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Let the Crazy Child Write!: Finding Your Creative Writing Voice
 
 
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Let the Crazy Child Write!: Finding Your Creative Writing Voice [Paperback]

Clive Matson (Author)
4.6 out of 5 stars  See all reviews (21 customer reviews)

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Book Description

November 11, 1998
Twelve lively, in-depth chapters reveal how following our untrained impulses -- our creative unconscious or "Crazy Child" -- gives an authentic grasp on writing stories, poems, plays, and essays. Let the Crazy Child Write! introduces exercises that explicitly tap this knowledge and also presents guidelines on how to give, and receive, constructive feedback. This is the first how-to-write text to give full credit to the creative unconscious since Becoming a Writer, the 1934 classic by Dorothea Brande. Matson goes further by developing writing techniques step by step: Image Detail, Slow Motion, Hook, Persona Writing, Point of View, Dialogue, Plot, Narrative Presence, Good Clich s, Character, Surrealism, and Resolution.

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Product Details

  • Paperback: 256 pages
  • Publisher: New World Library (November 11, 1998)
  • Language: English
  • ISBN-10: 188003235X
  • ISBN-13: 978-1880032350
  • Product Dimensions: 8.5 x 5.6 x 0.8 inches
  • Shipping Weight: 11.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (21 customer reviews)
  • Amazon Best Sellers Rank: #982,395 in Books (See Top 100 in Books)

More About the Author

Clive Matson arrived in NYC in 1960. He quickly fell in with the Beat Generation - his first event was a reading where he met Allen Ginsberg, Gregory Corso, and Diane di Prima. Herbert Huncke became his second father. Diane di Prima published Matson's first poems.
He returned to school and earned his MFA in poetry at Columbia. He has taught more than 3,000 workshops nationwide, and his how-to text Let the Crazy Child Write! (New World Library, 1998), honoring the creative unconscious, is being used by a number of groups around the world.
Matson co-edited, with the late Allen Cohen, the anthology An Eye for an Eye Makes the Whole World Blind - Poets on 9/11 (Regent Press, 2002), which won the 2003 PEN Oakland Josephine Miles National Literary Award. His seventh book, Squish Boots (2002), was placed, amazingly, in John Wieners' coffin.
Chalcedony's Second Ten Songs (2009) is his current enthusiasm, a passionate, erotic and spiritual voice evolved from the Mainline poems. Mostly Matson writes from the itch in his body.

 

Customer Reviews

21 Reviews
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Average Customer Review
4.6 out of 5 stars (21 customer reviews)
 
 
 
 
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17 of 17 people found the following review helpful:
4.0 out of 5 stars A Playful Guide to Writing, October 30, 2001
This review is from: Let the Crazy Child Write!: Finding Your Creative Writing Voice (Paperback)
If you're like me, the idea of reading another "how-to-write" book is about as appealing as a stalk of celery for dinner. Clive Matson, however, seems determined the break down the walls of the mundane, beginning with his title and its intrinsic concept: that learning how to work with the "crazy child" that we also call "the muse," "the creative self" and other names is the secret to invigorating writing.

He continues the wall-breaking by doing what so many others do not: providing lively images to fix his concepts in our heads. His early rebuttal to the old saw, "You can't imagine a three-legged dog running" provides an essential understanding about the way the reader's mind applies immediate images to our details. "But as soon as you read that sentence, your nervous system contradicts it," he writes. "You do see that three-legged dog. And it's running. The dog is ridiculous, clumsy, endearing, inspiring, or even oddly graceful."

Another intriguing image comes from the side of the writer, this of how words pour like liquid through a person's body during the process of creating:

"One writer gets taken over by a peculiar sensation of color, and then she finds the words in her belly. Another feels the words slide up his spine, and he thinks it's as ordinary as bread and apples. These are unusual, but your way might be unusual too. Words probably have as many ways of creating themselves in the body as there are people in the world."

This provision of imagery is what sets Matson's book apart from so many others. Rather than simply providing instructions, he applies the poetic side of his talent to provide hundreds of tunnelways into the "crazy child" we are all pursuing. It's a fine read, and one which can't fail but enrich your writing life.

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10 of 10 people found the following review helpful:
5.0 out of 5 stars Buy The Book!, January 5, 2000
This review is from: Let the Crazy Child Write!: Finding Your Creative Writing Voice (Paperback)
In reading "Let The Crazy Child Write", I discovered permission. Permission to write my words down. Permission to give myself permission and to he-double-hockey-sticks with anyone who disagreed with those words I chose to write. Clive Matson has taken many years of writing seminars and "simmered" everything down to this book. Besides the written word, he touches base on plays, essays and poetry, giving you the basic architecture that you can take to the bank (or the typewriter) if you so choose. And I believe you will choose to pick up that pen after reading this book. He explains about the negatives that get in your way, giving them names, identities that you can recognize when the "nasties" hit, he uses words like "gay" and "Goddess" putting you at ease that he isn't one of "them" that says the written word can only appear one way or it doesn't count. He uses humor and an innate intelligence combined with a great love for writing to get his point across. He uses insights that I learned in Philosophy readings. Clive assures you that you and what you write DO count. And then shows you how to write it. Don't let the quarrels between your Crazy Child and your Editor stop your pen. Learn about them and how to work with them at the appropriate times. To quote Ellen, "Buy The Book!" You won't be sorry. And then e-mail him and thank him. He is worth it.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars suspending the inner critic, July 8, 2000
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This review is from: Let the Crazy Child Write!: Finding Your Creative Writing Voice (Paperback)
This wonderful book gave me techniques and permission to directly tap into my creative source. I was able to feel the difference between my normal struggle to write, with the inner critic stomping on every phrase, and the experience of the FLOW, where I've tapped into the source, the muse. The crazy child wasn't crazy after all! This book helped me open into a vision of my writing as a constant flowing well. I've read and worked with a lot of the great writing books; Goldberg, Dillard, Lamott, Gardner, and "Let the Crazy Child Write" takes it one step deeper. Write now, edit later!
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Inside This Book (learn more)
First Sentence:
We begin with "image detail" because it's essential for strong writing, and because it's fun. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
slow motion writing, plot germs, kindergarten rules, creative unconscious, rewrite suggestions, slow motion techniques, narrative presence, effective hook, kinetic detail, image detail, omniscient point, powerful writing
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Crazy Child, Linda Cohen, Three Easy Moves, Mary Oliver, Curse of the Starving Class, David Shaddock, George Orwell, Lillian Almeida, Mark Peterson, Sam Shepard, Thaisa Frank, World War
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