Review
"With unmatched eloquence, with veritable clusters of mots justes, and with an unerring ear for the symptoms of legal anxiety in popular texts, MacNeil walks the reader through his intricate and intensely intelligent interpretations of a blazing diversity of texts, tragic, comic, epic, satirical, sci-fi and more."Media & Arts Law Review
"In obeying the form of critical cultural jurisprudence [Lex Populi] succeeds in invoking the visceral. That is, it resounds in the deep registries that drive the very subject-matter of the book itself, animations of the world that are more real than lived existence. For this stylistic achievement in a field which has become notorious for over-complex, technical performances, MacNeil should be celebrated... MacNeil presents the possibility of revolutionising jurisprudence. He offers a way for jurisprudence to actively engage with the 'masses' and in that engagement finds not only a stronger voice, but facilitates other voices on the 'people's law.'"Griffith Law Review
"William MacNeil's book is that rarest of rarae aves a serious legal study that is fun to read. As its name implies, the book examines "'People's law' or, more loosely, 'pop law'" (1) law as reflected by contemporary popular culture... By recognizing how popular culture reflects legal structures we can learn not only how society implicitly understands, or misunderstands, law but also gives legal theorists a way of re-examining and rethinking jurisprudence."Social Science Research Network
"What can pop culture contribute to the rights debate? Quite a lot, MacNeil argues. And... his unconventional analysis holds up remarkably well."Australian Literary Review
"The prose is lively, witty, and challenging, full of puns and cultural references that pay a careful reader... Parallel to how Murphy Brown provoked conversation about single parenting, MacNeil believes we can brng jurisprudential issues into publ
From the Inside Flap
This is a book about jurisprudenceor legal philosophy. The legal philosophical texts under consideration areto say the leastunorthodox. Tolkien, Buffy the Vampire Slayer, Harry Potter, Million Dollar Baby, and other cultural products are all referenced as exemplary instances of what the author calls lex populipeople’s” or pop law.” There, more than anywhere else, will one find the leading issues of legal philosophy. These issues, however, are heavily coded, for few of these pop cultural texts announce themselves as expressly legal. Nonetheless, Lex Populi reads these texts jurisprudentially,” that is, with an eye to their hidden legal philosophical meanings, enabling connections such as: Tolkien’s Ring as Kelsen’s grundnorm; vampire slaying as legal language’s semiosis; Hogwarts as substantively unjust; and a seriously injured young woman as termination’s rights-bearer. In so doing, Lex Populi attempts not only a jurisprudential reading of popular culture, but a popular rereading of jurisprudence, removing it from the legal experts in order to restore it to the public at large: a lex populi by and for the people.