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  • Let It Bleed [Vinyl]
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Let It Bleed [Vinyl]


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Vinyl, May 28, 2013
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A History in the Whirlwind: The Rolling Stones’ 50th Anniversary

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When the nascent Rolling Stones began playing gigs around London in 1962, the notion that a rock & roll band would last five years, let alone fifty, was an absurdity. After all, what could possibly be more ephemeral than rock & roll, the latest teenage fad? Besides, other factors made ... Read more in Amazon's The Rolling Stones Store

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Let It Bleed [Vinyl] + Beggars Banquet + Sticky Fingers
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Product Details

  • Vinyl (May 28, 2013)
  • Original Release Date: 2014
  • Number of Discs: 1
  • Label: Abkco
  • ASIN: B0000DJYQQ
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (463 customer reviews)
  • Amazon Best Sellers Rank: #1,765 in Music (See Top 100 in Music)

1. Gimme Shelter
2. Love in Vain
3. Country Honk
4. Live with Me
5. Let It Bleed
6. Midnight Rambler
7. You Got the Silver
8. Monkey Man
9. You Can't Always Get What You Want

Editorial Reviews

Nine-track LP pressing.

Customer Reviews

This is the best album that the Rolling Stones ever recorded.
Kevin Brock
He is apparently incredibly stupid and just goes around buying every album of every band he hates, so he can review them like he knows what he's talking about.
Music Fan
Robert Johnson is paid tribute in "Love in Vain" and "Let It Bleed" celebrates the decadence of the Stones in ways that "Gimme Shelter" abhorred.
Mark H.

Most Helpful Customer Reviews

344 of 364 people found the following review helpful By Richard R. Carlton on September 22, 2002
Format: Audio CD
There was only one version of Let It Bleed. This is it. It was released simultaneously in the UK and US on Dec 5, 1969. The Stones had the guts to leave off their July megahit Honky Tonk Woman and instead (much to the chagrin of record company execs) put a countrified satire of their own hit on the album. The Let It Bleed sessions also produced 3 of their finest works that are not on the album (Honky Tonk Woman, Sweet Virginia, and Sister Morphine).
The album contains a huge chunk of the work that made the band famous for this era....Gimme Shelter, Love in Vain, Let It Bleed, Midnight Rambler, and You Can't Always Get What You Want have all pretty much defined not only the Stones but this era of English-speaking history to the world. The album is a staple in every serious rock collection.....it's that simple.
The album has several notable facts:
.....Brian Jones died the same day the last tracks were recorded in London
.....M.C. Escher and photographer Man Ray were both invited to design the cover (they declined)
.....it includes the 1st song not sung by Mick - You Got The Silver, sung by Keith (Mick's version was left in the can)
.....Gimme Shelter was written by Keith while he waited in his car for girlfriend Anita Pallenberg who was starring with Mick (and actually making love instead of only acting) on the set of Performance
.....the Stones have long been accused of stealing many of the song bits from Ry Cooder who was involved in the early sessions and laid down basic tracks that developed into many of the songs
The tracks were recorded between Feb 9 and Jul 2, 1969 at Olympic Sound, London, with final mixing done at Sunset Sound and Elektra Studios in L.A. between Oct 18 and Nov 3.
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86 of 91 people found the following review helpful By Amazon Customer HALL OF FAMEVINE VOICE on October 23, 2002
Format: Audio CD
For my money this is the best Rolling Stones album ever, even if it is really not a typical example of their work. I do not think you can find a better opening to a Stones album than "Gimme Shelter" with Mary Clayton providing awesome guest vocals to some apocalyptic lyrics. The catchy guitar lead suggests bad things are coming this way, a sentiment amplified by the high pitched, wordless vocals and the complimentary piano before the rest of the band crashes in and Mick Jagger starts singing. I also know you can not top "You Can't Always Get What You Want" as the big finale, what with the London Bach Choir lending their voices (not to mention Al Kooper providing the most memorable French Horn work on a sixties rock 'n' roll album). I understand the idea that this is the Stones' response to "Hey Jude," but it certainly stands on its own as a classic pop tune, which makes it a most atypical Stones song on that grounds alone. Then there is the philosophical sentiments of the chorus, which again has you double-checking to make sure this is the same Stones who did "Sympathy for the Devil" and were the acknowledged bad boys of rock 'n' roll.

"Midnight Rambler," which originally began Side 2 in those days of vinyl, is another one of those most rare long Stones songs and featured Mick Jagger wailing on his harp. "Monkey Man" is my all time favorite non-Stones hit song with Jagger pointing out " I hope we're not too messianic or a trifle too satanic" (I used it for a class assignment once as the music background for a Pat Paulsen speech) and "Country Honk" is a countrified version of their hit "Honky Tonk Woman." You also have a couple of acoustic blues tracks with "You Got the Silver," which offers up the first lead vocals by Keith Richards, and a cover of Robert Johnson's "Love in Vain.
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58 of 64 people found the following review helpful By Brian D. Rubendall HALL OF FAME on June 11, 2003
Format: Audio CD
Released way back in 1969, "Let it Bleed" finds The Rolling Stones at their absolute creative peak. Though it was released as part of a string of masterpiece albums the band recorded between 1968 and 1972, the argument can be made that "Bleed" stands ever so slightly above the rest. The Stones' countryfied rock has never sounded better, and is a major source of inspiration to today's "alt. country" movement.
The album would be worthwhile even if all it contains was thier best "epic" song, "You Can't Always Get What You Want." But in addition are the other two monster hits: "Gimmie Shelter" and "Midnight Rambler." The title track rocks gently, while "Country Honk" is a teriffic reworking of "Honky Tonk Girls." Even one of the lesser known tracks, "Monkey Man," was used with tremendous effect by Director Martin Scorsese in the movie "Goodfellas." The digitally remastered CD provides particular sonic clarity, making the album sound as if it was just recorded last week.
Overall, an absolute masterpiece that is one of the many highlights of the Stones' career.
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31 of 34 people found the following review helpful By Aussie Petty Fan on April 27, 2007
Format: Audio CD
Let It Bleed for me is the band's first genuine classic album. It was the album that lived up to their billing as the greatest rock and roll band on earth in the late sixties.

By this time the Stones had released the great Beggars Banquet album, which is a great album, albeit not a classic but a pivotal record in the band's career, where country rock was added to their usual rock/blues and a few classic rock singles such as "Jumping Jack Flash" and "Honkey Tonk Woman".

Let It Bleed kicks off with one of my favourite Stones songs, the harrowing classic "Gimme Shelter". There could not have been a better song to have opened this album. "Love in Vain" changes the tempo a bit with Mick crooning the blues cover accompanied by Keith's acoustic guitar and Mick Jones slide work is nice. It's a good effort but never came near the original. A little humour is added with "Country Tonk" which is a parody of their single, Honkey Tonk Woman.

The album comes alive in a big way with the thumping bass line into of "Live With Me", which is good times Stone's rock. I love the way Keith joins Mick with harmonising vocals. Great song. The title track comes off better live in my opinion. There are some great Stones lines in it such as the coke and sympathy one amongst others.

Mick turns in a sensational effort with one of their best blues originals, "Midnight Rambler". The song remains a concert staple after all these years. Keith's song, "You Got The Silver" is a good little country blues ballad. "Monkey Man" didn't have quite the popularity as "Midnight Rambler" "Gimme Shelter" or "You Cant Always Get What You Want" but is every bit as good as any of those.

The album closes with the epic "You Cant Always Get What You Want" which is the Stone's "Hey Jude".
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