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Liberace: An American Boy
 
 
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Liberace: An American Boy [Paperback]

Darden Asbury Pyron (Author)
3.4 out of 5 stars  See all reviews (9 customer reviews)

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Book Description

0226686698 978-0226686691 June 1, 2001
More people watched his nationally syndicated television show between 1953 and 1955 than followed I Love Lucy. Even a decade after his death, the attendance records he set at Madison Square Garden, the Hollywood Bowl, and Radio City Music Hall still stand. Arguably the most popular entertainer of the twentieth century, this very public figure nonetheless kept more than a few secrets. Darden Asbury Pyron, author of the acclaimed and bestselling Southern Daughter: The Life of Margaret Mitchell, leads us through the life of America's foremost showman with his fresh, provocative, and definitive portrait of Liberace, an American boy.

Liberace's career follows the trajectory of the classic American dream. Born in the Midwest to Polish-Italian immigrant parents, he was a child prodigy who, by the age of twenty, had performed with the Chicago Symphony Orchestra. Abandoning the concert stage for the lucrative and glittery world of nightclubs, celebrities, and television, Liberace became America's most popular entertainer. While wildly successful and good natured outwardly, Liberace, Pyron reveals, was a complicated man whose political, social, and religious conservativism existed side-by-side with a lifetime of secretive homosexuality. Even so, his swishy persona belied an inner life of ferocious aggression and ambition. Pyron relates this private man to his public persona and places this remarkable life in the rapidly changing cultural landscape of twentieth-century America.

Pyron presents Liberace's life as a metaphor, for both good and ill, of American culture, with its shopping malls and insatiable hunger for celebrity. In this fascinating biography, Pyron complicates and celebrates our image of the man for whom the streets were paved with gold lamé.

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Editorial Reviews

Amazon.com Review

Historian Darden Asbury Pyron's engrossing biography of Liberace (1919-87) pays America's most popular and pilloried pianist the one tribute he probably never expected: it takes him seriously. "Liberace seemed to me a kind of emblem of modern America," Pyron writes in his preface, "overflowing with both [its] virtues and [its] vices." He makes a persuasive case for this idea in a text that smoothly blends critical theory, historical background, and a lucid narrative of his subject's life. Born Wladziu Valentino Liberace, the youthful piano prodigy chose to become a showman rather than a serious musician, livening up the classical repertoire with pop favorites and attracting swooning female fans who adored his outrageous costumes and garish accessories like the famous candelabra. He was flamboyantly swishy yet never publicly admitted he was gay, even when dying of AIDS; he genuinely believed in the conservative, Catholic, Midwestern values of his immigrant parents, even as his private life belied them. Pyron dismantles the façade of lies and evasions behind which Liberace concealed his driving ambition as well as his sexual orientation, but this is a fundamentally sympathetic portrait. Refusing to acknowledge the boundaries between high and low culture, conducting his life with a weird mixture of hypocrisy and sincerity, Liberace, the author concludes, "was born and died an American boy." --Wendy Smith --This text refers to the Hardcover edition.

From Publishers Weekly

"Don't be misled by this flamboyant exterior. Underneath I remain the sameAa simple boy from Milwaukee." Thus spake Liberace in one of his more modest moments. Even as a child, Liberace was well liked and, well, bigger than life; when he came to a high school party dressed as Greta Garbo, he received no flak from classmates. Born Walter Liberace in 1919, the pianist and entertainer began playing clubs in the 1930s, and by the early '40s began cultivating the extravagant performance style (e.g., a Strauss waltz version of "Home on the Range") and the unrestrained costumes for which he became famous. He soon became a cultural icon who attracted adoration from middle-brow, usually female audiences as well as overt antagonism, often fueled by homophobia. In this absorbing and insightful biography, Pyron (Recasting: Gone with the Wind in American Culture) charts more than the life of the performer; he uses that life to reflect on how artifice, camp, gender, homosexuality, gay sensibility and homophobia shape American popular culture. Drawing on Liberace's autobiography, other biographies, queer theory, reviews, scandal sheet accounts of his private life and court records (Liberace was always suing or being sued), the book makes an original contribution in its complex examination of the intersection of homosexuality with private lives and public culture. Pyron's interests are far-ranging and illuminatingAfrom the influence of a Roman Catholic sensibility on Liberace and gay culture to the aesthetics of television and the social importance of self-improvement books in the 1950s. Finally, he achieves what many readers might consider impossible: a persuasive case for Liberace's life and times as the embodiment of an important cultural moment. (July)
Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.

Product Details

  • Paperback: 512 pages
  • Publisher: University Of Chicago Press (June 1, 2001)
  • Language: English
  • ISBN-10: 0226686698
  • ISBN-13: 978-0226686691
  • Product Dimensions: 8.9 x 6.6 x 1.4 inches
  • Shipping Weight: 1.6 pounds (View shipping rates and policies)
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Best Sellers Rank: #1,340,643 in Books (See Top 100 in Books)

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Customer Reviews

9 Reviews
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Average Customer Review
3.4 out of 5 stars (9 customer reviews)
 
 
 
 
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22 of 24 people found the following review helpful:
4.0 out of 5 stars Liberace. Seriously, folks -- Liberace, May 20, 2000
Far be it from me to take issue with the esteemed Kirkus Service, but references to the ceremonies of the Eleusinian Mysteries of ancient Greece, as well as the Antinomian and Arminian heresies are inevitable when you're dealing with a phenomenon like Liberace. Well-researched and extensively footnoted, "Liberace: An American Boy" is a serious attempt at (as Oscar Levant would say) cutting through all that phony tinsel to find the real tinsel underneath. Just why is it that that this curious carnival figure -- odder with each passing year -- so captivated the American public? There's no way to neatly answer such a question, and this book, thankfully, doesn't try to. What it does is delicately take Liberace apart in order to reassemble him with as much of his chintzy glory as possible left still intact. While the author takes issue with the conclusions I came to in my book "Open Secret," he does quote from it copiously and accurately. Consequently I'm not about to carp. Suffice to say, however, that "An American Boy" isn't the last word on Liberace. It's only the second. Let's hope there's more to come.
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8 of 9 people found the following review helpful:
5.0 out of 5 stars The DEFINITIVE Liberace Biography, May 22, 2001
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Carefully researched and well written, this extensive volume details the life of Liberace, peeling away the layers and layers of half-truths, deceptions, and publicity machine myths. A well-loved and talented entertainer, Liberace lived a double life protecting his public image with a fierceness that caused much private agony. Liberace could not even tell the truth in his own biography, lest he be labeled as a liar and countersued by publications he had sued when they reported he was gay. This book details his relationships with friends, family and lovers. Pyron also gives wonderful detail on how Liberace got his start, tracing his career from his start in sleezy Wisconsin dives to his lavish Las Vegas productions. Liberace was smart enough to know his limitations and to exploit his strengths. This books gives a balanced view of the man and the entertainer; in addition, the author gives a detailed historical/sociological background about the lives of gay men in general, which provides an informative backdrop and better understanding of how and why Liberace functioned the way he did. The book may seem rather monotous and dry at times, but that is the author's style; this is a serious, intelligent book, not some gossipy tell-all. Unlike many biographers who write about celebrities, Pyron has great regard and respect for his subject. A must for all Liberace fans and for those interested in the lives of famous gay entertainers.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars Liberace Unveiled, February 27, 2007
This review is from: Liberace: An American Boy (Paperback)
Unquestionably there are few authors in the historical profession who write biography as impeccably as Darden Asbury Pyron. Pyron once orated in class "In order to write biography you must eat, sleep, and breath the person's life." Pyron's biography of Liberace is a masterpiece. Some critics find his style dry and lacking in substance. Those readers themselves achieved only a superficial understanding of the pianist and of the author's prose. Pyron offers a balanced perspective of the artist and manages to allow readers not to judge Liberace, but to understand his life, circumstances, and the atmosphere in which he existed under duress and pressure for so long a time. It is a wonder that Liberace remained free from the ill-health effects usually suffered by those under immense personal and societal pressure. Only his contraction of HIV and brief scare from potential renal failure significantly derailed the artist. This biography reveals the tragedy of the pianist's life and piecemeal assembles the development of a real entertainer, a genuine American "hero" or sorts. Liberace was not a sexual hero as so much of his identity seemed suspended in air and never definitively revealed, but he was a man of integrity and someone of true character. Pyron magnificently illuminates the many shades of Liberace, the different gradations of his soul, and allows readers to take the journey of Liberace's life and times with him.
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Inside This Book (learn more)
First Sentence:
Frances Zuchowski and her husband Salvatore Liberace were ill prepared for the prodigies of her accouchement in the village of West Allis, Wisconsin, on May 16, 1919. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
young piano player, homosexual culture, concert circuit
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Las Vegas, New York, Scott Thorson, Los Angeles, United States, West Milwaukee, West Allis, Last Frontier, Walter Liberace, National Avenue, Palm Springs, Cary James, Wally Liberace, Rock Hudson, Seymour Heller, Shirley Street, World War, Carnegie Hall, Joanne Rio, Salvatore Liberace, Sam Liberace, Vince Cardell, Courtesy of the Liberace Foundation, Great Depression, John Rechy
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