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Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora
 
 
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Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora [Hardcover]

Persis M. Karim (Editor), Al Young (Foreword)
5.0 out of 5 stars  See all reviews (3 customer reviews)


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Book Description

May 1, 2006
Until recently, Iranian literature has overwhelmingly been the domain of men. But the new hybrid culture of diaspora Iranians has produced a prolific literature by women that reflects a unique perspective and voice. Let Me Tell You Where I've Been is an extensive collection of poetry, fiction, and nonfiction by women whose lives have been shaped and influenced by Iran's recent history, exile, immigration and the formation of new cultural identities in the United States and Europe. These writings represent an emerging and multi-cultural female sensibility. Unlike many flat media portrayals of Iranian women—as veiled, silenced—these writers offer a complex literary view of Iranian culture and its influences. These writers interrogate, challenge, and re-define notions of home and language and their work offers readers an experience of Iranian diaspora culture.



Featuring over one hundred selections (two-thirds of which have never been published before) by more than fifty contributors--including such well-known writers as Gelareh Asayesh, Tara Bahrampour, Firoozeh Dumas, Roya Hakakian and Mimi Khalvati--the collection represents a substantial diversity of voices in this multicultural community. Divided into six sections, the book's themes of exile, family, culture resistance, and love, create a rich and textured view of the Iranian diaspora. The poems, short stories, and essays are suggestive of an important conversation about Iran, Iranian culture, the Persian and English languages, and the dual identities of many of its authors. This powerful collection is a tribute to the wisdom, insight, and sensitivity of women attempting to invent and articulate a literature of in-betweenness.


Editorial Reviews

From Publishers Weekly

Starred Review. The diversity of voices represented in this stunning collection of poetry, fiction and nonfiction by women of Iranian descent shatters their narrow image in the U.S. Though none are well known, most of the 53 authors live in the U.S. and 15 have been published in journals if not books. One writes about a woman's relationship with her chador. Another remembers her desire, as a young girl, to distance herself from the "old-world values" espoused by her parents. A woman who sought refuge in Germany conveys the longing she felt to return to her birthplace by detailing a market scene and how the taste of raw walnuts made her feel at home again. Like other émigrés, the women who fled Iran after the 1979 revolution have continued to feel strong ties with their homeland. Many of those now living in the U.S., Canada or the U.K. have grappled with such feelings in an era when cars in the U.S. were emblazoned with bumper stickers reading "Iranians Go Home" and "We Play Cowboys and Iranians." Though many contributions avoid politics, several writers illustrate heartbreaking incidents of stereotyping that reveal the struggle of facing pervasive social suspicion. Touching on universal themes of love and loss, exile and longing, politics and war, this collection derives its cumulative power from its authors' subtle, uniquely female perceptions. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Paperback edition.

Review



“I’d never heard of Sholeh Wolpe or the late Susan Atefat-Peckham before this book; now I want to read everything they’ve ever written. Their poems are daring and wise, full of love, breathtakingly tender and hones. Do they write with a woman’s sensitivity? Absolutely. Do I feel as though I’m reading ‘woman’s literature’? Absoutely not. It’s deeper than that – both arresting and sublime in a way that transcends gender.�

— Brad Buckholz, Austin American-Statesman







“This is a surprising collection. . . . Persis Karim has located a community of sensitive and articulate cultural observers and mapped that explosion of creativity for us.�



— Michael Beard, coeditor of Middle Eastern Literatures and author of Naguib Mahfouz: From Regional Fame to Global Recognition



“[These writings] command our attention, not only for the range of their subject matter and literary artistry, but for representing a multiplicity of voices, the newest patch in this quilt of American culture. They are allegories of our enriched nation . . . the real thing.�



— Zohreh T. Sullivan, author of Exiled Memories: Stories of Iranian Diaspora



“In these tender and no-so-tender pages you’ll find the barely tellable story of what really happened to dreams deferred. Through vivid, sometimes spellbinding accounts they provide, these gifted writers speak powerfully to the subject of displacement.�



— Al Young, from the Foreword





“We have to thank Persis Karim for this wonderful book and for these powerful selections; they offer an alternative to the currently politicized and one-sided view of Iran and Iranian culture.�



– Azar Nafisi, author of Reading Lolita in Tehran: A Memoir in Books







"Might we present this stunning collection of voices to the U.S. government? Might this be the perfect moment for bridges of language and sensibility—delicious humanity—to define and connect us? Cast aside the grim proclamations of power and threat!

Gratitude to Persis Karim for this healing tonic of pomegranate wisdom and pleasure."



—Naomi Shihab Nye, poet and author of You & Yours, 19 Varieties of Gazelle: Poems of the Middle East







"Iran is a land of paradoxes. It is also undergoing a momentous and profound transformation. The delightfully diverse group of women assembled in this important and timely anthology offers a panoramic view of this complexity and dynamism. Persis Karim ought to be congratulated."



—Farzaneh Milani, director of Studies in Women and Gender at the University of Virginia, is the author of Veils and Words: The Emerging Voices of Iranian Women Writers

Product Details

  • Hardcover: 428 pages
  • Publisher: University of Arkansas Press; 1 edition (May 1, 2006)
  • Language: English
  • ISBN-10: 1557288194
  • ISBN-13: 978-1557288196
  • Product Dimensions: 9.1 x 6.1 x 1.2 inches
  • Shipping Weight: 1.6 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #5,243,965 in Books (See Top 100 in Books)

 

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5 of 5 people found the following review helpful:
5.0 out of 5 stars Do Not Miss This Gem!, June 27, 2006
By 
P. Moallemian (Los Angeles, CA) - See all my reviews
(REAL NAME)   
Persis Karim has embraced a remarkable collection of work by mostly recreational writers and new poets in this book that is significant in a number of aspects. It is a testimony to the incredible spirit of all women, by exploring the journey most of these authors have taken while their immediate surrounding was experiencing significant turmoil and destruction. A voyage that was carried despite significant prejudice and eradication of an assortment of their basic rights. It is also a narrative of the immigration experience, being subjected to intolerance and narrow-mindedness on a different level and yet succeeding despite the odds. These incredible women are telling their story and the story of all of us who experience conflict, affection, separation, contradictions and intolerance, while struggling to maintain a conventional existence. A lesson for all of us in improved comprehension of one-another and recognizing the value of our differences. Highly recommended!
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3 of 3 people found the following review helpful:
5.0 out of 5 stars Excellent collection, June 30, 2006
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This book is a wonderful collection of poems and short stories by Iranian women. The variety of authors makes this an interesting collection and it is also enjoyable to read the short biographies of the authors. This is a book you can easily read from cover to cover or pick up and read a few selections at a time from anywhere in the book. This isn't a book only for Iranians, it is for anyone wanting to be immersed in well-told stories and conveyance of emotions and life's happenings.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars Revealing unique outlooks in a formerly male dominated, patriarchal literary tradition, August 9, 2006
This review is from: Let Me Tell You Where I've Been: New Writing by Women of the Iranian Diaspora (Hardcover)
"Let Me Tell You Where I've Been: Let Me Tell You Where I've Been: New Writing By Women of the Iranian Diaspora" is a totally new first anthology of writing by women of the Iranian diaspora. Revealing unique outlooks in a formerly male dominated, patriarchal literary tradition, these vivid works of poetry, fiction and nonfiction give authentic artistic voice to the silence of the veil stereotype frequently perceived by the West. Over one hundred selections are presented by more than fifty authors, some famous and some unknown. Two thirds of the works are previously unpublished. The authors selected are a diverse group who represent a cross section, or a complex community of intelligent, sensitive, articulate women in a rapidly changing world. The voices of these writers have been named "Allegories of our enriched nation... the real thing," by Zohreh T. Sullivan, author of "Exiled Memories: Stories of the Iranian Diaspora." A list of the contributors include Tara Bahrampour, Susan Atefat-Peckham, Firoozeh Dumas, Farnoosh Moshiri, Azadeh Moaveni, and other less familiar writers such as Leyla Momeny, Gelareh Asayesh, Niloofar Kalaam, and Farnaz Fatemi. Certainly many kudos are owed to Professor Persis Karim, teacher of English and comparative literature at San Jose State University, for amassing this wondrous, stunning collection. The selections are organized by theme into six different main areas: Home Stories, For Tradition, Woman's Duty, Axis of Evil, Beyond, and Tales Left Untold Subjects include differentiating dual and multi-cultural identities, sexuality, love, traditional expectation and its failure, politics, gender, blood and suffering, and the desperate poignancy of silence. There is so much to absorb in this collection, it is so very rich. It is certainly a fragrant beginning to enable Western to grasp the barest outlines of the complexity and courage of these women and their worlds and cultures. It is impossible to read any part of this book and come away unchanged. "But she wants to step into/the whiteness of this inferno/and search Madison/for someone in his life/with the power to change him:/daughter, father, wife./She would become that person/undress him in the daytime/stand naked in front of him./say, look at what we've wrapped in./See this soft scraped creamy dark thing? It/s life." Farnaz Fatemi (p. 240)
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
raw walnuts, black chador
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Khaleh Farah, Ezzat Ammeh, Agha Jan, Caspian Sea, Eshgh Abaad, Hajji Golmarvi, Islamic Republic, New York, Los Angeles, Reza Shah, Chapel Hill, United States, Akbar Agha, Dial Tone, Iran Air
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