Light at the End of the World

Erasure | Format: Audio CD

Product Details

• Audio CD (May 22, 2007)
• Original Release Date: 2007
• Number of Discs: 1
• Label: Mute U.S.
• ASIN: B000OLHGD4
• In-Print Editions: Audio CD  |  MP3 Download
• Average Customer Review: 4.1 out of 5 stars  See all reviews (57 customer reviews)
• Amazon Best Sellers Rank: #45,648 in Music (See Top 100 in Music)

Track Listings

1. Sunday Girl

2. I Could Fall In Love With You

3. Sucker For Love

4. Storm In A Teacup

5. Fly Away

6. Golden Heart

7. How My Eyes Adore You

8. Darlene

9. When A Lover Leaves You

10. Glass Angel

Editorial Reviews

Amazon.com

After something of a departure--two live discs and the unplugged Union Street (2006)--Erasure returns to full electronic form. From the languid opening wash of "Sunday Girl," Andy Bell and Vince Clarke make no bones about wearing old hats. Most of Light at the End of the World works within the familiar confines of the vintage Erasure formula, drunk on everyman synthesizers, listing through painfully vague and obvious rhymes. ("I get really repetitive because I don't read enough!" Bell admits.) Backed a long-studied love of pop, gospel, and the dance floor, Bell and Clarke revel in this stuff. "Sucker for Love" and "Fly Away" dabble most obviously in such pap, but the band still packs a few surprises, if only for the devoted. "Storm in a Teacup" tackles the alcoholism of Bell's mother in a rare confluence of straightforward storytelling and concrete imagery, and despite being an insincerely fictitious character study, "Darlene" moves with a syncopated, driving bounce that Erasure has rarely, if ever, found in 22 years of mid-tempo electro-meandering. If you don't like Erasure already, you probably won't take a shining to Light at the End of the World. If you do, let's hope their world spins on. --Jason Kirk

Product Description

Recorded in Autumn 2006 in a converted home studio in Maine, LIGHT AT THE END OF THE WORLD is ERASURE'S return to pop form after 2006's critically-acclaimed acoustic album, UNION STREET. Features the single, "I Could Fall In Love With You". Andy Bell declares: "This album is to show people that our pop isn't finished... it's saying we can still do it, we can still write great songs".

Customer Reviews

Most Helpful Customer Reviews

32 of 32 people found the following review helpful:

3.0 out of 5 stars STOP! Stand there where you are...and DON'T buy this version of the CD!!!, May 22, 2007

By 

Daniel W. Kelly (NY United States) - See all my reviews
(VINE VOICE)    (TOP 500 REVIEWER)   

This review is from: Light at the End of the World (Audio CD)

Immediately search for the album again and get the 'limited edition' version with the two bonus tracks. It's less money than this version--and the two bonus tracks are two of Erasure's best!!!

19 of 20 people found the following review helpful:

4.0 out of 5 stars a stellar erasure release, April 19, 2007

By 

M. Lohrke (Saratoga Springs, UT) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: Light at the End of the World (Audio CD)

it's hard to believe that erasure's been churning out the hits for nearly 22 years now. after a couple of lackluster and questionable releases (namely 'other people's songs), 'a light at the end of the world' really is a return to erasure's glory days. and since i'm not a big fan of saying 'it's their best since...,' i can say with certainty that it's certainly my *favorite* erasure album since 'i say, i say, i say' because it holds a lot of the same fairytale charm as the latter.

erasure was, is, and will always be about making your rearend shake. after the somewhat meloncholy 'nightbird,' 'a light at the end of the world' is dancefloor stomper after dancefloor stomper. it's in this arena they've always excelled ('victim of love,' 'sometimes,' chains of love,' etc, etc, etc). the opener, 'sunday girl' is a worthy opener: lots of energy, nice use of minor chord verse and major chord chorus. the first single, 'i could fall in love with you,' is in the same vein as 'don't say your love is killing me,' and 'run to the sun.' a great first single. hi-nrg, of sure. by the time you hear 'sucker for love,' (a disco-inspired romp)it's pretty clear erasure went for it all--and succeeded wonderfully. these are some of the best songs they've done in ages. 'storm in a teacup' is a nice ballad that also uses some nice minor/major chord combos. for me, the standout is 'fly away.' it sounds like it belongs on 'i say' and incorporates some of vince's best chord structures, a great bridge, and a great chorus. at the end of the album, you realize there's nary a bad track to be found. it's everything you want in an erasure album. and i mean everything: danceable, catchy, andy's insane vocal range, and lots of fun.

if there's any criticism (and i use the term lightly), andy bell ran out of lyrical ideas about 1994, but it hardly matters. the positive is that he delivers what he has with lots of pure emotion and sincerity, so it's really pretty easy overlook--after all, with music like this it's all about the execution, and they're firing on all cylinders. erasure never pretended to be a band concerned with artistic merits or breaking new ground, nor should they. they were my first concert back in 1988, and i'm happy to report that 22 years into their career they still have *it.*

13 of 13 people found the following review helpful:

4.0 out of 5 stars Doing What They Do Best, May 22, 2007

By 

DAJ (New York, NY) - See all my reviews

This review is from: Light at the End of the World (Audio CD)

Erasure hasn't made all-out uptempo dance music in a while, and to make up for that lack, they hit us 1-2-3 with their best disco songs since 1995's "Cold Summer's Day." "Sunday Girl" is a tour-de-force--a song about what happens to fickle lovers when the lights are low and the music is high. It is their best single in years. They follow this with "I Could Fall in Love With You," currently riding high on the US Dance Charts, and the manic, beat-heavy, dramatic "Sucker for Love." The vocal bridge on this last song is stunning. Andy Bell's singing on all these tracks is strong, forceful and melodic. Hearing him belt out these tunes, we are reminded that he is not only a very good singer, he is one of the all-time great dance divas.

Lest you think "Light at the End of the World" is an all-night dance party, the next three songs are gorgeous ballads, beginning with the highly personal "Storm in a Teacup." "Fly Away" and "Golden Heart" showcase Andy's soaring vocals. His singing and vocal arrangements throughout the album are focused and strong.

The synth arrangements on "Sunday Girl," with it's retro-disco touches, and on "Sucker for Love" are attention grabbers, but most of the rest of the backing tracks are fairly low-key. There are some nice touches sprinkled throughout, but there are also some jarring moments--like the overly shrill bridge on "Storm in a Teacup." Overall, the arrangements serve as a nice backdrop to showcase the strength of the songs. Of the last four songs, the other real winner is "Darlene."

Erasure is enjoying a wonderful renaissance, begun with "Nightbird" and continuing here. 20-odd years on, they continue to produce satisfying, sometimes transcendent songs.