From Publishers Weekly
Watergate and Patty Hearst help form the 1973-1974 backdrop to this arresting first novel, told through journal entries. Kristin Folger's typical coming-of-age crises (beginning menstruation, ambivalence about her awakening sexuality) are overshadowed by the "ghost" in her attic and its pervasive influence on her family's life. A profusion of period details (references to TV shows, bands, products) and sarcastic observations about her parents' shortcomings and school get the story off to a slightly choppy start. But it doesn't take long for the 14-year-old to find her voice she reports psychologically rich dreams, recapitulates her revealing dialogues with friends and longs for escape (at one point she even sends for a brochure from a ritzy Swiss boarding school). At times, the novel is genuinely funny, perhaps all the more so because of its wrenching contrasts. A quarter of the way through, the "ghost" is revealed as Kristin's beloved older brother, David, destroyed by the Vietnam War. David's condition is never spelled out; it is enough to see its effects on the family. Easton is ambitious in her combination of the witty and the tragic, and the authenticity of her protagonist is never in doubt. Ages 12-up. (Apr.)
Copyright 2001 Reed Business Information, Inc.
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From School Library Journal
Grade 7-10-Life is difficult for 14-year-old Kristin Folger. Through her journal entries over the course of a year, it becomes clear that the "ghost" who haunts her attic is her beloved older brother David, who has returned from the Vietnam War a shattered person. She is also troubled by changes taking place in her own world-her best friend has become boy crazy, her closest male friend is putting the moves on her, and her parents are separating. The format makes this novel easy to read, and it certainly allows readers to get to know Kristin, who comes through as a very real teen. However, this format proves ineffective at letting readers see the other figures in her life as real people, and she is a harsh critic of those around her. Her mother seems to have no redeeming qualities throughout most of the book; a revelation by Kristin before David's death shows that her writings haven't told the whole story of this strong but troubled woman. Also, the narrative sometimes heads in too many directions. At the end, Kristin learns that "The atoms that make up the earth are formed inside of stars. Nothing really dies. Everything is transformed." As everything in her life changes, so does she; this is natural, inevitable, and life-giving. This is an idea that many young women will be able to appreciate. The 1970s backdrop, coupled with a strong-willed character facing real-life changes, will help this story find an audience with teens who face many of the same struggles today. Despite some flaws, this novel should be well received.
Toni D. Moore, Simon Kenton High School, Independence, KY Copyright 2001 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.