There's Amy and there's Ash; there's ice and there's fire; there's England and there's Scotland. Evoking the twin spirits of time and place, this is a story of what it is to be alive at the end of the 20th century, a story of what it's like.
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Most Helpful Customer Reviews
4 of 4 people found the following review helpful:
4.0 out of 5 stars
fantastic read,
By lady detective "sakura kitty" (east coat) - See all my reviews
This review is from: Like: A Novel (Hardcover)
The book, divided into two very distinguished and separated halves, is an intriguing, entertaining and inspiring read. i finished it a few days ago and i keep thinking about it, i want to go back and read it again. told from several different perspectives, the meaning of the first half shifts considerably upon completion of the novel. smith writes beautifully. there were so many wonderful sentences that i read again and again, thinking 'yes, exactly! you've captured it!'highly reccommended!
3 of 3 people found the following review helpful:
5.0 out of 5 stars
more! we want more!,
By A Customer
This review is from: Like: A Novel (Hardcover)
Way to go Ali Smith! More questions than answers, just like life. Lifelike even. Read Like. Even if you think you might not like it. You don't have to. That's why it's really something.
1 of 1 people found the following review helpful:
4.0 out of 5 stars
Worthwhile,
By bluwhisper (Lawrence, KS) - See all my reviews
This review is from: Like: A Novel (Hardcover)
This is a very good, ambitious novel and a much better book than Smith's more famously hyped "Hotel World."
The form of the book, its symmetric halves, gives the novel much of its interest and creates some of its biggest problems. As others have noted, the information presented in the "Ash" section sheds new light on the first half of the book. While much becomes clearer after a reread, I don't think that a book should demand a reread in order for readers to have access to the information they need to interpret the actions of characters. I also think that a few crucial moments were missing from the novel. Of course most of them can be inferred, but the book would have been more satisfying had Smith explicitly narrated a few of the scenes from the past that fell through the cracks in the structure. While some other reviewers prefer the "Amy" section, I honestly think that while it's more lyrical, in many places the writing also tends to be somewhat lethargic and obtuse. Despite my criticisms of the book, I still found it to be a moving, worthwhile read. In fact, Smith's elegant and nuanced depictions of how internal and external forces draw people together and (more often) keep them apart are the real meat of the novel. And in her descriptions of these moments, when twin brothers draw their fists at each other, when a married couple walls their house into two equal halves, when people choose to play a role at the expense of their own well-being, are the moments Smith succeeds most brilliantly.
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