Leonard Feather Presents 52nd St.

Leonard Feather | Format: Audio CD

Product Details

• Audio CD (June 24, 1997)
• Number of Discs: 1
• Label: VSOP Music
• ASIN: B000003BAW
• Also Available in: Vinyl  |  MP3 Download
• Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #626,337 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

3 of 3 people found the following review helpful:

3.0 out of 5 stars Another Charlie Parker tribute album (sigh), September 17, 2003

By 

J. A. Stewart (NH, USA) - See all my reviews
(REAL NAME)   

This review is from: Leonard Feather Presents 52nd St. (Audio CD)

This album was originally issued under the title of "52nd Street," and was supposed to be a tribute to the bop era, but since all but one of the tunes are associated with Charlie Parker (and that one tune, "Lemon Drop," was one that he did play at least once), this disc ends up being more of a tribute to Bird than to that era. Feather, who produced the sessions, was obviously trying to recreate the sound of the original sessions, right down to the short track times.

There are a couple of gimicks here. Phil Woods is heard playing a sax originally owned by Bird (Bird went through countless horns during his life) and Bird's son, Baird (who was only about 9 at the time) does the "Salt Peanuts" vocal in the beginning of that tune.

Phil Woods plays well throughout and takes several memorable solos. The trumpet chair is split between Thad Jones on tracks 1-5 (not 6-10 as printed on the CD insert) and Idrees Sulieman on 6-10. Sulieman plays in a Dizzy-influenced style, but is not particularly memorable. I think Thad's style was somewhere between Miles and Clifford since you can hear elements of both in his playing. It is shame that the tracks are so short (most of the time, everyone only gets 1 chorus), because he is generally the most interesting.

The pianist is George Wallington, who was in the thick of things in the early days of bebop. On bass, is Curley Russell. Russell was Bird's favored bassist and he appeared on several landmark recordings in the beginning of the bop era. On drums, is Art Taylor on tracks 1-5 (not 6-10 as it says on the CD insert) and Denzil Best on tracks 6-10.
Only one track, "Now's the Time," (incorrectly labeled as "Billie's Bounce") is longer and allows the soloists a chance to stretch out.

Considering that this was recorded in 1957, the solos could have been a little longer. As it is, I gave it three stars for Phil Woods and Thad Jones. This is nice swinging jazz, but nothing special.