Most Helpful Customer Reviews
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107 of 108 people found the following review helpful:
4.0 out of 5 stars
An Influential Album Gets Its Due, April 15, 2006
Reissues don't get much better than this.
First, the sound quality is much improved over the first CD reissue, warmer and more balanced, with slightly better definition.
Second, three of the tracks are actually longer than on the original release. "Mea culpa" is almost a minute and a half longer. "Regiment" is about 15 seconds longer, thanks to an extended intro. "The carrier" is 43 seconds longer, including an extra vocal in the middle that, upon comparison, was clearly excised from the original version. (In addition, "Moonlight in glory" takes a bit longer to fade out, though it does not otherwise seem to differ from the original.)
Third, the rather thick booklet actually has liner notes, with essays by David Byrne and Brian Eno (though theirs seem to be mostly David Byrne) and David Toop. You don't see liner notes much anymore, so this is a real treat.
Fourth, the new cover art on the slipcase perfectly illustrates the nature of the contents of the package. The image is actually that of the original album cover, only updated using current technology.
Fifth, according to the official web site created for this reissue, "David Byrne has personally overseen the tracklisting and remastering". I have seen too many artist catalogs remastered and reissued without the participation of the artists themselves, and the results are usually lacking in some respect. This is not the case here.
Finally, the video for "Mea culpa" is included. And at a decent resolution, too.
I have only two real complaints about this remastered edition. One is the omission of the track "Qu'ran", though I realize that particular choice was made back in the late eighties, when the first UK edition of the CD was released. It also would have been nice if the liner notes had included a mention of this track and the reasons for its absence, even if only in passing. In any event, if this track is a must-have for you, I recommend tracking down a used copy of the first US CD edition (Sire Records, 6093-2). The other is the omission of the credits identifying the voices used. David Toop mentions one of the sources in his essay, but none of the others are specifically mentioned anywhere.
Highly recommended.
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25 of 26 people found the following review helpful:
5.0 out of 5 stars
It's STILL Years Ahead Of Its Time!, April 21, 2006
I got my copy of this CD the day it was released, as I had been waiting for this reissue for years. My 17-year-old daughter is very music-savvy. We were out driving in the car, and I played "Mea Culpa" and "Regimen" for her.
I asked her "When do you think this was recorded?" She told me "Probably sometime in the last ten years, maybe in the late 1990's." When I told her that David Byrne and Brian Eno recorded "My Life In The Bush Of Ghosts" in 1979-80 without the use of computers or digital equipment, she was stunned!
A lot of music that is now 25 years old has not stood the test of time; it sounds dated, cliched, dull. Not the music on this disc! It sounds as fresh, as scary, as exciting to me as it did when it was first released. The explosive percussion, the shimmering, chattering keyboards, the strange yet perfect "found" vocals... it's all here, in all its innovative glory. Six bonus tracks have been added, and although I feel they don't make the original album better, they add some insights into the music. Extensive liner notes serve to put this work into perspective as the true landmark that it is.
A masterpiece 25 years ago, it is still a masterpiece today and I suspect it still will be considered such 25 years from now. Run, don't walk, to wherever this disc is sold, and BUY IT. You will not be disappointed.
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23 of 24 people found the following review helpful:
5.0 out of 5 stars
What really happened in the eighties., June 20, 2006
Albums like this one are what makes me grit my teeth when people talk about how vapid 1980's music was. If only they knew how much they missed that was brewing below the surface (The early Butthole Surfers and Big Black, for example).
Anyway, I have loved this album since the day it was released on vinyl. Along with Holger Czuckay, Gregory Whitehead, Derek Bailey, Giorgi Ligetti and other experimental audio artists of lesser or greater extremes, this collaboration between Eno and Byrne came out with little fanfare and seemed to be overlooked for years afterwards (and in Gregory Whitehead's case...still). Back then the internet wasn't around to make it so easy for us to find such music and the music industry didn't see a lot of profit in it, so they gave us Boy George instead. Bush of Ghosts was one of those albums you would get wide-eyed to discover in someone else's record collection. It was a shocker to find someone else who had ever heard of it, let alone actually listened to it.
This album is a great combination of intelligence mixed with soul. I can't tell how many converts it has won over through me alone. No matter how your exploration of music led you to this page in Amazon I hope you'll buy this CD and see where it takes you next. Hopefully that journey will have nothing to do with Billy Idol......or American Idol for that matter.
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by David Byrne 
