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Li Po and Tu Fu: Poems Selected and Translated with an Introduction and Notes (Penguin Classics)
 
 
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Li Po and Tu Fu: Poems Selected and Translated with an Introduction and Notes (Penguin Classics) [Paperback]

Arthur Cooper (Author), Tu Fu (Author), Li Po (Author)
4.3 out of 5 stars  See all reviews (6 customer reviews)

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Book Description

July 30, 1973
Li Po (AD 701-62) and Tu Fu (AD 712-70) were devoted friends who are traditionally considered to be among China's greatest poets. Li Po, a legendary carouser, was an itinerant poet whose writing, often dream poems or spirit-journeys, soars to sublime heights in its descriptions of natural scenes and powerful emotions. His sheer escapism and joy is balanced by Tu Fu, who expresses the Confucian virtues of humanity and humility in more autobiographical works that are imbued with great compassion and earthy reality, and shot through with humour. Together these two poets of the T'ang dynasty complement each other so well that they often came to be spoken of as one - Li-Tu' - who covers the whole spectrum of human life, experience and feeling.

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Product Details

  • Paperback: 256 pages
  • Publisher: Penguin Classics (July 30, 1973)
  • Language: English
  • ISBN-10: 0140442723
  • ISBN-13: 978-0140442724
  • Product Dimensions: 7.8 x 5.2 x 0.6 inches
  • Shipping Weight: 6.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #387,804 in Books (See Top 100 in Books)

 

Customer Reviews

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23 of 23 people found the following review helpful:
5.0 out of 5 stars China's greatest poets, June 17, 2003
This review is from: Li Po and Tu Fu: Poems Selected and Translated with an Introduction and Notes (Penguin Classics) (Paperback)
Li Po (AD 701 - 762) and Tu Fu (AD 712 - 770) are regarded as the two greatest Chinese poets. Li Po was a spiritual poet whose verse deals with consciousness and the human mind, whilst Tu Fu was a chronicler of the everyday life. The book includes a thorough introduction encompassing the pronunciation of Chinese words and names, notes on the Chinese calligraphy and the introduction proper which provides information on the poets and their times, plus backgrounds to T'ang Poetry and the principles of Chinese syllabic metre. The poems are elucidated with explanatory notes and with reference to Ezra Pound's translations in his book Cathay. In this regard, I found here another translation of Li Po's poem The Ballad Of Ch'ang-Kan (The Sailor's Wife) the first part of which was translated as The River Merchant's Wife: A Letter, by Pound. This is a beautiful poem and I was very pleased to find the second part here. Although there is no unanimity amongst scholars that it really is by Li Po, it perfectly completes the first part and Cooper's notes here are very illuminating, especially as regards place names on the Yangtse river. This excellent book concludes with a list of titles and an index of first lines, including poems by other poets in the introduction.
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24 of 25 people found the following review helpful:
5.0 out of 5 stars A unique and valuable introduction for beginners., June 20, 2001
This review is from: Li Po and Tu Fu: Poems Selected and Translated with an Introduction and Notes (Penguin Classics) (Paperback)
LI PO AND TU FU : Poems Selected and Translated with an Introduction and Notes by Arthur Cooper. Chinese Calligraphy by Shui Chien-tung. (Penguin Classics). 249 pp. Penguin 1973, and Reissued.

This is a valuable book in many ways. Besides giving a selection of enjoyable translations of China's two greatest poets - Li Po (+ 701-762, 25 poems) and Tu Fu (+ 712-770, 18 poems), it also includes a remarkably full and informative Introduction of almost 100 pages which not only serves to introduce beginners to the subject of Chinese poetry, and to the work of Li Po and Tu Fu in particular, but which could also be read with profit by others.

Each of the 43 poems is followed by an explanatory comment, which can range in length from paragraph to essay form. The book also includes a Guide to the Pronunciation of Chinese Words and Names, and, since twelve of the poems are accompanied by the Chinese text in the striking calligraphy of Shui Chien-tung, a Note on Chinese Calligraphy has been provided by the artist for the benefit of those who may not be familiar with the nature and history of this fascinating art form.

Shui Chien-tung has "adopted a manner influenced by Chinese bronze inscriptions [and] has also followed various styles of writing to suit the different poems" (pp.13-14). The result is a clear style which in most cases will cause no problems for anyone who may be studying Chinese characters, since the structure of even the more complex characters can easily be discerned.

Here, as an example of Cooper's style (with my obliques added to indicate line breaks), is the first of two 'sonnets' of Tu Fu's 'At an Evening Picnic, with Young Bucks and Beauties' :

"Sunset's the time to take the boat out / When a light breeze raises slow ripples, / Bamboo-hidden is the picnic place / And lotus-fresh in the evening cool; // But while the bucks are mixing iced drinks / And beauties snow a lotus salad, / A slip of cloud comes black overhead : / Before it rains my sonnet must end !" (p.163)

Cooper's reading nicely evokes the lighthearted amusements of spoiled and wealthy youth, out on the cool water with a party of singing girls for an evening of companionship and pleasure after the heat of the day.

Cooper's anthology has an excellent Introduction, is of manageable size, well-translated, helpfully annotated, uniquely illustrated with Shui Chien-tung's calligraphy, and has other useful features. It would make a good introduction for anyone new to Chinese poetry, and it can also be read with interest by anyone wishing to extend their knowledge of Li Po and Tu Fu.

Those who, after reading it, would like to explore further and learn about some of China's other great writers, might take a look at the excellent anthology by Cyril Birch, another book I can strongly recommend:

ANTHOLOGY OF CHINESE LITERATURE : From early times to the fourteenth century. Compiled and edited by Cyril Birch. Associate editor Donald Keene. 492 pp. New York : Grove Press, 1965, and Reissued.

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20 of 27 people found the following review helpful:
3.0 out of 5 stars A good beginner book on Classical Chinese poetry, November 26, 1996
By A Customer
This review is from: Li Po and Tu Fu: Poems Selected and Translated with an Introduction and Notes (Penguin Classics) (Paperback)
Arthur Cooper includes an introduction to get the reader up to speed on Chinese literary history and the development of Chinese Kanji. The translation of poems loose most of the musical qualities and doesn't sufficiently create a sense of poem. In Cooper's introduction he discusses some of these problems, but having read other tanslation of Li Po, it is an adequate translation. One of the strengths of this edition is that it has the chinese version on the opposite page, so it does try to bridge the gap. The book is intended as an introduction to Chinese poetry and provides enough information for those who want to know the history and expose themselves to Li Po and Tu Fu
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Inside This Book (learn more)
First Sentence:
Where the dogs bark by roaring waters, Whose spray darkens the petals' colours, Deep in the woods deer at times are seen; The valley noon: one can hear no bell, But wild bamboos cut across bright clouds, Flying cascades hang from jasper peaks; No one here knows which way you have gone: Two, now three pines I have leant against! Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
verbal parallelism, syllabic metre, latent association
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Glorious Monarch, Chu-ko Liang, White King, Ts'ao Ts'ao, Yang Kuei-fei, Han Kan, Ts'ao Pa, David Hawkes, Duke Hsieh, East Ranges, Chuang Chou, Lady Kung-sun, The Road, Brocade City, Ch'ü Yüan, Ch'u Tz'u, River Wei, Yellow River, Yangtse Gorges
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