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Life Interrupted: The Unfinished Monologue [Audiobook, CD, Unabridged] [Audio CD]

Spalding Gray (Author), Sam Shepard (Reader), Francine Prose (Introduction)
4.3 out of 5 stars  See all reviews (7 customer reviews)


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Book Description

May 30, 2006
Life Interrupted was the monologue that Spalding Gray was working on when he died in the early winter of 2004.
Famous for his often manic and always humorous monologues, Gray was, by the late 1990’s, in a happy marriage living in Long Island, doing yoga every day. But his life became unhinged after a devastating car accident in Ireland in 2001, which fractured his skull and crushed his hip. It sent Gray into a deep and unremitting depression.

But the fact that Spalding had begun performing a new piece in October of last year gave his friends and family reason to hope that he was emerging from his despair. The monologue recounts the story of the accident and Gray’s hospitalization in Ireland with gallows humor: “The following day I slipped into a depression and I didn’t know whether to tell the Irish about it, whether they would acknowledge this depression. I mean, does a fish know it’s swimming in water? It’s indigenous to the rainy culture.”

The last time Gray performed his work-in-progress “Life Interrupted” at PS 122, he also read a short story called “The Anniversary,” about the afternoon he spent with young Theo at the Carousel in Central Park on the tenth anniversary of the day he met his wife, Kathie Russo. Like the unfinished monologue, this piece is also much darker than Gray’s early work. The third piece in this collection is a very short, remarkably poignant letter Spalding wrote about the terrorist attacks of September 11, titled “Dear New York City.”

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Editorial Reviews

From Publishers Weekly

Monologist and writer Gray committed suicide in 2004 after a protracted bout with mental illness. Before he died, he had been at work on Life Interrupted, a monologue about the aftermath of a horrific car accident he suffered while traveling in Ireland. Gray is replaced here by legendary playwright and actor Shepard, who provides a gravelly dignity to Gray's ruminations on illness and death. Shepard does a nice job of pausing between sentences, as if thinking of how best to describe his conundrum. Shepard is joined by novelist Francine Prose, who reads her own lengthy tribute to Gray and eulogies for Gray by figures including filmmaker Aviva Kempner, Gray's stepdaughter Marisa and his widow, Kathleen Russo. Their tributes, given at the time of his death, are far less polished than Gray's own monologue, but as homespun expressions of love and affection in the aftermath of his death, are perhaps the most affecting aspect of this well-wrought tribute to Gray's legacy.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

Gray turned every odd twist and turn of his life into material for his famous, influential monologues. His experiences on the set of The Killing Fields became Swimming to Cambodia. His attempts to buy a vacation home became Monster in a Box. It seems oddly natural, if vaguely unsettling, that, a year after his suicide, a new piece entitled Life Interrupted should appear. It doesn't chronicle Gray's wild afterlife, however, but is instead a brief recounting of experiences immediately before and after a life-threatening automobile accident in Ireland in summer 2001. Of course, Gray would have added to the monologue in performance; that was his practice. Still, as is, this compact story is witty, insightful, fascinating, and free of the wounded, annoying narcissism that crept into many of his recent pieces. Published with it here are a poignant short story and a fine portrait of New York City, as well as eulogies delivered at memorial services by such notables as Laurie Anderson and John Perry Barlow. Jack Helbig
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

Product Details

  • Audio CD
  • Publisher: Macmillan Audio; Unabridged edition (May 30, 2006)
  • Language: English
  • ISBN-10: 1593977921
  • ISBN-13: 978-1593977924
  • Product Dimensions: 5.6 x 5 x 0.5 inches
  • Shipping Weight: 4 ounces
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #1,845,106 in Books (See Top 100 in Books)

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Customer Reviews

7 Reviews
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Average Customer Review
4.3 out of 5 stars (7 customer reviews)
 
 
 
 
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18 of 23 people found the following review helpful:
4.0 out of 5 stars Spalding Gray's parting monologue., October 24, 2005
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"If you had to reduce all of Spalding's work to its essence, its core," Francine Prose writes in her Foreward to Gray's last major monologue, "if you wanted to locate the subject to which, no matter what else he talked about, he kept returning, I suppose you could say that his work was a profoundly metaphysical inquiry into how we manage to live despite the knowledge we are someday going to die. How are we to love the world and the people we care about most even when we know that someday we will lose it all and our loved ones will have to continue without us" (pp. 43-44)?

Perhaps best known for SWIMMING TO CAMBODIA (1988) and GRAY'S ANATOMY (1994), Spalding Gray committed suicide last year at the age of 62, leaving behind his wife, Kathleen Russo, a stepdaughter, Marissa, and two sons, Forrest and Theo. In his unfinished work in progress, LIFE INTERRUPTED, Gray tells of his trip to Ireland to celebrate his 60th birthday, which ended with a gruesome car crash leaving him severely injured and depressed. That incident not only became the catalyst for Gray's return to writing from his "quiet life" of domestic bliss in Sag Harbor, but the turning point in his life, ultimately leading to suicide. From the transvestite with green fingernails offering him toast and tea (p. 67-68), to his Pakastani doctors, to his attempts to try to get along with the blaring televisions (p. 71), to his musings on how an intelligent country like America could "elect such a dud like George Bush" (p. 80), Gray finds never-ending humor in his grim predicament, while recovering from his injuries in an Irish country hospital. Spalding Gray's parting monologue offers such sweet sorrow.

The book concludes with several short eulogies by Gray's friends (Laurie Anderson, John Perry Barlow, Eric Bogosian, Eric Stoltz and many more), delivered in memorial services at Lincoln Center and in Sag Harbor.

G. Merritt
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9 of 11 people found the following review helpful:
5.0 out of 5 stars Spalding gives us something to think about, and departs., August 17, 2006
By 
T. Porges (Washington DC, USA) - See all my reviews
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A celebrity is someone whom you've never actually met, but think you know; not just know about, but know. The celebrity press offers us little bits of enticing, patently untrue information about these imaginary friends every day. Part of our agreement with the idea of celebrity is that we believe these things while knowing (after all, we're not crazy) that they aren't true.

It was easy to slip into thinking of Spalding Gray, who after all never pretended to be anything but an actor and a sort of amateur writer, as a celebrity. Since his confessional monologues included much that was embarrassing and painful, it was easier that way. Apparently, though, every word of it was true. His sadness, his eerily prophetic but still crippling fears, his inability, like so many children of suicides, to get on with his life -- it was all there. It was all, or at least mostly true, and we really knew him after all, and the guilt at not having been able to save him, at having been not an imaginary friend but a real one, and not a very good one, is real as well.

His monologues were surprisingly layered, nuanced and durable works of art, considering he never claimed much for himself as a writer. They are like Chekhov plays without villains -- not so dark, or so funny, and a bit sweeter than you'd like, maybe, but still great, and this is the last of them.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars A beautiful swan song for a loving man, husband, father & human., July 30, 2007
The amount of compassion in this book is simply amazing. Spalding was a normal individual living through extraordinary events that he wove into some of the best monologues & humor to ever grace our eyes & ears. The finality of his decision can never be compromised by our tremendous feeling of loss. He was entitled to save himself from his pain in any manner he sought & I respect him for that. While the hole in our hearts will never be filled, I would only encourage his friends & loved ones to look back on the best of times. I have a feeling He would have wanted it that way too...
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