Customer Reviews

Light and Color in the Outdoors

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This deeply perceptive book changes our own perceptions of all kinds of light and color events in the outdoors. You will never see the same way again outdoors. Some examples involve elementary optics (which explain the visual phenomena) but nearly all the 278 short chapters can be appreciated by the visually alert reader. My favorite examples include dappled light, rainbows (there are always two), and differences between relected and transmitted light in seeing leaves and grass. The Dover edition is fine; the Springer-Verlag edition is better with its excellent color photographs.

Had the Dover edition (still available) for years, it's wonderful. Saw the updatedhardbound edition and shelled out fifty bucks on the spot, it's even better.If you have any interest in shadows, rainbows, halos, mirages, etc. you will find this book enormously satisfying. I've never seen such a wealth of phenomena so well observed, analyzed, and described. You will see more and notice more after you read this book. What is it? It's not quite optics, not quite natural history, not quite psychophysics or perceptual psychology. Unique. Reading Jack London and wonder what sun-dogs are? Reach for this book. Reading Hersey's "The War Lover" and wonder about the glory around airplane shadows? Reach for this book.

One of the most phenomenal books I've ever seen. This book describes and explains in very easily read prose, the complex visual phenomena of the natural world. It is almost a meditation on the natural world outdoors. I read it often not just as a reference. Be sure to read the introduction to the work. An excellent buy--I have purchased five copies over the years as gifts.

Prior to reading this book, communicating a love of and appreciation for the outdoor experience of natural phenomena was often frustrating. This book has provided me with a new lexicon that helps me bridge the gap between intuition and the elementary physics of the first-hand viewing perspective. At times there are sections that are a bit of a slog (e.g. the revelation of the nuances of viewing a scene through pane vs. plate glass) but that criticism is more than balanced by many excellent observations and curious examinations of the changing relationships between the observer and the scene viewed. After reading this book, I have embarked on reviewing many of the photos that I have taken in my travels. I have been astonished by the number details that had escaped me (and for which I had zero appreciation) prior to reading Minnaert's book. One of the techniques I have used extensively is viewing inverted digital photographs of panoramic scenes reflected in water using image editing software. The fact that the reflected scene is viewed from the perspective of an underwater observer (buy the book for a full explanation) is a relevation that provided me with some good natured fun at the expense of disorienting a friend when I inverted a photograph of lake scene from a hiking (or SCUBA diving?) trip to Alaska.

This book is an excellent resource for anybody interested in the nature of light involved phenomena and atmospheric optics.

Great book! I found it from the list of references of Advanced Renderman.

It's very useful for CG artists.

this book very important to who's want to understand better in photography. it is importatnt becuase to expousre correctly it must to understand behind