If you were disappointed, or completely stunned, by DJ Shadow's last issue, 2006's
Outsider, you're not alone. There are two camps: those wanting another experimental, Steve Reich imbued
Endtroducing, or those wanting Shadow to blow you away with something different--extraordinary surprise. Outsider fit half two of the bill: an album that seemed like less of an album and more of a compilation of experiments: hip hop, soul, grinding rock, about twenty great everythings but the kitchen sink and common thread. I am still digging for new sounds and scratching my head at once.
With Shadow, you are either one of those people you bought Entroducing in '96, and there it sits with dusted case copies of
Nevermind and
Ten or you are in deep. Real deep! Shadow owns at last count 60,000 LPs, and spends years digging through and layering those to give us what may be the most textured, full-sounded music currently out there. So far on The Less You Know, I've found a loop from Miles Davis
Live-Evil, and the thought that Shadow and I share at least one semi-cult classic album gives me the rush all-a-goose-pimply.
If you are serious about your music, as a collector and a listener, Shadow both has the record collection of your dreams, and provides you with years of trying to find more sounds in each densely packed second of his albums; I am not even considering his EPs, check out the underknown
Funky Skunk, and collaborations with Cut Chemist. He is one of the few true serious old school music dudes in a world where digital generic production is all too plenty and serious albums, and buying of them in the hardcore collecting sense, are endangered species. He is a THE collector, high art star, and serious composer; a guy like us crate diggers, but with infinite talent and album collecting resources. An idle for recordheads to aspire to like teen spirit girls worship Justin Biber.
And so I waited for The Less You Know with bated CD laser, wanting to hear the music and continuing to worship the mystique.
How is it? Well, you are definitely not going to have an Outsider, cohesion problem. The Less You Know is Shadow working with a cocktail of hip-hop, drum and bass and his own progressive form of club music. Guitars, drums, electronically laced beats: this music probably had more tracks on the demos Shadow may have made than most dance or rap does on the finished product.
Does it work. Well, if you are a superficial listener and don't like these styles, you should probably be elsewhere anyway. Genre is never the point with Shadow, as even at his most obtuse, he transcends casual listening with sheer density and depth of sound. But even mild sympathy with Shadow will have you peeling the never ending onion with loving consideration, looking for new sounds, individually, and the whole album as one piece, which will no doubt be drawing us converts into consideration and reconsideration for years to come.
I can't say I love it, yet, but as I unblanket this new born over the next few months, I am sure i will like it, throw it aside from numb overplay, and then think it is the greatest thing since the
The Beatles (The White Album), going through these stages time and again.
And that alone should be enough to show you the stature of DJ Shadow in serious music