Customer Reviews

Liavek

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Years ago when it came out in the craze of shared anthologizes, I picked up the first volume and enjoyed it a great deal. I thought it was very unique and the flavor of the writing was of a much grimmer nature to my eye then the Thieves World anthologies (of which in the later stages Thieves World went quickly downhill.) However, Liavek was much more fascinating to me. Unfortunately, I was in the service when they came out and was overseas and never found the last four. About two years ago, I dug out the old copy of the first book, reread it and was again absolutely delighted with it so, I've been on a hunt to find the other four. I've tracked down three so far. Anyone interested in a very unique culture (though some what based in Muslim nationalities) would do well to check these out. Powerful story telling and I felt the characters were very vivid and exciting.

This is the first in a series of shared-world anthologies, the world being Liavek, the city of Luck. The main thing that distinguishes this world is the way in which magic works. Everyone has a certain amount of "luck," and they can access it during the hours of their birth--that is, on their birthdays, for the hours during which their mother was in labor. A wizard is someone who's "invested" their luck--stored it in an object during a ritual that must be repeated yearly during their luck time--so they can access it year-round.

I approached this anthology with skepticism, because it seemed that in the last anthology I'd read in this shared universe, every story was about rival wizards trying to find where each other had stored their luck and to destroy it &/or to disrupt their reinvestiture. And the first story, "Badu's Luck," by Emma Bull, did indeed fit the mold, although it was more about recurring character Snake protecting a wizard during their luck time.

Then "The Green Rabbit from S'Rian" by Gene Wolfe ended the one-story streak, with a story about pirates, of all things. And "Ancient Curses" by Patricia C. Wrede convinced me that there was going to be more to this anthology than I'd suspected. This story was about someone trying to summon the god Rikiki, who'd been turned into a squirrel.

"Birth Luck" by Nancy Kress is a story of revenge--a sister seeks revenge on the wizard who convinced her brother to try to invest his luck--the failure of which killed him.

"An Act of Contrition" by Steven Brust is a tale of intrigue and a convoluted plot--that does involve wizards' luck hours, but only peripherally.

Jane Yolen's "The Inn of the Demon Camel" is a short-short story, told like an Aesop's fable. And "The Hands of the Artist" by Kara Dalkey is a mystery story. So much for my presumption that all the stories would be alike.

"The Green Cat" by Pamela Dean is about a young woman who thinks life's not worth living, so she joins a suicide order--the concept is that once she discharges all her obligations, she can die. And she does, except for this cat... "A Coincidence of Birth" by Megan Lindholm is about another young woman who hires a wizard to learn her birth date.

Will Shetterly's "Bound Things" has recurring character Trav The Magician being hired by a child to recover her dolly and outwitting a rival wizard.

The last story is "The Fortune Maker" by Barry B. Longyear. It's about a garbage picker who invests his luck and becomes a rare "fortune maker"--that is, whenever someone asks him what their fortune will be, whatever's in his heart regarding them will be. It's the longest story in the anthology by far.

The problem with fantasy short stories is that fantasy generally involves a lot of worldbuilding, and trying to squeeze that into 20 pages or so doesn't leave a lot of room for the story. That's where the shared world concept comes in. Some of the stories in this anthology still suffer from that, and quite a few of them suffer from an excess of characters--too many characters with odd names in a short story makes it rather confusing.

The clearest, and therefore most interesting/entertaining stories, IMO, were Brust's (despite the convoluted plot, it was easy to follow), Dalkey's, Dean's, Shetterly's, and Longyear's.

It was better reading than I'd expected (though I'm afraid my enjoyment of Emma Bull's story suffered because of those expectations), and I'm looking forward to the next Liavek anthology in my TBR pile.

The first of several different anthologies on the City of Liavek. "City of Luck on the Cat River, cosmopolitan hub of subtle intrigue and wild fortune, Liavek is the fantastic capital of art and adventure, caravans and culture, diplomacy...and dark magic. See trolls, green cats, blue chipmunks--and demon camels. Learn secrets of love and hidden fortune. Meet painted ladies, bejewelled assasins, Scarlet Priests, necromantic critics, a whip-wielding boutique owner--and wizards."

Ah, the late, unlamented Liavek series!

This was producedwhen the shared-world concept was really in vogue, when such series atThieves' World, Merovingen, and Wild Cards were flourishing. (The first two of these were brutally destroyed by the horrific contributions of Janet and Chris Morris, in my humble opinion, as they seized control of the plots and smashed them into repugnant dead ends.)Alas, Liavek never really caught the public's fancy. The setting was not distinct and unique enough, and most of the characters never really became compelling. One of the few that rose above the others was, in fact, essentially punished for his impudence, and in progressive stories seemed to literally get whittled down to size, losing a finger here, a hand there. Poor baron...

Also, a later plot line centers on the deadly fascination and influence of a suicide cult. The members have individually vowed to kill themselves as soon as they are rid of all ties and obligations. Few are ever able to achieve this goal. The mechanics of this concept are somewhat interesting, but the attraction and growing power of the cult never really made sense.

However, the magic system is very well worked out and is quite different from the usual run-of-the-mill "I got my spells out of this book" approach. Mages in this world have certain very real vulnerabilities, and these are keenly exploited by their enemies. These intrigues drive the more interesting stories.

Collectively, the books are something of a disappointment. They're good for a quick read on a slow afternoon, but on the whole they never really astonish.

Out of the 11 stories I liked 3. My adivce would be to read the stories by Longyear (Best), Yolen (great), Wrede (good) and then forget about the rest. The funny thing is that the stories I hated the most were by the biggest name authors Brust and Wolfe. Most of the stories were like reading a single chapter out of a 'pulpish' fantasy novel. The characters attempted to be clever, there was a (simple) problem and it was solved (unoriginally). This is kind of what I remember the first Theive's World being like (about 15 years ago). If you like that kind of thing go for it, but I won't be hunting down the rest of this series.