Leonardo is truly a terrible monster-terrible at being a monster that is. No matter how hard he tries, he can't seem to frighten anyone. Determined to succeed, Leonardo sets himself to training and research. Finally, he finds a nervous little boy, and scares the tuna salad out of him! But scaring people isn't quite as satisfying as he thought it would be. Leonardo realizes that he might be a terrible, awful monster-but he could be a really good friend.
| ||||||||||||||||||||||||
Check out the 2013 award winners for children's literature and illustration. |
Book Description
Frequently Bought Together
Editorial Reviews
From School Library Journal
Starred Review. PreSchool-Grade 1–Leonardo is a terrible monster–terrible as in he can't scare anybody. He's not big, doesn't have hundreds of teeth, and isn't even weird. So one day he comes up with an idea: He would find the most scaredy-cat kid in the whole world…and scare the tuna salad out of him! After much research, he chooses Sam, sneaks up on him, and [gives] it all he [has]. When the boy cries, Leonardo is convinced that he is a success. But Sam proceeds to recite a litany of wrongs that actually brought on his tears: My mean big brother stole my action figure right out of my hands…, and on and on. Leonardo makes a decision that is sure to surprise and delight readers. Willems's familiar cartoon drawings work hand in glove with the brief text to tell this perfectly paced story. It is printed on pastel grounds in large, fancy letters that change color for emphasis. Sam's list of woes marches across a spread. Leonardo, a small greenish-beige creature with tiny horns; blue eyes; and pink nose, hands, and feet, first appears in a lower right-hand corner looking dejected, but when he makes his momentous decision, his circular head fills two pages. His antics to produce a scare will have youngsters laughing, while the asterisk next to the number of monster Tony's teeth (*note: not all teeth shown) will have grown-ups chuckling, too. A surefire hit.–Marianne Saccardi, Norwalk Community College, CT
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
PreS-K. "Your Pal, Mo Willems," as the cover reads, offers a simple message-driven story, elevated by a smart, striking design. Leonardo is supposed to be a terrible monster, but he's just terrible at his monsterly craft. Small, with big blue eyes, a blue tongue, and a furry body, Leonardo looks like a tiny, unassuming brother of a Wild Thing. He gets an idea: find the most "scaredy-cat kid" in the world and "scare the tuna salad" out of him. He finds Sam, who seems an easy mark and bursts into tears. But on a clever double-page spread, Willems lists the real reasons Sam is crying, starting with "My mean big brother stole the action figure out of my hands" and ending with a bird's pooping on Sam's head. After thinking it over, Leonardo decides to move from terrible monster to wonderful friend. This oversize book uses thick paper in the colors of a desert sunset. Sam and Leonardo take up very little room on the large pages; the old-fashioned lettering dominates the expanse of color. A winner for story hours, with plenty of discussion possibilities. Ilene Cooper
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
Product Details
Would you like to update product info or give feedback on images? |
More About the Author
A three-time Caldecott Honor winner for Don't Let the Pigeon Drive the Bus!, Knuffle Bunny: A Cautionary Tale, and Knuffle Bunny Too: A Case of Mistaken Identity, Mo Willems has also won two Geisel Medals for There is a Bird on Your Head! and Are You Ready to Play Outside? And his books are perennial New York Times bestsellers. Before he turned to children's books, Mo was a writer and animator on Sesame Street, where he won six Emmy Awards. Mo lives with his family in Massachusetts.
Customer Reviews
Most Helpful Customer Reviews
22 of 22 people found the following review helpful
Format:Hardcover|Amazon Verified Purchase
I'm a big, big fan of Mo Willems' last book, "Knuffle Bunny," and was equally delighted by this new picture book about a little monster named Leonardo who wants to be scary, but only seems cute. Leonardo decides to pick on Sam, a boy he determines is the most scaredy-cat kid in all the world, but after he succeeds in making Sam cry, Leonardo realizes he may have actually hurt the boy's feelings, and tries to make amends. A gentle parable about playground cruelty, this is also a beautifully laid-out book, with a bold, expansive use of empty space and clear, easily understood imagery. The serious emotional message is underplayed in favor of a playful tone, and will delight small children... You'll have a lot of fun trading "BOOS" with your kid after each reading. I enjoyed this one a lot, and it's frequently requested at storytime.
19 of 20 people found the following review helpful
By Stoupa
Format:Hardcover
I'm visiting my grandchildren, Louis (5) and Katherine (2). I brought Leonardo along as a gift. In the three days since I arrived, we've read it at least 10 times. We love Leonardo, we love Sam, and we love this book!
25 of 29 people found the following review helpful
Format:Hardcover
Pick up a hardcover copy of "Leonardo the Terrible Monster" and take a gander at the bookflap. Scan your eyes downwards and take special note of the suggested reading level. This, I must say, is a bit of calculated picture book brilliance. It reads, "For audiences as young as 3 and as old as 36". Now I once experienced the supreme pleasure of sitting amongst several hundred librarians and teachers in the New York City Arts and Humanities Library to see Mr. Mo Willems speak. My friends, you have not lived until you see a hundred or so middle-aged female librarians swooning over Mr. Willems' dapper good looks, his off-the-cuff remarks, and his instant rapport with any crowd. He is also, as far as I can determine, probably 36 and herein lies the beauty of the little note on the bookflap. Any yahoo could write that awful and almost obligatory statement that proclaims, "For kids between 3 and 103!!!", with a sickeningly saccharine smile. This book, on the other hand, makes the cut-off 36 and from there on in "Leonardo" proves to be a consistently surprising and sublime little tale.
Meet Leonardo. Leonardo has a problem. As any child familiar with the concept of monsters knows (or who has seen "Monsters, Inc", anyway) the job of that particular creature is to be scary. In this respect, Leonardo fails miserably. He just ain't a fright. When he attempts to do so he earns patronizing looks of the awww-isn't-the-little-fella-cute variety. Other monsters either look or act in a disturbing manner. Not our Leo. Fully aware that he needs a plan of some sort, Leonardo decides to locate, "the most scaredy-cat kid in the whole world" and frighten the bejeezus out of 'em. Sam is that kid. When Leonardo attempts to scare Sam it seems at first as if it has worked. Sam is, after all, in tears. The kid, however, claims that Leonardo's sorry excuse for a scare was not the source of his tears and then proceeds to outline exactly how horrible a day he's had and why he's been on the brink of tears ever since. Leonardo is moved by the little boy's story and resolves there and then to become Sam's friend. For a moment it looks as if the two little guys walking off holding hands will be the last picture in the book, but this is a Willems title after all. Though they're definitely buds now, the book admits, "that didn't mean that he [Leonardo] couldn't try to scare his friend every now and then". The real ending of the book? Sam joyfully running after Leonardo after the monster really has scared him a little. Happy ending for all.
So let's take a look at this book. Prior to "Leonardo", Willems was a fan of the square and the long horizontal shaped picture books. There are lots of theories out there that talk about how the shape of a children's title determines the kind of story it is. By and large, books (like "Leonardo") that are long and vertical tend to be far more interesting artistically than their square or horizontal brothers. Certainly this is Willems' most beautiful book to date. The cover looks like an old-timey wanted poster, or perhaps playbill for some penny-dreadful theatrical production. Inside, Mr. Willems make great use of space. The font is beautiful and ornate up until Sam's two-page explanation about how much his life sucks. At that point it becomes blocky and bold. Figures sometimes fill entire pages and sometimes, as when Leonardo is shocked or miserable, they take up just a tiny bit of room. It's clear that there is a very careful calculation behind each picture that determines where a figure is, how much space he or she takes up, and where the words on that page should go. Though I have great respect for "Knuffle Bunny", love the "Pigeon" and am appreciative of his instructional books like "Time To Pee" and "Time to Say Please", this is Mo's best artistic work to date. The title is just as much about what Willems doesn't illustrate as it is what he does illustrate. It makes for a gorgeous read.
Mr. Willems once worked for "Sesame Street", so I found his return to the monsters-are-scary concept especially amusing. He knows his child audience and knows it quite well. In a picture that features a monster that is far scarier than Leonardo, we meet Tony who is said to have 1,642 teeth. An note attached to the bottom of the page, however, reads, "Note: Not all teeth shown". Why put that on the page? Because Mr. Willems knows perfectly well that if you draw a monster and claim that he has 1,642 teeth, your child readers will all count those teeth and cry bloody murder that there are only 148 in the picture.
Now I need your help. Remember when I said that I saw Mr. Willems speak in NYC? Well at that time he mentioned his best beloved and universally applauded (not to say Caldecott Honored) book, "Don't Let the Pigeon Drive the Bus" and its subsequent spin-offs. In the course of the discussion, Mr. Willems confided that the pigeon now appears in all his books, regardless as to whether or not that book is about him. In "Knuffle Bunny" it appears on someone's shirt. And supposedly it can be located in "Leonardo, the Terrible Monster". Now I have scanned this book from tip to toe. I've inspected each and every page with a fine tooth comb. I've meticulously culled every last stroke of the pen in an effort to find the deceptively simple fowl and I cannot for the life of me locate him anywhere. If you do happen to find the pigeon I want you to write a review of this book on Amazon and tell the whole wide world where to find it. Honestly, it's killing me not to know. Otherwise, there is nothing is this book that is objectionable in the least. It's lovely to view, has thick pages that will stand up to a lot of wear and tear, contains a story that is hard to resist, employs a great color scheme and font, and is just an all around joy. A monster must-have.
Meet Leonardo. Leonardo has a problem. As any child familiar with the concept of monsters knows (or who has seen "Monsters, Inc", anyway) the job of that particular creature is to be scary. In this respect, Leonardo fails miserably. He just ain't a fright. When he attempts to do so he earns patronizing looks of the awww-isn't-the-little-fella-cute variety. Other monsters either look or act in a disturbing manner. Not our Leo. Fully aware that he needs a plan of some sort, Leonardo decides to locate, "the most scaredy-cat kid in the whole world" and frighten the bejeezus out of 'em. Sam is that kid. When Leonardo attempts to scare Sam it seems at first as if it has worked. Sam is, after all, in tears. The kid, however, claims that Leonardo's sorry excuse for a scare was not the source of his tears and then proceeds to outline exactly how horrible a day he's had and why he's been on the brink of tears ever since. Leonardo is moved by the little boy's story and resolves there and then to become Sam's friend. For a moment it looks as if the two little guys walking off holding hands will be the last picture in the book, but this is a Willems title after all. Though they're definitely buds now, the book admits, "that didn't mean that he [Leonardo] couldn't try to scare his friend every now and then". The real ending of the book? Sam joyfully running after Leonardo after the monster really has scared him a little. Happy ending for all.
So let's take a look at this book. Prior to "Leonardo", Willems was a fan of the square and the long horizontal shaped picture books. There are lots of theories out there that talk about how the shape of a children's title determines the kind of story it is. By and large, books (like "Leonardo") that are long and vertical tend to be far more interesting artistically than their square or horizontal brothers. Certainly this is Willems' most beautiful book to date. The cover looks like an old-timey wanted poster, or perhaps playbill for some penny-dreadful theatrical production. Inside, Mr. Willems make great use of space. The font is beautiful and ornate up until Sam's two-page explanation about how much his life sucks. At that point it becomes blocky and bold. Figures sometimes fill entire pages and sometimes, as when Leonardo is shocked or miserable, they take up just a tiny bit of room. It's clear that there is a very careful calculation behind each picture that determines where a figure is, how much space he or she takes up, and where the words on that page should go. Though I have great respect for "Knuffle Bunny", love the "Pigeon" and am appreciative of his instructional books like "Time To Pee" and "Time to Say Please", this is Mo's best artistic work to date. The title is just as much about what Willems doesn't illustrate as it is what he does illustrate. It makes for a gorgeous read.
Mr. Willems once worked for "Sesame Street", so I found his return to the monsters-are-scary concept especially amusing. He knows his child audience and knows it quite well. In a picture that features a monster that is far scarier than Leonardo, we meet Tony who is said to have 1,642 teeth. An note attached to the bottom of the page, however, reads, "Note: Not all teeth shown". Why put that on the page? Because Mr. Willems knows perfectly well that if you draw a monster and claim that he has 1,642 teeth, your child readers will all count those teeth and cry bloody murder that there are only 148 in the picture.
Now I need your help. Remember when I said that I saw Mr. Willems speak in NYC? Well at that time he mentioned his best beloved and universally applauded (not to say Caldecott Honored) book, "Don't Let the Pigeon Drive the Bus" and its subsequent spin-offs. In the course of the discussion, Mr. Willems confided that the pigeon now appears in all his books, regardless as to whether or not that book is about him. In "Knuffle Bunny" it appears on someone's shirt. And supposedly it can be located in "Leonardo, the Terrible Monster". Now I have scanned this book from tip to toe. I've inspected each and every page with a fine tooth comb. I've meticulously culled every last stroke of the pen in an effort to find the deceptively simple fowl and I cannot for the life of me locate him anywhere. If you do happen to find the pigeon I want you to write a review of this book on Amazon and tell the whole wide world where to find it. Honestly, it's killing me not to know. Otherwise, there is nothing is this book that is objectionable in the least. It's lovely to view, has thick pages that will stand up to a lot of wear and tear, contains a story that is hard to resist, employs a great color scheme and font, and is just an all around joy. A monster must-have.
Most Recent Customer Reviews
5.0 out of 5 stars
Fabulous author
I've always loved anything by Mo Willems, and Leonardo the Terrible Monster does not disappoint. Simple but funny. Read more
Published 1 day ago by Bruw
5.0 out of 5 stars
Great!
My son loves the book! Mo Willems is an excellent author. He loves looking for the pigeon in each book.
Published 18 days ago by Manda Stiegel
5.0 out of 5 stars
My class loved it
I picked this book during a Mo Willems author study for my preschool class. My students and i LOVED the book, they had me re-read it! Read more
Published 1 month ago by ShanaDee
5.0 out of 5 stars
My grandson loves it.
Oh Yes! The title seems scary, but my grandson loves scary stories.
Will recommend it to kids every where in the world.
Will recommend it to kids every where in the world.
Published 1 month ago by Brenda Mohammed
3.0 out of 5 stars
Nice story
I like the story, but I would like to see more color/artwork. The premise of the story is commendable. I would recommend this book for reading aloud situations.
Published 2 months ago by J. Leary
3.0 out of 5 stars
Book was okay
For such a giant book, I expected more of a story. The story line is cute but much too short.
Published 3 months ago by Cassandra Dunn
5.0 out of 5 stars
Leonardo is one of our favorites!
Leonardo the Terrible Monster is one of our favorites. For some reason, my two-year old thinks it's really funny when the little boy tells the monster his problems... Read more
Published 3 months ago by Josie Chaney
5.0 out of 5 stars
A hit with everyone!
Our daughter enjoyed reading this to her 2 1/2 year old as much as he enjoyed the story. It is a delightful and entertaining read.
Published 4 months ago by Gems
5.0 out of 5 stars
Heartwarming is an understatement.
I LOVE this story! This is one of my personal favorites of all the Mo Willems books I've read. My daughter loves the cute and funny drawings. I love the moral of the story. Read more
Published 4 months ago by FCS
5.0 out of 5 stars
Great across the board!
We have 4 children- 9,7,5 & 2, it's hard to find books that span that age group, that they all enjoy. Leonardo the Terrible Monster does this beautifully. Read more
Published 4 months ago by Rebekah Jensen
What Other Items Do Customers Buy After Viewing This Item?
Sell a Digital Version of This Book in the Kindle Store
If you are a publisher or author and hold the digital rights to a book, you can sell a digital version of it in our Kindle Store.
Learn more
