Customer Reviews

Lester Young (Twayne's Music Series)

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If you want to understand what the musical elements are in Lester's hugely influential style, read this book and listen to every recording you can afford to lay hands on.
Porter does a great job of transcribing and annotating several Young solos from different points in his career and explains with solid scholarship exactly what Young was doing and some of the whys. Porter is not among those who dismiss Lester's later work with the cliche about all the best stuff being before WWII. Instead he breaks Young's career into three periods and examines each fairly. There are some gaps in his discography, i.e.,the session with Oscar Peterson, but that may be due to the original publication date pre-dating the advent of CDs.
Charlie Parker's idol and cited as a major influence by nearly every jazz saxophonist to follow him, Lester Young was indeed the President of the Saxophone.

This is a great book if you want to try to understand Prez. There are tons of transcribed solos, and you can listen and read along--or even better--play along. All examples are in Bb transcription, so you can play along on your own Tenor Sax.

Take for example the solo he did with Count Basie on Lady, Be Good. It is something new, something he created, it sounds like a real breakthrough, like music has been pushed to a new level. Worthy of further study. Or dig how modern Prez sounds on I Didn't Know What Time It Was. You can see several different versions of many standards, done years apart, showing the evolving sound. For instance, Just You, Just Me, the earliest version is so classic, but the later version at a quicker tempo is an interesting comparison.

Besides the transcriptions and discography, the prose is good, too. I like the writing, as it seems like it was written by a musician, with a great understanding of the music, and also a musical way of writing.