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The Librettist of Venice: The Remarkable Life of Lorenzo Da Ponte--Mozart's Poet, Casanova's Friend, and Italian Opera's Impre
 
 
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The Librettist of Venice: The Remarkable Life of Lorenzo Da Ponte--Mozart's Poet, Casanova's Friend, and Italian Opera's Impre [Hardcover]

Rodney Bolt (Author)
4.6 out of 5 stars  See all reviews (14 customer reviews)

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Book Description

July 11, 2006
The operatic life of the librettist for Don Giovanni and The Marriage of Figaro.

In 1805, Lorenzo Da Ponte was the proprietor of a small grocery store in New York. But since his birth into an Italian Jewish family in 1749, he had already been a priest, a poet, the lover of many women, a scandalous Enlightenment thinker banned from teaching in Venice, the librettist for three of Mozart's most sublime operas, a collaborator with Salieri, a friend of Casanova, and a favorite of Emperor Joseph II. He would go on to establish New York City's first opera house and be the first professor of Italian at Columbia University. An inspired innovator but a hopeless businessman, who loved with wholehearted loyalty and recklessness, Da Ponte was one of the early immigrants to live out the American dream.

In Rodney Bolt's rollicking and extensively researched biography, Da Ponte's picaresque life takes readers from Old World courts and the back streets of Venice, Vienna, and London to the New World promise of New York City. Two hundred and fifty years after Mozart's birth, the life and legacy of his librettist Da Ponte are as astonishing as ever.


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Editorial Reviews

From Publishers Weekly

Starred Review. Englishman Bolt, who has written on Christopher Marlowe (History Play), relishes the telling of the poor motherless Jewish boy from Venice's ghetto, born Emanuele Conegliano, whose father converted the family to Christianity in 1763 in an attempt to improve his fortunes. Renamed Lorenzo Da Ponte (1749– 1838), after the bishop who converted him, the boy was schooled at a seminary and became a scholarly poet whose amatory entanglements in Venice eventually got him deported. Using his legendary wit and charm, Da Ponte insinuated himself into the graces of Hapsburg Emperor Joseph II, who established an Italian opera company in Vienna, attracting such young composers as Salieri and Mozart. Although he had never written a libretto, Da Ponte was appointed theater poet, which sparked a genius collaboration with Mozart on operas such as Le Nozze di Figaro, Don Giovanni and Cosi Fan Tutte. With the emperor's death in 1790, Da Ponte again fled town with his young English bride, Nancy Grahl; he eventually sailed to America, to become a New York grocer, businessman and professor of Italian at Columbia College. Reading Bolt's lively narrative of Da Ponte's life from the ghetto of Venice to the sparkling opera houses of Europe is pure pleasure. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

Lorenzo Da Ponte (1749-1838), ne Emanuele Conegliano, was baptized shortly after his bar mitzvah and given the bishop's name. He conceived a passion for words, particularly poetry, ever since finding a cache of books in an attic. Sent to seminary, he was eventually ordained an abbe. As he matured, he embraced Enlightenment principles and got into trouble. Expelled from Venice, he moved to Vienna and was appointed court poet. Salieri and other composers--most famously Mozart--teamed with him to create successful operas. Next stop, London, where he married a well-off English girl and eventually followed her family to America. En route, he started or managed several opera companies but depended on selling books and printing librettos to survive. Bolt skillfully relates broader cultural history to Da Ponte's activities to provide quite a glimpse into turbulent times on both sides of the Atlantic. Da Ponte affected and was affected by many events, and those help make his the fast-paced story of a poet whose overwhelming optimism always prevailed over his many setbacks. Alan Hirsch
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 448 pages
  • Publisher: Bloomsbury USA (July 11, 2006)
  • Language: English
  • ISBN-10: 1596911182
  • ISBN-13: 978-1596911185
  • Product Dimensions: 9.3 x 6.2 x 1.6 inches
  • Shipping Weight: 1.6 pounds (View shipping rates and policies)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (14 customer reviews)
  • Amazon Best Sellers Rank: #749,189 in Books (See Top 100 in Books)

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Customer Reviews

14 Reviews
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18 of 18 people found the following review helpful:
5.0 out of 5 stars STUNNING EXAMINATION OF A LIFE, August 3, 2006
This review is from: The Librettist of Venice: The Remarkable Life of Lorenzo Da Ponte--Mozart's Poet, Casanova's Friend, and Italian Opera's Impre (Hardcover)

Rodgers and Hart, Lerner and Lowe, but Mozart and Da Ponte? Yes, the name is Da Ponte, and few who read Rodney Bolt's stunning examination of the librettist's life will forget it.

One would be hard pressed to find someone entering the worl in less promising circumstances than Da Ponte. The year is 1749; the place is the Venetian Republic. Born the son of a poor leather worker he spent his early years among some fifty other Jews in Ceneda's ghetto, and was named Emanuele Conegliano. Venice was markedly anti-Semitic - Jews were required to wear red headgear in public, they couldn't work for Christians, only certain trades and professions were allowed to them, and they were confined to the ghetto at night. So it was that Emanuele's father decided to improve their lot, both politically and financially, by embracing Catholicism. Then, as was the custom, the family would take the surname of the bishop who baptized them and, as the eldest son, Emanuele would also take the bishop's first name too. He became Lorenzo Da Ponte.

Lorenzo embraced his new faith with exuberance or, as the author notes, his pronouncements "may be the sincere exaltations of a fervent new convert, but they carry more of the wide-eyed wiliness of a fourteen-year-old who has realized on which side his bread is lavishly being buttered."

He was sent to seminary to study and in 1773 was ordained a priest, which did nothing to hamper his relationships with women (some say his scorecard matched that of his friend, Casanova). Venice was a pleasure palace at that time albeit a dying one. And, Lorenzo's penchant for carnal enjoyment eventually resulted in his exile from Venice.

He traveled to Vienna where Emperor Joseph II named him poet for a court opera company. It was here that he met Mozart and the two collaborated on some of the greatest operas the world has known: The Marriage of Figaro, Don Giovanni, and Cosi fan tutte. Regrettably Joseph's death brought an end to the opera company and Da Ponte sought greener pastures in London. At that time he was married to a younger woman, and was barely able to keep their bodies and souls together by selling books. America beckoned.

How fascinating it is to see our cities through the eyes of Da Ponte, especially 19th century New York, where he found work as a teacher and bookseller. He would see the Opera House open in 1833. Later, "Like his friends Mozart and Casanova, Lorenzo da Ponte was buried in an unmarked grave."

You needn't be an opera lover to enjoy this dramatic story of a life lived to the fullest. Bolt is an impressive historian and an assiduous researcher. The Librettist of Venice is a remarkable work.

- Gail Cooke
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12 of 12 people found the following review helpful:
5.0 out of 5 stars Everything you Wanted to Know about Lorenzo DaPonte and More, November 9, 2006
By 
Jose Ruiz (Irving, TX USA) - See all my reviews
(REAL NAME)   
This review is from: The Librettist of Venice: The Remarkable Life of Lorenzo Da Ponte--Mozart's Poet, Casanova's Friend, and Italian Opera's Impre (Hardcover)
My initial interest in this book was to learn more about the person who wrote those exquisite librettos for Mozart's Don Giovanni, Le Nozze di Figaro, and Cosi Fan Tutte. I was initially somewhat disappointed that the author did not dedicate more space to his relationship with Mozart, but this disappointment dissipated after reading about the rest of DaPonte's life and how he reinvented himself over and over again, in Venice, in Vienna, in London, and finally in New York City. He was a man born way before his time and certainly someone we should read about in admiration, despite his many flaws. The book is very well written and holds your interest from beginning to end.
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6 of 6 people found the following review helpful:
4.0 out of 5 stars Something new, September 2, 2006
By 
J. Steinbock (Silver Spring, Maryland) - See all my reviews
(REAL NAME)   
This review is from: The Librettist of Venice: The Remarkable Life of Lorenzo Da Ponte--Mozart's Poet, Casanova's Friend, and Italian Opera's Impre (Hardcover)
I enjoyed this book. It tells the story of a man I had never head of before, so the novelty of the subject was an attraction.
If you love stories of opera, the effect of the American revolution on Europe, and insight into the court of Joseph II
in Vienna at the time of Mozart, this is a good book. An interesting angle is that the subject was born a Jew in a village near Venice, was baptized as a child and became a Catholic Priest. His subsequent career was marked by abuse of
his priestly vows, but it seems he simply used this path out of poverty, much the same way as a poor boy might use an education in a military academy followed by brief military service.

Finally, the coda to the book finds the protaganist in New York City as Columbia University's first professor of Italian. In retrospect the entire saga, though footnoted and clearly researched with care, has the aura of an old man's memories of
his wild and exciting youth hobnobbing with princes, priests,
wild women, famous composers and poets in distant lands.
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