2009 release, the third album from the unique Mexican-American singer/songwriter. Written entirely in English and produced by Lhasa herself (she collaborated with Patrick Watson, Freddy Koella and Sarah Pagé on some songs), recorded entirely to tape, this album feels like a singer, songwriter, arranger, and producer coming into her own. The instrumentation is simple yet unusual - harp, guitar, pedal steel, bass, drums, piano. The melodies are familiar and irresistible, yet totally original. The style draws from Country, Gospel, Blues and Folk, and manages to feel ancient without a hint of nostalgia, and modern without a drop of technological wizardry. Far from all of the sound and fury of the modern music business, Lhasa has been quietly going about becoming one of the most fascinating songwriters of her generation. WCJ.