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Letters to Montgomery Clift [Hardcover]

Noel Alumit (Author)
4.8 out of 5 stars  See all reviews (21 customer reviews)

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Book Description

1931561028 978-1931561020 February 1, 2002 First Edition
“I started my life in America and my search for my parents, well only my mother now— with Monty as my guide. The journey to find my mother would not be complete without him.” And so begins Letters To Montgomery Clift, a first novel by Noel Alumit; a coming of age story of Bong Bong Luwad, a Filipino boy, who enlists the spirit of 1950s screen idol Montgomery Clift to help him find his mother who is imprisoned in the Philippines under the Marcos regime.

After being sent to America by his mother, he is taught by his Aunt to write letters to saints and dead relatives to ask them for favors. As he watches the movie The Search, where Montgomery Clift helps a young boy find his mother, he starts to believe that Monty can do this for him. His letters begin and through time he starts to see visions of Monty himself.

As he reaches adolescence and his hopes of finding his mother diminish, Bong Bong begins to fall deeper into his fantasy world with Clift.

When eventually he travels back to his homeland and finds the whereabouts of his mother, he is able to bid a final farewell to Monty and begin his life anew back in the States with his family. Letters To Montgomery Clift is a novel of endurance and hope. It is a tale of growing up, coming out and going home.


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Editorial Reviews

From Publishers Weekly

This occasionally radiant coming-of-age tale crams human rights violations, the cultural and emotional turmoil of immigrant life, self-mutilation, family ties, abortion, coming out and the ubiquitous search for self all into a brisk, sometimes jarring read. In the midst of the atrocities of the Marcos regime in the Philippines in 1970s, eight-year-old Bong Bong Luwad is smuggled to Los Angeles, where he stays with his abusive, alcoholic Auntie Yuna, who writes "letters to God and dead relatives." Each chapter begins with missives to the eponymous dead movie star who catches Bong's imagination, filling in for his missing parents and rousing his burgeoning sexuality. Bounced around the foster care system after Auntie Yuna goes to the liquor store and never returns, Bong ends up with a well-to-do foster family, the Filipino Arangans, who are picture-perfect on the outside, but harbor their own mysteries, disillusionments and shames, one of which drives Bong away from them. He finds a confidante in their rebellious daughter, Amada, and a range of opportunities provided by their wealth, but he connects with Amnesty International and holds on to the hope that his parents are still alive. The obsessive letters are a rather clumsy expository device and the ending is less than credible, but Alumit's debut is affecting enough to suggest that when he hits his stride, he will be a writer to reckon with. (Feb. 15)Forecast: Though unlikely to find a large mainstream audience, this should strike a chord with gay and/or Filipino readers.

Copyright 2002 Cahners Business Information, Inc.

Review

Alumit knows about loss and sorrow. Fortunately for readers of his novel, he knows even more about resilience and hope. -- Aimee Liu, Cloud Mountain

Noel Alumit has arrived with quiet passion, wit, and wonderful words. -- Russell Leong, Editor, Amerasia Journal

Noel Alumit will break your heart and then put it back together again with his absorbing and heartfelt first novel. --Peter Gadol, Light at Dusk

Product Details

  • Hardcover: 244 pages
  • Publisher: MacMurray & Beck; First Edition edition (February 1, 2002)
  • Language: English
  • ISBN-10: 1931561028
  • ISBN-13: 978-1931561020
  • Product Dimensions: 9.2 x 6.2 x 0.9 inches
  • Shipping Weight: 1.1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (21 customer reviews)
  • Amazon Best Sellers Rank: #86,041 in Books (See Top 100 in Books)

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Customer Reviews

21 Reviews
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Average Customer Review
4.8 out of 5 stars (21 customer reviews)
 
 
 
 
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8 of 8 people found the following review helpful:
5.0 out of 5 stars A strong first novel about the bond between mother and son, January 20, 2004
By 
This review is from: Letters to Montgomery Clift (Hardcover)
In the Philippines during 1976, a very young Bong Bong Luwad is put safely on a plane to America by his mother Cessy to stay with her sister Yuna. She promises to come to the US as soon as she found his father.

Living with Auntie Yuna is like a hell on earth for Bong, and all the while he holds on to hope of reuniting with his mother. It's during his stay with Yuna that he first discovers Montgomery Clift, in a film titled "The Search." Leaving a permanent impression on Bong, he writes letters to Monty, even though he knows that he's dead, asking for his guidance. These letters help him through the many tough patches to come in to his life: life with of Yuna, being thrown into the foster care system, discovering a dark secret about his foster family, learning about the fate of his family, and dealing with his own sexualtiy.

This is an engrossing story of separation, loss, love and hope, and told from a view that isn't heard to often in literature: a Filipino perspective view of the world and of sexuality. Bong Bong is a strong character, not only in dealing with his own coming out, but with the realization of what happened to his family. He is likable and you want him to succeed. At the heart of the story, though, is the bond between mother and son; that's what drives Bong to suffer through the ups and downs, hoping that in the end everything will be okay, that he will be with his mother again.

A strong first novel.

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5 of 5 people found the following review helpful:
3.0 out of 5 stars Uneven but auspicious debut, May 30, 2002
This review is from: Letters to Montgomery Clift (Hardcover)
With its sparse prose style and often affecting knowingness, Alumit's first novel tells the story of Bob ("Bong Bong") Luwad, a young Filipino boy whose mother sends him to America after his father is arrested during the Marcos regime. Upon his arrival in the United States, the boy discovers the films of Montgomery Clift, whose movie persona provides much-needed emotional support that gradually becomes a psychological crutch.

Briskly told, the novel reads more like a play in parts. Many of the characters (especially Bob's foster parents and their daughter Amada) are aptly drawn, the descriptions of torture under the Marcos regime are harrowing, and the device of using Bob/Bong`s letters to Montgomery Clift as chapter openings is artfully executed. Alumit is also adept at depicting the interplay between the various members of the foster family and the breakdown of their relations when Bob discovers a secret about Amada`s parents.

I agree with others who've said that this is a promising first novel, but that statement alone sometimes damns a book with faint praise. The prose isn't just minimal; it's often skeletal, told with abbreviated sentences and fragments. In a mature hand, this barebones style might be effective for a purely psychological novel, but this novel aspires to be more than that. For example, Alumit fails to convey the culture shock that would have greeted a boy arriving in California from the Philippines or a young man returning to his homeland almost twenty years later. The scenes abroad could have taken place in just about any country; only the references to the Marcos regime are specific to the Philippines. Likewise, the only passages unique to life in Los Angeles is a scene at Grauman's Chinese Theater and an unnecessarily detailed paragraph describing a couple of rides at Disneyland.

The biggest disappointment, however, is the last section, which relies on a series of improbable coincidences that rapidly give way to melodrama and sentimentality. I won't give anything away except to say that this novel, in spite of its title, deserved more than a Hollywood ending.

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9 of 11 people found the following review helpful:
5.0 out of 5 stars Can a book be both heartbreaking and hopeful?, July 26, 2002
By 
This review is from: Letters to Montgomery Clift (Hardcover)
A series of letters to a movie star who died young but ravaged (like Judy Garland) is a risky narrative device. I am not completely convinced that an eight-year-old could have written the first letters, but they are very poignant. And what they mention is elaborated. That is, the story is not told primarily by the letters. Without commenting on the contents of the letter, the present-day narrator recalls the events around the time of the letter, so there are two chronological narrations. At first, I found it easy to read each chapter with what is presented as a letter from the past and the memories in the present and stop, though once I got further into the book (after Bob graduated from college) I no longer found it easy to put down, and read the last hundred pages straight through.

There are some very painful experiences, the kind of traumas of displacement and loss that altogether too many children have had to experience during the last seventy years in various places. Bong's innocence is heartbreaking, as is the way he channels his hopes to someone whose life showed little ability to take care of himself, let alone anyone else (Montgomery Clift). Faith has held many people's fragile psyches together through series of traumas and Mr. Clift turns out to be a beneficent spirit. Belief in him eases Bong's passage through a vale of tears.

Although the traumas of history (including Christian Right terrorism in the US) are significant in the book and Bong/Bob suffers more than little, there is a lot of absurdist humor in his relationships with foster parents and some support from people more present than Montgomery Clift, including the foster sister who becomes a close friend. The book is entertaining as well as being touching and moving in its compassion from a badly injured refugee.

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Inside This Book (learn more)
First Sentence:
I didn't start seeing Montgomery Clift immediately. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Baby Bounce, Los Angeles, Baguio City, Marilyn Monroe, Elizabeth Taylor, The Misfits, Amnesty International, New York, San Francisco, Rock Hudson, Director Man, Mirror World, Monty Clift, Cessy Luwad, Nice Teacher, Santa Monica, Uncle Virgilio, Blood Prom, Hell High, King Cobra, Los Feliz, Madame Director, The Search, Echo Park, Father de la Merced
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