From Publishers Weekly
Starred Review. This stunning stand-alone from bestseller Lippman (
Baltimore Blues) examines the extraordinary power and fragility of memories. Writer Cassandra Fallows achieved critical and commercial success with an account of her Baltimore childhood growing up in the 1960s and a follow-up dealing with her adult marriages and affairs. The merely modest success of her debut novel leads her back to nonfiction and the possibility of a book about grade school classmate Calliope Jenkins. Accused of murdering her infant son, Jenkins spent seven years in prison steadfastly declining to answer any questions about the disappearance and presumed death of her son. Fallows (white) tries to reconnect with three former classmate friends (black) to compare memories of Jenkins and research her story. In the process, she discovers the gulf (partially racial) that separates her memories of events from theirs. Fallows's pursuit of Jenkins's story becomes a rich, complex journey from self-deception to self-discovery.
20-city author tour. (Mar.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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As in much of her fiction,
Life Sentences was inspired by a real-life story -- that of a Baltimore woman who spent seven years in jail for contempt of court for refusing to divulge information about her young son's disappearance. Most critics agreed that
Life Sentences, which almost measures up to the career-defining
What the Dead Know, is a compelling exploration of ego, friendships, family relationships, memories, racism, self-deception, and betrayals. Reviewers praised Lippman's evocation of Baltimore and her strong character development, if the latter at times overwhelms the plot. Only the
Dallas Morning News had serious complaints about the lack of suspense and the attempt to address too many topics (class, race, etc.) in one novel. Otherwise,
Life Sentences is another gripping offering from an accomplished author.Copyright 2009 Bookmarks Publishing LLC
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