Review
The bleak ferocity of Kirschner's lines often comes nigh to overwhelming this narrative of an abused childhood but then the strength of the imagery, a richness for which this poet is known, seizes the nightmares and transforms them into events that can be handled, shaped and put aside. No, not a happy ending but one that locates dignity and the forever force of life. --Hilary Masters
These poems are dark, iridescent beads strung along a narrative of embattled childhood that supports but never overrides the lyrical force of Kirschner's voice and vision. The narrative begins with a mother's violence and follows its effects upon the daughter's inner landscape the visions, the bouts of madness, the circling smoke of memory -- as she grows older. It's the landscape that generates the force behind these poems, rendered as it is with stunning imagery at every turn, and with urgent rhythms that push towards a kind of exorcism. These poems confront hard things head-on, but far from being sensationalistic or depressing, they are lush, fierce, and lovely. --Leslie Ullman
These poems are dark, iridescent beads strung along a narrative of embattled childhood that supports but never overrides the lyrical force of Kirschner's voice and vision. The narrative begins with a mother's violence and follows its effects upon the daughter's inner landscape the visions, the bouts of madness, the circling smoke of memory -- as she grows older. It's the landscape that generates the force behind these poems, rendered as it is with stunning imagery at every turn, and with urgent rhythms that push towards a kind of exorcism. These poems confront hard things head-on, but far from being sensationalistic or depressing, they are lush, fierce, and lovely. --Leslie Ullman
About the Author
Elizabeth Kirschner has published three books of poetry, Twenty Colors, Postal Routes and Slow Risen Among the Smoke Trees, all by Carnegie Mellon University Press. In addition, she has a CD released by Albany Records wherein her own poetry, not a translation, has been set to Robert Schumann's Dichterliebe. Now titled The Dichterliebe in Four Seasons, it premiered in Vienna in the fall of 2005, followed by an American debut in Boston featuring soprano Jean Danton accompanied by pianist Thomas Stumpf. She collaborates with many composers and has taught at Boston College since 1990. She lives with her husband and son and divides her time between Boston and the Berkshires. Kirschner also studies ballet with Boston Ballet.
