Les Misérables

May 11, 1987 | Format: MP3

$17.49
Song Title Artist
Time
Popularity  
1
3:33
2
1:52
3
3:21
4
4:43
5
4:14
6
3:50
7
2:48
8
3:46
9
2:30
10
1:40
11
4:54
12
2:59
13
2:54
14
2:57
15
4:31
16
2:08
Disc 2
1
5:15
2
2:22
3
1:58
4
3:29
5
2:10
6
4:11
7
2:26
8
2:09
9
3:23
10
2:39
11
3:17
12
2:16
13
3:30
14
2:03
15
2:59
16
2:14
17
4:57


Product Details

  • Number of Discs: 2
  • Label: Verve
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 1:43:58
  • Genres:
  • ASIN: B000VHPZ7A
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (346 customer reviews)
  • Amazon Best Sellers Rank: #18,949 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

I think the music is very good.
Kcuteus
Every song is great on this CD and just shows that you should buy it.
jes
The original Broadway cast does a great job on the songs.
jano

Most Helpful Customer Reviews

390 of 403 people found the following review helpful By William C. Clark on June 27, 2000
Format: Audio CD
The Original London Cast and Original Broadway Cast recordings were the first English recordings of Les Misérables. Each has it's strengths and weaknesses. For instance:
The Conducting) LONDON is best. The conducting is slower in the London version. Some listeners think that this sacrifices dramatic tension, but the slower speed brings out a hundred details that you never hear on other recordings.
Sound Quality) BROADWAY is best. The London recording has very good sound, but Broadway's sound is more sharp and focused.
Jean Valjean) TIE. Colm Wilkinson sings the role of Valjean on both recordings. His voice is a bit unsteady, but his acting is perfect. And he is IMMEASURABLY better on these two recordings than he was at the Tenth Anniversary Concert.
Javert) LONDON. Roger Allam has a strong, clear voice, and uses it well in Javert's solos. Terrance Mann has more trouble with his solos, but manages to pull through in the rest of the Broadway recording. Both of them are decent actors, but neither of them can touch Philip Quast, who will always be THE Javert.
Fantine) LONDON. Patti LuPone is one of the few Fantine's who sings the role instead of wailing it. And she does more than just sing it. If LuPone's "I Dreamed a Dream" doesn't bring you close to tears, you have a stone heart. Randy Graff on the Broadway recording leaves a lot to be desired, but isn't nearly as bad as Ruthie Henshall in the Tenth Anniversary Concert.
Marius) LONDON! Michael Ball was the first and the definitive Marius. His singing and acting are great, and he makes a potentially sentimental character believable and even likeable. Nowhere does David Bryant on the Broadway recording come close to matching him.
Read more ›
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52 of 54 people found the following review helpful By A Customer on February 12, 2004
Format: Audio CD
Les Miserables is one of the greatest musicals of all time, so this is a must-have for theater lovers.
The actors in this cast are all good (Colm Wilkinson, Terrence Mann, etc.), though it is understandable that comparisons are inevitable, especially since different actors have played the roles in different recordings. I, too, have preferences. For the role of Marius, I prefer Michael Ball -- to me, he is 'it'. For the role of Cosette, it's Judy Kuhn. And for the controversial role of Eponine, I prefer Lea Salonga. Why? For the simple reason that based on what all the Eponine players have shown, not only is she the best singer (miles apart from Frances and Kaho), she's also the best actress. (Not a surprise. Prior to doing the anniversary concert recording, Lea Had played the role on Broadway and on the West End to rave critical reviews.) Lea's Eponine is more intense, has more depth, and is more felt. She's also more effective in getting the audience to empathize with her. Frances does a great job, of course, and has been recognized for it -- good for her! -- but Lea gives the role more than just character; she gives it PRESENCE. In the past, people took the role of Eponine for granted -- everything was all about Valjean and Javert, sometimes extending to Marius and Cossette. With Lea joining the cast, people have actually started noticing Eponine. Lea Salonga has given the character the recognition it deserves.
Orchestration-wise, I prefer this version over the London recording. The faster beat makes the movements more exciting.
Overall, this is an excellent recording and one that you should definitely get. But don't forget the anniversary concert set (it has the best cast -- the "dream cast" indeed) and the complete symphonic version (which has all the music and songs) --they're the most important Les Miserables recordings.
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36 of 37 people found the following review helpful By A Customer on January 22, 2004
Format: Audio CD
If you can get only one copy, however, the 10th Anniversary Concert version is the one you should get. With the best cast and a very lively recording (plus a special number with Valjeans from different countries singing in their respective languages), the TAC version remains as the most memorable recording of this wonderful musical.
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33 of 34 people found the following review helpful By A Customer on February 10, 2004
Format: Audio CD
Very lively performances. Best cast. And yes, interestingly, in response to the debates one role seems to have generated: NO whiny voice playing Eponine (who, as one reviewer has noted, wouldn't have gotten the part had the actor in the 10th anniversary recording been old enough back then to audition for the role).
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30 of 31 people found the following review helpful By phil on February 10, 2004
Format: Audio CD
The second of four major (English) recordings. Certain numbers have been deleted and the tempo is faster. Great performances.
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30 of 31 people found the following review helpful By A Customer on February 4, 2004
Format: Audio CD
Except for some actors, like Frances Ruffele with the whiny and annoyingly squeeky voice. As many reviewers have pointed out, it's wisest to get the 10th Anniversary Recording. THAT recording has the best cast.
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33 of 35 people found the following review helpful By pete on February 10, 2004
Format: Audio CD
Great performances all around (Colm Wilkinson and Michael Ball, who both did the London and Broadway recordings, and Judy Kuhn, who does Cosette here). Terence Mann and Randy Graff are good, but Philip Quast and Patty LuPonne, both from the London version, are better. Similarly, Frances Rufelle doesn't hold a candle to Lea Salonga, who tops Frances' performances with her more emotionally intense and more vocally precise rendition of Eponine's numbers (am not surprised that the majority of viewers prefer Ms. Salonga for the role, now that they have a choice).
The tempo in this version is much faster than London's and I like it better this way.
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