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162 of 165 people found the following review helpful:
5.0 out of 5 stars
A great novel, beautifully written and very moving, September 5, 2000
I approached The Leopard with high expectations which were thoroughly satisfied. The novel, apparently based on the life of di Lampedusa's great-grandfather, is the story of a proud, sensual, Sicilian aristocrat at the time of Italy's Risorgimento (1860 or thereabouts), and his reaction to the changes he sees in his society: mainly the inevitable, indeed necessary, but still in some ways regrettable displacement of the aristocracy from their traditional position. The title character is a wonderful creation, and the lesser characters about him (his wife and children, his favorite nephew, the Jesuit priest Father Pirrone, and so on), are also very elegantly depicted. The Sicilian countryside, and telling details of social life at that time period, are also fascinating elements of the book. And finally, the prose is wonderful, and this translation seems very good, save for just a couple mild moments of clunkiness.The Leopard is the story of Don Fabrizio, Prince of Salina, at the time of the main action a man in his forties, with several children. He is a sort of benevolent tyrant in his household, a man of a very old family, accustomed to knowing his place and to having those about him know their places. The Prince is also a man of great sensual appetites, careless with his money (though not wasteful or dissolute), politically knowledgeable but completely apolitical in action, and also an amateur astronomer of some note. When the story opens, the Risorgimento is ongoing, but it is clear that it will be ultimately successful, and that the Kingdom of the Two Sicilies will be absorbed into the newly unified, somewhat more democratic, Italy. Don Fabrizio, out of loyalty, is nominally supportive of the old regime, but he realistically stays out of the conflict. His favorite nephew, Tancredi, the penniless but charismatic son of his sister, is an ardent supporter of Garibaldi (leader of the revolution). Several long chapters, separated by months, follow the progress of the Risorgimento at a distance, and more closely follow events which impinge directly on Don Fabrizio's life, yet which reflect the coming societal changes. These include the plebiscite to confirm popular support for the unification of Italy, his nephew Tancredi's love affair and eventual marriage to the daughter of a wealthy but decidedly lower class neighbor, his daughter's reaction to the attentions of a friend of Tancredi's, and Father Pirrone's visit to his home village. Finally, the action jumps forward some decades to the Prince's death, in a very moving and beautiful chapter, then still further forward to the household of his unmarried daughters in their old age. The events of the story tellingly illustrate both the changing face of society and also the nature of Sicilian society in general. At another level, the Prince's aging and death, and his knowledge of his own mortality, echo the senescence of his class. Loving descriptions of the Prince's homes, of his meals, of balls, of hunting, of peasant life, of politics both at the Prince's level and at the level of the peasants, of the attitude of churchmen towards their flock (especially Father Pirrone's toleration but not approval of his friend's sensual escapades) are laced throughout the novel. Moreover, the Prince himself is a truly compelling, charismatic character, full of faults but an admirable man nonetheless. Also, the narrator's voice is often with us, ironically, often even cynically, commenting on the expectations of the characters and both their failings and the failings of "real life" to meet their expectations, but, though sad, the voice is never bitter.
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by Mary Taylor Simeti
by Carlo Levi
by Leonardo Sciascia
by Norman Rich
