From Publishers Weekly
A Columbia University lecturer in modern Tibetan studies who's taught at Tibet University and written extensively about Tibet, Barnett has no intention of explaining Tibet to anyone. After all, for more than a century, foreigners have described the Tibet they thought they knew, propagating either unwitting or deliberate misapprehensions. So it's with reluctance and some negativity ("Lhasa was not in every way an otherworldly place") that Barnett attempts "to scrape a little of the topsoil off the affective history of a city, Lhasa," to discover its "inner language." The book's chapters have loose themes—foreigners' views of Tibet, Lhasa's geomantic layout, evolving architectural styles—and are usually spliced with diary accounts from Barnett's visit during the 1987 protest riots. Much of the book contains passages Barnett wrote for other publications in other languages; now revised and translated, they produce an uneasy flow. The illustrations—edgy line drawings of unidentified and often unidentifiable subjects—ensure the generally obscure mood, as do the lack of a modern map of Lhasa or Tibet, or a clear drawing of the types of buildings Barnett describes. Alas, even patient readers, dutifully consulting the hefty endnotes and glossary, may give up before reaching the final five-page chapter, where Barnett finally speaks plainly about Lhasa's architecture.
(Mar.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Lhasa is rather like the elephant in the tale of the blind men trying to describe the small part they are able to perceive. There is no explaining this city, or Tibet in general, and Barnett does not attempt to do so. Instead he acts as an "architect of the urban soul," shifting carefully through layer upon layer of history, his personal memories, and architectural symbolism to trace Tibet's often-painful transition from tradition to modernity. Foreign influence and interference have cost Tibetans dearly, particularly in their push toward independence. Barnett's book is a wonderful read for the patient reader willing to consult the generous notes and glossary to glean the clearest understanding of this attempt "to scrape away a bit of the topsoil off the affective history of a city." Barnett's text is interspersed with beautiful line drawings contributed by Karen Diemberger, images that suggest more than they reveal about this phenomenal city. In all, this is a book that will transfix readers intrigued with Tibet.
Pamela CrosslandCopyright © American Library Association. All rights reserved
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