type: Interchangeable, magnetic aperture disks
- Apertures: f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16, f/22
- Minimum Focus: about 18 inches (45cm) / Maximum Focus: infinity
- Size: 2.25 inches (5.7cm) h x 2.5 inches (6.35cm) w / Weight: 3.7 oz (104.9g)
- No electronic communication between the lens and the camera body
- Available in mounts for Canon EF (EOS), Nikon F, Sony Alpha A / Minolta Maxxum, Pentax K / Samsung GX, Olympus E1 / Panasonic Lumix DMC
- Automatic light metering is possible by shooting in aperture priority mode for almost all digital and film SLR camera bodies except certain Nikon bodies including the D40, D50, D60, D70, D70S, D80, D90, D100, N50, N65, N70, N75, N80, Kodak 14N and ProN, and Fuji S1, S2, and S3
- Composer Lens with Double Glass Optic and f/4 aperture disc installed
- Aperture case containing f/2.8 through f/22 apertures
- Front and rear lens caps
- Microfiber bag
- Microfiber lens cloth
- User guide
- Bend the Rules book
Product Description
All Lensbaby™ selective focus SLR camera lenses provide photographers with a new way to control depth of field by bringing one area of a photo into sharpest focus with that Sweet Spot surrounded by graduated blur. By bending the Lensbaby lens, the photographer moves the sharp area around the photo for customized creative effects.
Available Warranties for This Item
Size: Nikon F
Customer Reviews
Most Helpful Customer Reviews
220 of 236 people found the following review helpful
By Rick
Size Name:Canon EF|Amazon Verified Purchase
I took the time to use the Lensbaby Composer on my Panasonic G bodies, my Canon 40D and my Canon 5D Mk II for a total of about 200 purposeful images before writing this review. I didn't want to approach the Lensbaby with any bias or preset expectations, nor did I want to prematurely fire off a trivial review after taking a few casual images. I hope you find this review helpful.
I consider the Lensbaby prices rather steep for what you get, so I held off buying one for quite some time. The Composer looked to me to be the first viable implementation of the Lensbaby, not being attracted to the hand and finger gyrations required to work the other versions such as the Original, 2.0, and Muse. I also wanted to be able to lock in specific shots.
Mechanically, I was disappointed with the operation of the manual focus ring. It is not smooth and consistent during its entire rotation. At the closest focusing distance, the ring rotation is jerky. After a quarter of a turn or so, it smooths out and becomes consistent. Unfortunately, many of my shots are taken at or near the minimum focus distance. For a manual focus lens only, the Composer needs to provide an optimal focus experience. It misses the mark. I can live with it, yes, but it's annoying and shouldn't be happening on a lens in this price range. The mount, however, is machined nicely and fits snugly. The locking ring works well, allowing a good degree of how much friction you want applied to the lens movements. The lens cap is of questionable build quality, and the lettering on the front of it arrived partially rubbed off, or never painted on. Not very attractice for a brand new lens.
Optically, the Composer comes with the Double Glass Optic, consisting of only two glass optical elements, each multicoated. Being a primitive optical formula with erratic (if any?) quality control, you can rest assured of chromatic aberration, vignetting, decentering, flare, veiling, distortion, and any number of optical gremlins that normally leave photographers in painful grimace. Once you start twisting and turning the Composer to move its "sweet spot", what Lensbabians call "bending", those gremlins multiply and intensify. If the Lensbaby teaches you nothing else, it will be an appreciation for the efforts of optical engineers to tackle those nasty gremlins so that we may produce images of technical quality with our regular lenses. However, as strange as this may sound, you're either going to embrace these gremlins and enlist them as agents of creativity, as I chose to do, or you're going to be sending the Lensbaby back to take advantage of their 30-day money-back guarantee, which I was tempted to do.
The Composer includes aperture disks that control the size of the area that is in focus. The Composer has an approximate focal length of 50mm and, sans any aperture disks, it's rated at f/2. But wait, there is quite the rub with that focal length. It's 50mm, true, but only on a full frame sensor body. On cameras with "cropped" sensors, and that covers the majority of cameras being used at this time, the effective focal length changes. On a Canon 7/10/20/30/40/50D and all Rebel digital cameras, that 50mm becomes an 80mm lens. Ugh. Not exactly a versatile focal length. To remedy that, well, be prepared to spend more money. There are two wide angle adapters available: a .42 and a .6. Both of them introduce even more chromatic aberration, and with the .42, hideously so. There are aperture disks for f/2.8, f/4, f/5.6, f/8, f/11, f/16 and f/22. Changing these disks can be an awkward exercise, especially if you're shooting from a tripod and don't want to disturb your setup.
There is a clever optical swap system the Lensbaby employs to switch to a variety of optical setups. I also purchased the single optic system, which is even more primitive than the double glass optic. It's just one glass uncoated element, less sharp than the double optic, and hosting a variant breed of the optical gremlins mentioned above.
The Composer, as it ships, does not have a very close focus distance. If you're going to hang onto your Lensbaby, an investment in the macro kit is a no-brainer. It includes +10 and +4 closeup filters that simply screw into the front of the optic. They are also stackable, but if you do stack, place the +10 closest to the lens, and screw the +4 on top of it. With either of both macro filters, you'll gain the ability to close focus. It is in the macro mode that I find myself making some of my favorite Lensbaby images.
Likely, you'll find the Lensbaby to have a steep learning curve. You'll have to become familiar with how your camera body works in its non-automatic modes (Program, Aperture Priority or Manual), as the Lensbaby has no automation to it whatever. It does not automatically change lens aperture settings, nor will it automatically focus. The camera body does still compute exposure automatically, but bending the lens may throw the auto exposure off, as light is now bouncing around at crazy angles. You'll need to monitor your histogram and know how to dial in exposure compensation. If your body has it, LiveView is a godsend, enabling you to zoom in on areas you want to manually focus. Also, if you change to aperture disks smaller than f/4, it becomes increasingly difficult to focus with accuracy as your viewfinder grows dimmer and dimmer. LiveView uses video gain to brighten your LCD. Invaluable. As for how to move the sweet spot to the desired location, practice makes the closest thing to perfect you're going to find with the Lensbaby. In summary, you'll need to learn to master your camera in its more manual modes and learn the trickiness of the Lensbaby lens movements to achieve successful images.
If you go to the user forums at the Lensbaby web site, you'll be able to view many images taken by its members, for better or for worse. I often find Lensbaby images to fall into the "trick shot" category, akin to those made by fisheye lenses. Overall, I view them as gimmicky. Sometimes you'll find an image that really works for you, but much of the time, they're muddy blurry mis-takes that make you wonder why anyone would want to degrade, even brutalize, the sophisticated sensors embedded in your expensive dSLR.
Be forewarned: you may not enjoy using the Lensbaby, and you may find the resulting images to quickly wear out their welcome. I consider the current Amazon rating to be higher than it deserves to be. There is comfort to be found in the 30-day money-back guarantee -- you'll only be out the return shipping costs and your time.
I consider the Lensbaby prices rather steep for what you get, so I held off buying one for quite some time. The Composer looked to me to be the first viable implementation of the Lensbaby, not being attracted to the hand and finger gyrations required to work the other versions such as the Original, 2.0, and Muse. I also wanted to be able to lock in specific shots.
Mechanically, I was disappointed with the operation of the manual focus ring. It is not smooth and consistent during its entire rotation. At the closest focusing distance, the ring rotation is jerky. After a quarter of a turn or so, it smooths out and becomes consistent. Unfortunately, many of my shots are taken at or near the minimum focus distance. For a manual focus lens only, the Composer needs to provide an optimal focus experience. It misses the mark. I can live with it, yes, but it's annoying and shouldn't be happening on a lens in this price range. The mount, however, is machined nicely and fits snugly. The locking ring works well, allowing a good degree of how much friction you want applied to the lens movements. The lens cap is of questionable build quality, and the lettering on the front of it arrived partially rubbed off, or never painted on. Not very attractice for a brand new lens.
Optically, the Composer comes with the Double Glass Optic, consisting of only two glass optical elements, each multicoated. Being a primitive optical formula with erratic (if any?) quality control, you can rest assured of chromatic aberration, vignetting, decentering, flare, veiling, distortion, and any number of optical gremlins that normally leave photographers in painful grimace. Once you start twisting and turning the Composer to move its "sweet spot", what Lensbabians call "bending", those gremlins multiply and intensify. If the Lensbaby teaches you nothing else, it will be an appreciation for the efforts of optical engineers to tackle those nasty gremlins so that we may produce images of technical quality with our regular lenses. However, as strange as this may sound, you're either going to embrace these gremlins and enlist them as agents of creativity, as I chose to do, or you're going to be sending the Lensbaby back to take advantage of their 30-day money-back guarantee, which I was tempted to do.
The Composer includes aperture disks that control the size of the area that is in focus. The Composer has an approximate focal length of 50mm and, sans any aperture disks, it's rated at f/2. But wait, there is quite the rub with that focal length. It's 50mm, true, but only on a full frame sensor body. On cameras with "cropped" sensors, and that covers the majority of cameras being used at this time, the effective focal length changes. On a Canon 7/10/20/30/40/50D and all Rebel digital cameras, that 50mm becomes an 80mm lens. Ugh. Not exactly a versatile focal length. To remedy that, well, be prepared to spend more money. There are two wide angle adapters available: a .42 and a .6. Both of them introduce even more chromatic aberration, and with the .42, hideously so. There are aperture disks for f/2.8, f/4, f/5.6, f/8, f/11, f/16 and f/22. Changing these disks can be an awkward exercise, especially if you're shooting from a tripod and don't want to disturb your setup.
There is a clever optical swap system the Lensbaby employs to switch to a variety of optical setups. I also purchased the single optic system, which is even more primitive than the double glass optic. It's just one glass uncoated element, less sharp than the double optic, and hosting a variant breed of the optical gremlins mentioned above.
The Composer, as it ships, does not have a very close focus distance. If you're going to hang onto your Lensbaby, an investment in the macro kit is a no-brainer. It includes +10 and +4 closeup filters that simply screw into the front of the optic. They are also stackable, but if you do stack, place the +10 closest to the lens, and screw the +4 on top of it. With either of both macro filters, you'll gain the ability to close focus. It is in the macro mode that I find myself making some of my favorite Lensbaby images.
Likely, you'll find the Lensbaby to have a steep learning curve. You'll have to become familiar with how your camera body works in its non-automatic modes (Program, Aperture Priority or Manual), as the Lensbaby has no automation to it whatever. It does not automatically change lens aperture settings, nor will it automatically focus. The camera body does still compute exposure automatically, but bending the lens may throw the auto exposure off, as light is now bouncing around at crazy angles. You'll need to monitor your histogram and know how to dial in exposure compensation. If your body has it, LiveView is a godsend, enabling you to zoom in on areas you want to manually focus. Also, if you change to aperture disks smaller than f/4, it becomes increasingly difficult to focus with accuracy as your viewfinder grows dimmer and dimmer. LiveView uses video gain to brighten your LCD. Invaluable. As for how to move the sweet spot to the desired location, practice makes the closest thing to perfect you're going to find with the Lensbaby. In summary, you'll need to learn to master your camera in its more manual modes and learn the trickiness of the Lensbaby lens movements to achieve successful images.
If you go to the user forums at the Lensbaby web site, you'll be able to view many images taken by its members, for better or for worse. I often find Lensbaby images to fall into the "trick shot" category, akin to those made by fisheye lenses. Overall, I view them as gimmicky. Sometimes you'll find an image that really works for you, but much of the time, they're muddy blurry mis-takes that make you wonder why anyone would want to degrade, even brutalize, the sophisticated sensors embedded in your expensive dSLR.
Be forewarned: you may not enjoy using the Lensbaby, and you may find the resulting images to quickly wear out their welcome. I consider the current Amazon rating to be higher than it deserves to be. There is comfort to be found in the 30-day money-back guarantee -- you'll only be out the return shipping costs and your time.
63 of 65 people found the following review helpful
Size Name:Canon EF
You know those times when every picture you take seems a little flat? Maybe nothing seems worth shooting. Everything's been shot before. How can you possibly put your stamp on the scene around you?
Well, I'm not going to say that the Composer is the magic bullet. But it does help. It makes you see things in a new way, and that's not something you get with every new lens. Household objects, flowers in your garden, the house next door . . . the Lensbaby makes them worth photographing again.
However . . . this is not really a walk-around, shoot everything lens. It is manual focus only. I've had mine for about a month, and the manual focus was easier than I thought it would be to get used to, but forget photographing babies or animals with this lens unless they are sleeping. You'll take 100 photos and one will be in focus. Also, it gets a lot harder to tell when you've achieved focus when you move the sweet spot out of the center of the frame.
In addition, the Composer doesn't deal with photos that have a large dynamic range very well. It's easy to blow out your highlights if you're not looking at your LCD screen after each shot. However, this wasn't a problem I encountered that much, usually only during the middle of the day.
And buy the creative aperture kit! It makes night photography so much more fun when all your out of focus lights turn into hearts or stars or snowflakes. Definitely worth the extra ten dollars.
So, to sum up. This should be your second 50mm lens, not your first. But if you have all the regular lenses you need (we'll call those your dinner lenses), don't skip dessert. The Lensbaby Composer is worth it.
Well, I'm not going to say that the Composer is the magic bullet. But it does help. It makes you see things in a new way, and that's not something you get with every new lens. Household objects, flowers in your garden, the house next door . . . the Lensbaby makes them worth photographing again.
However . . . this is not really a walk-around, shoot everything lens. It is manual focus only. I've had mine for about a month, and the manual focus was easier than I thought it would be to get used to, but forget photographing babies or animals with this lens unless they are sleeping. You'll take 100 photos and one will be in focus. Also, it gets a lot harder to tell when you've achieved focus when you move the sweet spot out of the center of the frame.
In addition, the Composer doesn't deal with photos that have a large dynamic range very well. It's easy to blow out your highlights if you're not looking at your LCD screen after each shot. However, this wasn't a problem I encountered that much, usually only during the middle of the day.
And buy the creative aperture kit! It makes night photography so much more fun when all your out of focus lights turn into hearts or stars or snowflakes. Definitely worth the extra ten dollars.
So, to sum up. This should be your second 50mm lens, not your first. But if you have all the regular lenses you need (we'll call those your dinner lenses), don't skip dessert. The Lensbaby Composer is worth it.
21 of 23 people found the following review helpful
By Andrew Bash
Size Name:Nikon F
The Lensbaby composer is a great lens! it has the same cool Lensbaby effect as the other Lensbaby lenses, but it's much easier to focus as it has a standard focusing ring and the sweet spot doesn't move from where you've placed it. The composer is a portraitist's, party photographer's, and street photographer's dream!
Most Recent Customer Reviews
3.0 out of 5 stars
Not as I expected.
When you follow the directions to focus the center then move the angle, it just didnt look as clear as the description. I will work more with it to see if I can do better. Read more
Published 1 month ago by Chrissy007
4.0 out of 5 stars
Unique and unbeatable for the price
I bought this 2 years ago to photograph my children. I'm using it with a Sony A33, which is one of the fancy new DSLT cameras (similar to the A55, A77, etc). Read more
Published 2 months ago by Eric W
4.0 out of 5 stars
Not for everyone!!!
I have taken photos for years. manual focus is nothing new to me. this lens is completly manual, not for the faint of heart. Read more
Published 3 months ago by Carl Bergstrom
5.0 out of 5 stars
super
my friend loves it, we have a new photo asignment and he needs it for special focus on different spaces, and works super
Published 3 months ago by Vitin
4.0 out of 5 stars
Fun!
This is a really different type of lens, and a fun one to have in your camera bag. But...it does take some time to get used to. Read more
Published 4 months ago by Codysbarn
3.0 out of 5 stars
Babysitting this Lens.
Customer Video Review
Length:
5:24
Mins
Published 15 months ago by Professor Bubba
1.0 out of 5 stars
uglybaby
If you want out of focus blury effect images then go for it. I sold mine because photoshop does a better job in no time!
Published 15 months ago by F. R. Fesharaki
5.0 out of 5 stars
Lensbaby
The lens baby is a great lens to experiment focus. All the content in the box was in perfect conditions and the delivered was on time, just as i requested. Recommended!
Published 16 months ago by Valeria Quintero
1.0 out of 5 stars
Sounded like a good thing
Disappointed when I first took the lens baby out of the box, poorly packaged.
Disappointed when I attached the lens to my camera body, appeared to be very poorly... Read more
Disappointed when I attached the lens to my camera body, appeared to be very poorly... Read more
Published 17 months ago by Hi Marv
4.0 out of 5 stars
Lensbaby
So far, the product performs as described. I have not had a lot of opportunity to see what all it can do but I am excited to explore more as I have the chance.
Published 19 months ago by Cory Goulding
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