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Lifeforms
 
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4.4 out of 5 stars See all reviews (76 customer reviews) More about this product

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Customers buy this album with Accelerator ~ Future Sound of London

Lifeforms + Accelerator
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Product Details

  • Audio CD (May 27, 1994)
  • Original Release Date: May 26, 1994
  • Number of Discs: 2
  • Label: Astralwerks
  • ASIN: B000003RVR
  • Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.4 out of 5 stars See all reviews (76 customer reviews)
  • Amazon.com Sales Rank: #53,261 in Music (See Bestsellers in Music)

    Popular in these categories: (What's this?)

    #26 in  Music > Indie Music > Dance & DJ > Ambient
    #90 in  Music > Indie Music > Dance & DJ > Techno-House

Listen to Samples

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Disc: 1
1. Cascade
2. Ill Flower
3. Flak
4. Bird Wings
5. Dead Skin Cells
6. Life Forms
7. Eggshell
8. Among Myselves
Disc: 2
1. Domain
2. Spineless Jelly
3. Interstat
4. Vertical Pig
5. Cerebral
6. Life Form Ends
7. VIT
8. Omnipresence
9. Room 208
10. Elaborate Burn
See all 11 tracks on this disc

Editorial Reviews

Amazon.com
Compared to the minimalist plonk typical of the genre, this is a Technicolor epic and perhaps the only ambient techno opus you'll ever need. --Jeff Bateman

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Customer Reviews

76 Reviews
5 star:
 (55)
4 star:
 (10)
3 star:
 (4)
2 star:
 (3)
1 star:
 (4)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (76 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

 
35 of 37 people found the following review helpful:
5.0 out of 5 stars a flawless, beautiful work of art, January 21, 2000
By G. Wachman "GW" (Minneapolis, MN United States) - See all my reviews
(REAL NAME)   
This is probably my favorite "electronica" album. FSOL really have a way of finding great melodies and rhythms to work with. If you're wondering whether you'll like this or not, there are a couple things you should consider:1)What other kind of electronica do you like? If you're a big fan of the fast, rhythmic songs of Dead Cities, but not the slower ones, this might not be for you. Also, this is by no means similar to Accelerator. 2)You should be able to appreciate quiet, yet complex music. Lifeforms isn't very loud. It speaks to you very serenely. These samples really don't tell you a lot about the music, since they're so short. You'll need to hear some full songs to get a better idea. I recommend this album to anyone with an open mind who's looking for something different.
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17 of 17 people found the following review helpful:
5.0 out of 5 stars Landmark Album, November 21, 2003
This review is from: Lifeforms (Audio CD)
I discovered Electronic Music about 5 years ago and I've been studying this strange world since then. The world of Pure Electronic Ambient Music was born at the end of the '70s with artists such as Brian Eno, Tangerine Dream and Klaus Schulze. As the '80s faded, the style was being experimented by some people from the Techno side of Electronic. The Ambient-Techno was born. This album was conceived in 1994 a few years after others like The Orb and Aphex Twin had released some masterpieces. Nowadays, this album stand as one of the essential work that set the style from it's dawn. The sampling is excellent, unique and there are absolutely no clips in the loops. The Sequences are melding perfectly and the production is very good. Most importantly...., It sounds as good today as it was. Essentiel!
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16 of 16 people found the following review helpful:
5.0 out of 5 stars An ambient techno masterpiece, more than 'papua new guinea', August 9, 2000
By Pete (San Diego, California) - See all my reviews
For anyone who is absolutely new to FSOL or ambient techno, I should first say that it really is a viable, meaningful form of music that goes beyond the long-standing stereotype of being lifeless and computer-generated. FSOL is the perfect example of really great ambient techno, for its music seems to send you on an endless journey with every song. However, it can be hard to get into music like this, and people are often quick to dismiss it as boring, uninspired, or slow. This is a typical reaction of people used to mainstream pop or techno, and even FSOL fans who have only been exposed to the widely-known 'Papua New Guinea'.

To put it concisely: don't expect a cd full of beat-driven club hits like Papua New Guinea. Most FSOL music goes far beyond that.

Lifeforms, like other FSOL albums such as ISDN, Cascade, Lifeforms (Paths 1-7), Amorphous Androgynous' Tales of Ephidrina, and to some extent Dead Cities, is more of a musical experience, going beyond the typical musical beats found in most techno and absorbing the listener in a collage of extraordinary sounds. Each disc of lifeforms is really one, long, extended musical masterpiece, as you could listen to the entire disc and not realized you listened to eight or eleven different 'songs'. This is truly an album you pop in the cd player and sit back and experience, as all FSOL albums are. One minute you may imagine yourself at the edge of the earth, the next floating in space, the next at a crowded airport with FSOL playing over the loudspeakers. As far as 'songs' go, the ones that come closest to your typical songs would be cascade, vertical pig, vit, omnipresence, room 208, and flak.

Lifeforms (or any FSOL cd for that matter) is definitely worth your attention. However, for those only familiar with Papua New Guinea, be prepared for music that goes far beyond one club smash. Sure the music may be hard to warm up to, but once it does you will find yourself listening to the beautiful sounds over and over again. And for the new techno fan, try lifeforms first and let your mind float away. Then acquaint yourselves with the more 'mainstream' likes of Papua New Guinea.

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Most Recent Customer Reviews

4.0 out of 5 stars Early organic-electro apex
4 1/2

Only the tiniest bit awash in dated bleepings, this brilliantly flowing analog bubblebath-ed synthesis of innovative ambiance and forward propulsion is still... Read more
Published 16 days ago by IRate

5.0 out of 5 stars Still amazing after 15 years
I can't get over how fantastic this album is, even after hundreds of listens. If you haven't heard it yet buy it and see.
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5.0 out of 5 stars i dunno if it was the acid or what
but this album floored me, very interesting sounds collide and form "music". It's title fits perfectly, each track wanders through oblivion then springs to life with melody then... Read more
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5.0 out of 5 stars still a classic
I decided to write a review for this since I did not see too many
recent ones. This album holds a special place for me and every time I
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Published on July 11, 2007 by Zoo_Eyes

5.0 out of 5 stars One of my favorite albums - Disc 1 especially
Lifeforms Disc 1 is one of my favorite albums' of all time. It paints such a dreamy scape where you can let your imagination run wild. Read more
Published on May 1, 2007 by Sameer

5.0 out of 5 stars Another top album of the 1990's
This is another great from the 1990's deserving a top slot. This would be unrecognizable to the post 9-11 dance music period where conservatism and market segement guarding is the... Read more
Published on October 8, 2006 by Tunnelpet

5.0 out of 5 stars Great album that can be expanded
This album always conjures up strange visions for me. The soundscape is so vivid that it actually distracts me if I leave it playing as background music. Read more
Published on April 18, 2006 by William C. Everett

5.0 out of 5 stars Lifeforms is the best album ever.
This album was my introduction to electronic music, and I have yet to find any electronica that exceeds it. Lifeforms makes insanity sound glorious. Read more
Published on January 25, 2006 by Techboy

4.0 out of 5 stars Electronic Sounds
Well, here we are. One of the true works of the electronic genre in the 90's, "Lifeforms" is true sonic adventure. Read more
Published on June 29, 2005 by SystemStructure

4.0 out of 5 stars The Future is sometime around now.....maybe sooner
I just finished a review of Global Communication, so this is pretty much a repeat. I am a composer/arranger/performer working on a project of primarily electronic music based on... Read more
Published on June 26, 2005 by Mark Showalter

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