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Let It Be

ReplacementsAudio CD
4.5 out of 5 stars  See all reviews (135 customer reviews)

Price: $12.14 & FREE Shipping on orders over $35. Details
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
 : Includes FREE MP3 version of this album.
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Amazon Price New from Used from
MP3 Music, 11 Songs, 2006 $9.49  
Audio CD, 2008 $12.14  
Vinyl, Original recording, 1984 --  
Audio Cassette, 1994 --  

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Frequently Bought Together

Let It Be + Tim [Vinyl] + Pleased to Meet Me
Price for all three: $41.87

Buy the selected items together
  • Tim [Vinyl] $17.56
  • Pleased to Meet Me $12.17

Product Details

  • Audio CD (April 22, 2008)
  • Original Release Date: 2008
  • Number of Discs: 1
  • Label: Rhino / Rykodisc
  • ASIN: B0014IH1OK
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (135 customer reviews)
  • Amazon Best Sellers Rank: #4,239 in Music (See Top 100 in Music)

1. I Will Dare
2. Favorite Thing
3. We're Comin' Out
4. Tommy Gets His Tonsils Out
5. Androgynous
6. Black Diamond
7. Unsatisfied
8. Seen Your Video
9. Gary's Got a Boner
10. Sixteen Blue
11. Answering Machine
12. 20th Century Boy
13. Perfectly Lethal (Outtake)
14. Tempatation Eyes (Outtake)
15. Answering Machine Listen Listen
16. Heartbeat-It's a Lovebeat (Outtake Rough Mix)
17. Sixteen Blue (Outtake Alternate Vocal )

Editorial Reviews

Rhino'sRemastered and expanded Deluxe Edition includes six bonus tracks five of them previously unreleased. The Replacements last album for Twin/Tone before signing with Sire, 1984's Let It Be is widely hailed as not just one of the group's career best, but also as an across the boards alt-rock masterpiece. It is anchored by the all-time 'Mats' classics 'I Will Dare,' 'Androgynous,' 'Sixteen Blue,' 'Unsatisfied' and 'Answering Machine,' and definitive performances throughout by the band's legendary founding line-up: lead singer/songwriter and guitarist Paul Westerberg, Chris Mars (drums) and brothers Bob and Tommy Stinson (guitar and bass, respectively).

Customer Reviews

Most Helpful Customer Reviews
32 of 33 people found the following review helpful
5.0 out of 5 stars If you will dare, I will dare! May 10, 2004
Damn, man. Albums don't get any closer to perfect than this one.
"Let it Be" is so dead-on, it makes me want to cry. It's deeply satisfying, even as it throws curves at you from all sides. What kind of punk band opens their album with a pop song? What kind offers blistering hardcore, then slows the tempo and throws in a piano? What kind captures teendom better than John Hughes ever did (and Hughes is the MAN) with "Sixteen Blue?" Who else could make a punk mantra from the lines "Seen your video/You don't wanna know?" And who would end an album with a solo acoustic song - except that's no acoustic, it's a beautifully distorted Fender?
"Let it Be" is a truly transcendent album. The individual songs are all magnificent - not a sour track, or even a sour moment, among them - but there's something more. It creates its own energy, its own aura. These kids were making music in their early 20s that not only sounds brand-new and timeless, but it still speaks to this balding 33-year-old.
So much post-punk, including some work by the 'Mats, was and is monstrously overhyped. "Let it Be" cannot be hyped enough. It can't be labeled, either. It's music, rock and roll. In a legacy of outstanding and important albums by the Replacements and Westerberg, "Let it Be" is the best - which makes it one of the best of all time.
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17 of 17 people found the following review helpful
5.0 out of 5 stars Doesn't get much better than this December 31, 2005
Truly one of the greatest American rock bands of the 1980s, the Replacements spent much of their career just under the radar of the consciousness of the mainstream. While the band built up a loyal following throughout the Reagan years, the 'Mats never broke through the way other college favorites like REM or The Red Hot Chili Peppers did. While the band offered some of the best music of the decade and while they were later signed to a major label and even appeared on Saturday Night Live, true recognition and praise eluded them in their day. But while the band never managed to enjoy a real cross-over hit with the mainstream, they remained a cult favorite throughout their existence.

The `Mats early albums boasted raucous punk that was authentic and memorable, but a far cry away from the best work the band would offer. While the Minneapolis quartet's first three releases "Sorry Ma, I forgot to take out the Trash," (1981) "Stink" EP (1982) and "Hootenanny" (1983) showed much promise, it was the band's fourth album "Let it Be," (1984) that saw the band reach their full potential. The Replacements "Holy Trinity" of albums, "Let it Be," "Tim," (1985) and "Pleased to Meet Me" (1987) saw singer/songwriter Paul Westerberg blossom as a writer, churning out his most memorable work.

While "Let it Be" has the punk aesthetics of its predecessors, the songs are more refined and crafted. While "Let it Be" isn't overtly commercial or has any singles that scream "HIT" written on them, the album was up to this point the band's most assessable offering. To get right to the point, "Let it Be" is just a great album. Track after track, each song is memorable and well structured with an infectious hook, killer groove and keen sense of melody.
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24 of 27 people found the following review helpful
3.0 out of 5 stars Like the 'Mats themselves, a mixed bag April 30, 2008
By srellek
Format:Audio CD
For those of us hoping that the Ryko/Rhino would give the Replacements the same treatment they gave Elvis Costello, LET IT BE and their other reissues are something of a disappointment.

The sound is great, no question. But there are two main shortcomings. One of which has rightly been noted already: there is too much wasted room on these discs. With all the boots extant from throughout the 'Mats career, there is a literal goldmine of material out there that could have been included to get these timings closer to 80 minutes -- and, more importantly, give a more complete picture of what the Replacements were all about. Without some chunk of concurrent live material, there is something important missing. For those of us lucky to have seen the band live over the years, that void is all the more glaring.

Second, the liner notes are mediocre to downright bad. There are some great bits from Peter Jesperson. The LIB essay is a navel-staring disaster. How anyone could have let that stand as a "tribute" to one of the greatest albums in rock history is beyond me. Again, unlike the gold standard that both Ryko and certainly Rhino had set with their reissues of Costello's work, there is absolutely no input from the artists themselves. No words/thoughts/remembrances from Paul, Tommy, or Chris. And maybe this was their choice. But it certainly makes for a less-than-definitive reissue of this work.

The music does sound great. Bottom line. And I don't mind paying a little more for a great repackaging of important music -- and both Ryko and Rhino have done this very well in the past. Unfortunately, this effort doesn't live up to that same standard.
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27 of 32 people found the following review helpful
2.0 out of 5 stars The material demands a better reissue. Period. June 2, 2008
Format:Audio CD
I've been a fan of this band for a long time, so I was understandably looking forward to proper reissues/remasters for at least ten years. Let It Be may be their best sounding disk and most representative of the band's sound. However, aside from unearthed photos - which are poorly placed inside (with text on the photos?!?) - and better sound than earlier issues on compact disc this reissue simply isn't up to snuff.
And Rhino/Ryko are not to blame either. The band has acquired a certain legacy over time and simply deserves much better. First off the bonus track selection is very half-baked. Fans of the band are familiar with their outtakes by now. Let It Be's include "Who's Gonna Take Us Alive" (the best outtake of the bunch stupidly absent), the lyrically alternate version of "Gary's Got A Boner", "Street Girl" (a fine little ditty), the rocking "You Look Like An Adult" (the original version of "Seen Your Video") and a big whoops was the (new) mix of the alternate version of "Sixteen Blue". The same version (did) include Chan Polling of The Suburbs' grand piano through the entire song. A truly beautiful version, and they botched it! Why they included the same version WITHOUT the best part - or at very least a new interesting feature - of the song is simply poor on all counts.

Gina Arnold (author of the pretty decent 'Route 666: On the Road to Nirvana') wrote the liner notes. While sure, it may be sweet and cute for her to recount what it was like to be a Replacements fan twenty years ago (if that's the case for a filling up liner notes why don't a segment of us Replacements fans start sending in our of sweet stories for Tim now?) it doesn't make for definitive liner-notes writing.
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Most Recent Customer Reviews
3.0 out of 5 stars Good album
This is another famous Replacements album. I like it. But their first album is better. At the time, this album must've been pretty awesome to hear. But it sounds kind of dated. Read more
Published 10 months ago by Adam Taylor
1.0 out of 5 stars Review of Rhino 2008 Reissue
There are a lot of reviews with different aims for this album, but this one concerns the SOUND QUALITY of the Rhino Reissue of Let It Be. Read more
Published 18 months ago by Robert Drucker
5.0 out of 5 stars twin cities marvel
I've always felt that this was truly the Replacements finest album--the best collection of Westerberg's songs put on tape. Read more
Published 18 months ago by N. Babineau
1.0 out of 5 stars The sellout that homogenized Mats into trash.
Well, as the title states, this was the beginning of the end of a once great band. Replacements put out a few amazing records that epitomized hardcore/punk-ish emo/indie from... Read more
Published 22 months ago by s.m.
1.0 out of 5 stars The sellout that homogenized Mats into trash.
Well, as the title states, this was the beginning of the end of a once great band. Replacements put out a few amazing records that epitomized hardcore/punk-ish emo/indie from... Read more
Published 22 months ago by s.m.
5.0 out of 5 stars Honest emotion.
When The Replacements released Let It Be in October of 1984, it suprised many as both a big leap forward for the band and as a record of raw, heartfelt emotion. Read more
Published 23 months ago by Michael
4.0 out of 5 stars still a master blaster
Many, if not most, fans of this band would rate this as their favorite Replacements album. Great energy, but more importantly, great songs. Read more
Published on June 29, 2012 by Donald E. Gilliland
5.0 out of 5 stars The Mats!
I wore this LP , yes I said LP? , out many years ago and was quite content to just be able to find a fresh , new CD that I could also potentially wear out? Read more
Published on December 30, 2011 by betsyreed
5.0 out of 5 stars The Replacements are the pinnacle of Rock!!!
This band has put out more great music than the vast majority of bands in music history! This album is no exception. Read more
Published on October 20, 2011 by Fact Not Opinion
4.0 out of 5 stars The Replacements at Their Best
I was on a road trip with my wife, who wasn't very familiar with the Replacements yet, and "Let It Be" came up on my iPod. Read more
Published on April 20, 2010 by C. Dolejs
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Topic From this Discussion
lyrics ? -- thought this was a Replacements tune ?
That's "Float On," by Modest Mouse.
Mar 29, 2008 by Sam Wunderl |  See all 2 posts
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