Amazon.com Review
R. M. Berry's
Leonardo's Horse delivers a new take on the famous Renaissance sculptor, painter, mathematician, and scientist: Leonardo as proto-slacker, enthusiastic yet easily distracted, full of ambitious ideas and plans, yet never quite bringing them to fulfillment. Leonardo da Vinci forms one plot axis of this ambitious first novel; the other revolves around a failed academic known here simply as "R." Caught in his 1955 Buick Roadmaster during an AIDS rally gone very wrong, R recounts both his own story and that of Leonardo's death in 1519. Originally the subject of his dissertation ("The Cultural Iconography of 'Leonardo da Vinci'"), in R's hands Leonardo's story has morphed into a rollicking piece of fiction, as the Renaissance man's many disappointments mirror R's own. The author of a 1984 collection of short stories--
Plane Geometry and Other Affairs of the Heart--Berry has a fine touch with contemporary details, and both present-day and Renaissance plots ably display his razor-sharp wit.
Leonardo's Horse is a promising debut novel from a writer who dares to explore the complicated territory of failure.
From Library Journal
Readers who deify Leonardo da Vinci, view the Renaissance as a time of unparalleled enlightenment, or believe that those tumultuous times offer no glimpses into our own will be challenged by this novel, which is as complex as its protagonist. Leonardo, as viewed by historian-turned-novelist R___, is history's garage, his work a collection of fascinating but uncompletable projects. Berry presents Leonardo's story from his deathbed and R___'s from his position stranded on the freeway inside his 1955 Buick while authorities attack AIDS protestors with chemical weapons. Just as Leonardo had finagled various rival aristocrats to bankroll his projects, R___ and his monkey-wrencher "not wife" have created a fraudulent second life on paper to survive in a world seemingly bent on social and environmental destruction. This may sound overly abstruse, but earthiness, vivid characterizations, and dark, ironic humor (like the "Windfall Taxes Chainsaw Massacre") make this a delightful experience for sophisticated readers. Highly recommended for medium to large public and academic libraries.?Jim Dwyer, California State Univ. Lib., Chico
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