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49 of 50 people found the following review helpful:
5.0 out of 5 stars
A Penetrating and Artful Book, July 20, 2003
This is a first-rate biography of the sainted Thomas More. Ackroyd's goals in this biography are to present a non-anachronistic depiction of More, and through his portrait of More, to give readers a sense of the late Medieval world destroyed by the Reformation and the emergence of nation-states. Ackroyd presents More as a man exemplifying the late Medieval ethos. Deeply religous, highly intelligent, and well educated, More existed with a profound sense of human fallibility and saw all aspects of his world as manifestations of a divine order. The world as the body of Christ, a metaphor to which Ackroyd returns repeatedly, is a recurring theme. The temporal world is transient and a necessary preparation for the eternal and in a crucial sense, less real than the eternal world of Christian teachings. This world is bound by custom and inherited legal and religous traditions, hierarchial and paternalistic in its structure of authority, and deeply enmeshed in rituals that mirror the structure of divine authority. More was not, however, a reactionary except when the radicalism of the Lutherans pushed him to stringent and violent acts needed to defend the integrity of his perception of the Christian world. A prominent member of the Northern European Humanist movement, More was dedicated to the recovery of a renovated faith based on a new reading of the Patristic fathers, attention to classical, particularly Greek neoplatonic authors, and disdain for complex scholastic theology. He and his fellow Humanists hoped for reformation of the Church without abandoning the unity of Christendom, the apparatus of ritual and hierarchy that defined so much of their lives, and the primacy of papal authority. Ackroyd's efforts to present More and the late medieval ethos are very successful. Readers will be introduced to a foreign world, but one which is an ancestor of our contemporary society. Ackroyd's efforts at depicting the lost of world of More include not only the content but the structure of the book. Some prior reviewers commented adversely on Ackroyd's use of unmodified quotations from More's English writings. While interpreting these lines requires a little effort, that effort helps to appreciate More's style. As Ackroyd points out, for More and his contemporaries, style was not simply a matter of presentation but had a significant moral dimension. While chronologically arranged, this biography is not strictly a narrative of More's life. Each chapter is presented as an almost self contained vignette or episode from More's life. I believe this is a deliberate effort on Ackroyd's part to mimic aspects of medieval ritual and theater. This is another and I think successful effort on the part of Ackroyd to present the late Medieval world. Ackroyd argues that not only that More was dedicated to the importance of ritual and theater but that it formed a very important part of More's character and perhaps self-image. Ackroyd's construction of this book is then a doubly artful device to mirror both the world of late medieval England and More himself.
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24 of 24 people found the following review helpful:
5.0 out of 5 stars
Fantastic, but non-intellectuals beware!, April 20, 2005
Gosh, golly gee, crikey - the superlatives could go on all day. This is a superb, densely textured biography. Ackroyd revels in the complex psychology and sociology of his subject, e.g., his devotion to duty, his father fixation, etc. He also places Thomas More firmly in the London of his time and in his historical moment - the Reformation - especially through More's own writings. It has been remarked that the chapters amount to a series of vignettes. That's true, and the amount of knowledge retailed in each glimpse of More and his world is staggering. To give but a few examples: Chap. 3 - St. Anthony's Pigs: we follow young More through the streets of Tudor London to his school and get insight into the Renaissance education system. Ch 4 - Cough Not, Nor Spit: Thomas' early career as a page to Archbishop (of Canterbury) Morton, Henry VII's notorious "enforcer". This relationship illuminates More's later dealings with Cardinal Wolsey. Ch 8 - We Talk Of Letters: sketches of Grocyn, Linacre, Lily, Colet, More - the "London humanists", or More's intellectual circle. And so on. The book continues in the same fascinating vein. It is a hard slog to read, and I'm sorry that Peter Ackroyd did not give a glossary of A) Latin and Greek expressions, and B) even some of his more obscure English words. I also regret that there's no map to illustrate Ackroyd's loving depiction of the London where More learned, lived, worked and suffered. More's story is well known and often told. Ackroyd has given a fully-rounded portrayal of the man, his background, career, family and friends. What a pleasure to read.
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18 of 19 people found the following review helpful:
5.0 out of 5 stars
Sir Thomas More, December 13, 2005
Thomas More lived an exemplary life during hard times. His faith in the Catholic Church was put to the test by his king, and though he failed his king and paid the price on the scaffold, he served his God and was rewarded with martyrdom and sainthood. Peter Ackroyd's book is a brilliant and dramatic telling of More's life. Thomas More was born in London in 1478. He was educated at Oxford where upon his father's insistence he studied law. But he was also interested in theology and thought for a while of becoming a monk. Famously he wore a hair shirt his entire life. Instead of taking vows, however, he took a wife and had four children. He made sure his daughters received as rigorous an education as his sons. (His wife died in 1511 and he married Alice Middleton and adopted her daughter.) The law was More's lifelong profession where he represented various groups in the courts and helped settle trade disputes abroad. He wrote a history of King Richard III, wherein he portrayed Richard as a cruel, even criminal, ruler. In 1516, he published his most famous book, UTOPIA, which described an ideal community governed totally by reason. When Cardinal Wolsey failed to secure an annulment of Henry VIII's marriage to Catherine of Aragon, he was replaced by More as lord chancellor. He worked diligently in this position and became a friend to the king. But troubles were already visible in the horizon. When Henry, through the Act of Supremacy, declared himself the head of the Church of England, More was in opposition to him: he refused to take an oath of allegiance to Henry that would deny papal supremacy of the church. He was tried, found guilty, and beheaded five days later. Ackroyd is especially good in relating the dramatic events during these last few years in More's life. He narrates this with the power and skill of a novelist; indeed, it's almost impossible to put the book down during the last 100 pages. Anyone in want of moral uplift need only read these last pages for complete satisfaction. More went to the scaffold bravely, even telling the executioner to stay calm and aim true. He joked after stumbling on the scaffold steps and received help: "When I come down again let me shift for myself as well as I can." Then "he died the King's good servant but God's first," which is his life in a nutshell. Ackroyd writes with authority and tremendous style, but it's the drama that he infuses in his account that truly sets this book apart. Highly recommended.
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