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Leonard Maltin's 151 Best Movies You've Never Seen [Paperback]

Leonard Maltin (Author)
3.7 out of 5 stars  See all reviews (18 customer reviews)

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Book Description

February 9, 2010

What 151 movies have you never seen—but should?

What French film could teach Hollywood how to make a smart, sexy romantic comedy? (page 233)

Where will you find a female-centric Western with a gender-bending protagonist? (page 10)

What film won a Special Jury Prize at Sundance and then fell off the radar? (page 261)

What farcical comedy includes such real-life characters as Richard Nixon and Henry Kissinger? (page 50)

In what unsung comedy will you find Michael Douglas giving his all-time best performance? (page 130)

What debut film from the director of The Dark Knight creates palpable chills—despite a shoestring budget and a no-name cast? (page 79)

What John Wayne movie was out of circulation for thirty years—and still qualifies as a sleeper? (page 121)

What terrific Heath Ledger movie was released the same month as Brokeback Mountain—and flopped? (page 26)

What clever modern-day film noir was made for just half a million dollars? (page 18)

What captivating film stars one of the seminal artists of the twentieth century? (page 203)


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Editorial Reviews

From Booklist

Maltin, whose Movie Guide is a regularly updated best-seller, and who holds the Guinness record for the world’s shortest movie review (of the 1948 musical Isn’t It Romantic?—“No”), proffers a roster of movies he hopes fans will consider “unfamiliar” because they’ve failed to find the mass audience. While noting the occasional major studio release, he sticks primarily to independent, foreign, and documentary films released during the last 20 years or so, in time for high-speed Internet, streaming video, and all-region DVD players to make them readily available to prospective viewers for the first time. Among his most interesting recommendations are Errol Morris’ unusual documentary Fast, Cheap, and Out of Control, a study of four people and the jobs they love; Idiocracy, Beavis and Butthead creator Mike Judge’s little-seen (and, by its parent studio, even less-loved) futuristic comedy; and Guillermo Del Toro’s supernatural suspenser set during the Spanish civil war, The Devil’s Backbone. Maltin’s still king of the succinct review, making this a handy reference for cineasts who think they’ve seen it all. --Carlos Orellana

Review

“Maltin’s still king of the succinct review, making [Leonard Matlin’s 151 Best Movies You’ve Never Seen] a handy reference for cineasts who think they’ve seen it all.” (Booklist )

Product Details

  • Paperback: 352 pages
  • Publisher: It Books; 1 edition (February 9, 2010)
  • Language: English
  • ISBN-10: 0061732346
  • ISBN-13: 978-0061732348
  • Product Dimensions: 7.7 x 5.2 x 0.8 inches
  • Shipping Weight: 9.1 ounces (View shipping rates and policies)
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (18 customer reviews)
  • Amazon Best Sellers Rank: #260,896 in Books (See Top 100 in Books)

More About the Author

Leonard Maltin is a respected film critic and historian, perhaps best known for his annual paperback reference Leonard Maltin's Movie Guide, which was first published in 1969. He lives with his wife and daughter in Los Angeles and teaches at the USC School of Cinematic Arts.

 

Customer Reviews

18 Reviews
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Average Customer Review
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39 of 44 people found the following review helpful:
5.0 out of 5 stars "You make up your own truth." - Memento, February 9, 2010
This review is from: Leonard Maltin's 151 Best Movies You've Never Seen (Paperback)
I sat down expecting to quickly skim this book and I read every word.

It shouldn't by now, but it always surprises me when I realize how good a film critic and historian (as opposed to a thumbs-up thumbs down reviewer) Leonard Maltin is. Lately, the film writers I learn the most from are Maltin and David Thomson.

I've seen a few of the off-the-wall movies in this book (Tristram Shandy, Peter's Friends, Millions, Innocent Blood, Bubba Ho-tep, Brick, and the documentaries [...] and Word Wars) and I agree that they're intriguing. (I'm glad Maltin includes documentaries--I find myself watching a lot more of them than I used to.)

A stunning movie was Hedwig and the Angry Inch, which mixes Cold War politics, music, and gender reassignment. Director Christopher Nolan's first film--Following--is better than any of his comic-book movies and at least as good as Memento. (Nolan is a perfect example of the kind of filmmaker that Jason Horsley writes about in his book Dogville vs. Hollywood: The Independents and the Hollywood Machine--someone who starts making personal stories about real people, then goes on to do remakes of foreign films and blockbuster trash.)

So this book has made me rethink seeing movies I already rejected for some reason or another (like American Dreamz or Hidalgo).
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13 of 13 people found the following review helpful:
5.0 out of 5 stars 151 Best Movies You've Never Seen - Leonard Maltin (Harper Studio), March 12, 2010
This review is from: Leonard Maltin's 151 Best Movies You've Never Seen (Paperback)
With Oscar season upon us, we thought it would be a good time to take a look at some of the movies you won't be hearing about on the telecast. Between all the Avatars and Clooneys of the world, there are a host of smaller movies (or box-office duds) that are well deserving of your time and attention.

Or so says film critic Leonard Maltin, who would probably be a good judge, as he probably sees about a dozen movies a week in his job as a journalist and TV personality. Maltin's latest book singles out films from the last 20 years that, unless you are an extreme movie aficionado, chances are that most of these selections never hit your radar.

FIlms like "The Door in the Floor" (Jeff Bridges, Kim Basinger, Mimi Rogers, Bijou Phillips) or "The Great Buck Howard" (Tom Hanks, John Malkovich, Griffin Dunne, etc.) may not have made a big splash at your local cinema, but they are among Maltin's picks as key flicks to go back and find. (Nearly every major actor is represented from Robert DeNiro to Meryl Streep to Leo DiCaprio and all the rest.)

The films are divided into roughly three categories; mainstream studio fare, foreign and independent films that often struggle for attention here and a few choice gems from the first half of cinematic history. Maltin rightly focuses most of his light on movies from the last 20 years. (As there are already many books that highlight pictures from the golden age of cinema.)

Of course, it's hard to tell just how great the book is without sampling a host of the films that Maltin singles out for a revisit, but next time you are at Blockbuster or on Netflix, keep this book handy and see if one of Maltin's picks might sound worthwhile even while it would pass your normal purview. Just be ready to fire up that old VHS machine in the garage, as many of these gems have never made the leap to DVD.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars Buried treasures at the video store..., July 17, 2010
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I love reading books and watching movies, so when I find a good book about movies I'm like a pig in...well, you know. Lately I've gone through a number of Roger Ebert's cinematic tomes, in part to discover new flicks. So when I came across "Leonard Maltin's 151 Best Movies You've Never Seen," I immediately bought it on my Kindle. I'm glad I did, because Mr. Maltin validated some of my favorite films and satisfied my need for fresh ones.

Even the worst movie has its champions. Heck, I liked the original "Punisher," and sometimes my brother shakes his head in wonder at my viewing choices. It's cool to see that a major critic shares my madness, and I enjoyed reading about Mr. Maltin's guilty cinematic pleasures - especially when he validates some of mine (like "Bubba Ho-Tep" and "The Tao of Steve") or turns me on to new possibilities (such as "The Devil's Backbone" and "Two Lovers").

Although I enjoyed "151 Best Movies...", I kind of wish that Mr. Maltin had delved a little deeper into these gems (like Roger Ebert does in his books). Each flick rates a couple pages of spoiler-free description, which may bother some readers looking for more in-depth analysis. But his brevity is for our benefit, as Mr. Maltin wants to tantalize us with possibility and ensure that our sense of joyful discovery matches his own. Recommended for all cinephiles desperately searching for their latest fix.
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