From Publishers Weekly
This nonfiction graphic novel gives the history of three early 20th-century magicians and the invention of the standard levitation trick. It's claimed that Entranced Fakir, or The Levitation of the Princess of Karnak came from India, but in reality it was stolen from European magician John Neville Maskelyne by American Harry Kellar, who took it back to the States. Years later, it was passed on to Howard Thurston, who had the voice and bearing of a preacher with the manner of a carnival barker. (Kellar notes that the two professions are not so different.) The art is lively with nice Georgian and Jazz Age touches, especially in face shots that resemble old, hypnotic-eyed daguerreotypes of mesmerists in frock coats. It's all good fun, but the story never finds its heart, only touching on the obsessive control the great traveling magicians must have had, and their life on the road. The hard economics they faced comes through splendidly, however. To perform, they had to look like gentlemen. To survive, they had to act like cutthroat rogues. The story contains two revelations: one is the diagram explaining the trick. The other is the revelation that even when audience members are quietly shown how it works, they don't tell.
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In an empty theater, 1920s premier magician Howard Thurston flips playing cards into the auditorium while rehearsing a line of patter. Behind him, three men open packing crates. They're led by Guy Jarrett, who sets up Thurston's most famous trick, the levitation of comely "Princess Karnac," and whose opinion of Thurston emerges as, after the magician splits, he tells the two stagehands the illusion's history. Thurston bought it from Harry Kellar, who "stole" it from its inventor (actually, Kellar figured it out and improved it). Jarrett thinks Thurston's a dope because he lets audience members inspect the act on stage. That close up, they see the wires. But then, get this: Thurston tells them they're now part of the act, so don't blow itand they don't! Ottaviani's expositional procedure is the same as in Wire Mothers (2007) but no less effective, and Johnston's artwork is considerably suaver than Dylan Meconis' in Wire Mothers. The two short books on what Ottaviani calls "the science of the unscientific" come as a set (9780966010695) as well as individually. Olson, Ray