The Lighthouse (Adam Dalgliesh Mystery Series #13) (Paperback)

by P. D. James (Author)
Key Phrases: exhibit bag, lower cliff, stable block, Nathan Oliver, Under Cover of Darkness, Emily Holcombe (more...)

Editorial Reviews

From Publishers Weekly
British master James's 13th Adam Dalgliesh mystery, like its two predecessors, The Murder Room (2003) and Death in Holy Orders (2001), focuses at first on a hostile character who threatens to shatter a longstanding way of life. Acclaimed novelist Nathan Oliver incurs the wrath of his fellow residents on Combe Island, a private property off the Cornish coast used as an exclusive retreat by movers and shakers in many fields. When Oliver is murdered, Scotland Yard dispatches Dalgliesh and two of his team to Combe, where the commander checks alibis and motives in his trademark understated manner. Because the detective's new romantic attachment is more of a backstory than in The Murder Room, it intrudes less on the murder inquiry. The solution, which hinges on the existence of an unknown child, is less than fully satisfactory and also borrows elements from some of James's recent plots. Devotees more interested in her hero's personal growth than his deductive technique will find much to enjoy.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

From Bookmarks Magazine
Last seen in The Murder Room (2003) (*** Mar/Apr 2004), Dalgliesh is still pondering his romance, and there’s still a mystery to be solved. Critics, who generally praised this 13th installment of the series, saw similarities to the plot of Agatha Christie’s And Then There Were None, to Jane Austen’s playful writing, and to Virginia Woolf’s themes. Vivid character studies and intricate settings reveal James’s eye for detail—from descriptions of Oliver’s insidious personality and Dalgliesh’s insecurities to an intelligent game of Scrabble. James also makes references to popular literature. But there are no quick rewards for the reader interested in a fast-paced mystery or a wholly original plot—except for the ending, which "will transfix even the most hopeless addict of potboilers" (Chicago Sun-Times).

Copyright © 2004 Phillips & Nelson Media, Inc. --This text refers to the Hardcover edition.

See all Editorial Reviews

Product Details

• Paperback: 400 pages
• Publisher: Vintage; 1st Edition 10 9 8 7 6 5 4 3 2 1 edition (October 10, 2006)
• Language: English
• ISBN-10: 0307275736
• ISBN-13: 978-0307275738
• Product Dimensions: 7.8 x 5.2 x 1 inches
• Shipping Weight: 10.4 ounces (View shipping rates and policies)
• Average Customer Review: 4.1 out of 5 stars See all reviews (99 customer reviews)
• Amazon.com Sales Rank: #36,583 in Books (See Bestsellers in Books)

  Popular in these categories: (What's this?)

  #9 in	Books > Mystery & Thrillers > Authors, A-Z > ( J ) > James, P.D.
  #56 in	Books > Mystery & Thrillers > Mystery > British Detectives

Customer Reviews

Most Helpful Customer Reviews

173 of 178 people found the following review helpful:

5.0 out of 5 stars A righteous addition to the resume of P.D. James, November 30, 2005

By	Laurie Fletcher "Laurie Fletcher" (Casper, Wyoming, USA) - See all my reviews (REAL NAME)

This review is from: The Lighthouse (Adam Dalgliesh Mystery Series #13) (Hardcover)

I think an avid reader must have a certain elasticity and tolerance for the variability of writers. Like good, long-time friends, writers we've read for years become part of the pattern of our reading and we know their rhythms and how to approach their work. I know that Rankin and Mina are going to be rough and tumble and underworldly. Rendell/Vine and McDermid are going to be dazzling in their observations of the human psyche. And James is going to tell a damned good story in her own damned good time. "The Lighthouse" is no exception, except that perhaps it returns James to a higher place than she's reached in recent books.

If you read P.D. James, you must accept that every room will be created for you in aching detail and every horizon will be completely and lovingly described. If you read her without the sufficient time to appreciate these details, you'll also miss beautiful little bits of evidence that she drops like moonlit crumbs for you to follow. This is such a book.

When I read that "The Lighthouse" was set on an isolated island with a closely defined cast of characters, my heart sank a little because it was so like her last two books, which were good but not her best. This is not such a book. The shocking uncertainty of the murder that starts the book is matched by the turmoil in Commander Adam Dalgliesh's personal life, and who is to say that just because we get older, we aren't still allowed to be uncertain in love? James writes this element of the book with lovely poignancy and makes us understand that Dalgliesh is truly a copper with a poet's heart.

There are so many small things that make this book great. One element that comes to mind is the feeling of true isolation that James is able to project in her description of Combe Island, the setting for nearly the entire book. Another is a joyful, small, yet terribly crucial moment when Sergeant Benton repels off a cliff in search of evidence, the first time he has done this since he was 14 and climbing with his famous mountaineer grandfather, who died shortly afterward. I'm convinced that this short passage is written with as much grace as is possible in any literary form.

The murders (two) at the heart of the book are real, urgent, and quite puzzling. But they are made to share space with the changes that come to people who are cut off from the mainland and are left with fewer people and more of their own thoughts and reflections to keep them company.

A final note: P.D. James has not let the grass grow under her feet when it comes to research. She shows a firm grasp of contagious medicine uses it to good effect as a subplot. I'm wary of saying any more about the plot because in this book, the journey is the pleasure.

76 of 82 people found the following review helpful:

5.0 out of 5 stars The Emotional Awakening of Commander Dalgliesh, December 1, 2005

By	prisrob "pris," (New EnglandUSA) - See all my reviews (TOP 500 REVIEWER)

This review is from: The Lighthouse (Adam Dalgliesh Mystery Series #13) (Hardcover)

"The call could hardly have come at a less convenient time. After a month of working a sixteen-hour day tiredness had caught up with him, and, although he could mange tiredness, what he longed for was rest, peace and, for two blessed days the company of Emma. He told himself he only had himself to blame for the spoilt weekend. He wasn't compelled to undertake a possible murder investigation, however politically or socially important that victim or challenging the crime."

Thus Adam Dalgliesh has set the scene for portraying a little emotion in his life, and how he makes decisions. We come to realize that Commander Dalgliesh is a human after all. He does love Emma, and he does worry that she may not love him as he does her. The worries of a professional man wrapped up in his life, and how to separate the two so that he may enjoy what really matters in life.

Commander Dalgliesh decides he must take this assignment and comply with his Superior's request, fly to Combe Island off the Cornish coast of England. A suspicious death has occurred on this most elite island. He calls Detective Inspector Kate Miskin and his new Sergeant Francis Benton-Smith, and they helicopter off to solve a mystery that is one of the best that PD James has written. What they find is a lovely, remote island that is populated by people who all have their own mysteries to hide.

It appears that a famous author, Nathan Oliver, has been found hanging from the lighthouse and he is dead. Was this suicide or was this murder? That is exactly what Adam Dalgliesh and Kate Miskin and Benton-Smith are there to find out. In the midst of the investigation, one of the occupants of the island becomes critically ill, and the diagnosis is SARS, Severe Acute Respiratory Syndrome. The symptoms are suspiciously similar to what Commander Dalgleish has been experiencing, and as he becomes more ill he is taken to the infirmary where he is put in isolation. Kate Miskin and Benton-Smith must now take on this investigation, and this is a very important career move for Kate Miskin. She has a chance to show that she can carry this investigation to the conclusion. The cast of characters also isolated at the island become a little frantic when another death is uncovered. The tension peaks and Kate and Benton-Smith must rise to the occasion.

PD James has given voice and emotion to Commander Adam Dagliesh. Will he lose the affection of his beloved Emma by taking on this case? Detective Inspector Kate Miskin also finds this investigation an emotional rollercoaster. Her past life and loves come to the fore, and can she rise to the occasion of leading the investigation and solving these difficult crimes? Sergeant Francis Benton-Smith has so far not shown that he can be part of a team, and can he really work with a woman who is his superior?

PD James has written a superb novel. One of her best, in my mind. It is brilliantly thought through. She is magnificent with the slightest details that give us a closer look at this remote island and its inhabitants. The suspense and tension keep us hanging on tenter hooks. Highly recommended. prisrob

25 of 26 people found the following review helpful:

5.0 out of 5 stars "We are merely relics of the past.", November 26, 2005

By	E. Bukowsky "booklover10" (NY United States) - See all my reviews (TOP 100 REVIEWER)    (REAL NAME)

This review is from: The Lighthouse (Adam Dalgliesh Mystery Series #13) (Hardcover)

"The Lighthouse," by P. D. James, is one of the most carefully constructed and entertaining mysteries of the year. This novel has it all: a scenic landscape, a variety of fascinating, three-dimensional characters, enough red herrings to throw even the most savvy reader off the scent, a hint of romance, and an exploration of what makes human beings so complex and unpredictable.

The plot involves the murder of a world-famous individual on Combe, a secluded island off the Cornish coast in England. The investigators are Commander Adam Dalgleish and his team, Detective Inspector Kate Miskin and Sergeant Francis Benton-Smith. The detectives are confronted with a "closed island mystery," since access to Combe is limited to a few invited guests. It would be almost impossible for an intruder to sneak onto Combe and kill someone unnoticed. Which one of the residents had the motive, opportunity, and strength to strangle the victim and hang him from a lighthouse railing?

James has complete control of her narrative from the first to the last page, whether she is describing an interview with a suspect, revealing Dalgleish's innermost thoughts, or subtly revealing little clues that only the sharpest observer might notice. The dialogue is pitch perfect, the author's descriptive writing is vivid and never intrusive, and she handles her large cast of characters with expertise. The residents of the island include Nathan Oliver, a novelist, his daughter, Miranda, and Emily Holcombe, an eighty-year old woman whose ancestor, Henry, set up a charitable trust which designated Combe as "a place of rest and seclusion for men in positions of responsibility." Also on Combe at the time of the murder are the trust's secretary, a physician, a former priest, a retired German diplomat, and the director of a controversial research laboratory.

James maintains suspense by holding back the identity of the victim until almost eighty pages into the novel. She then gradually reveals the history of each person on the island and their relationship to one another. There are many surprises along the way and a threat from an unexpected source endangers Dalgleish's life.

Not only is "The Lighthouse" an exciting whodunit, it also is a deeply psychological novel in which the reader gains insight into the personalities of Dalgleish, Kate, and Benton. The central theme of the novel is the intersection of the past and the present, and the impossibility of anyone ever being completely free of his history. This rich and beautifully developed story shows that P. D. James, at eight-five, could give a few lessons to her younger counterparts in the field of mystery writing.