9 of 9 people found the following review helpful:
5.0 out of 5 stars
Greatest Coloratura that ever lived, July 2, 2008
This review is from: Lily Pons: Coloratura Assoluta (Audio CD)
I saw her perform once many years ago. She had the audience on their feet through out the performance. This remastered CD is truly a work of art. I wonder why she never get the credit she deserves by historians for she was the brighest star at the Met for many years performing to a packed house. She had a tonal quality to her voice that has never been duplicated.
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8 of 8 people found the following review helpful:
5.0 out of 5 stars
Highly recommended, July 8, 2007
This review is from: Lily Pons: Coloratura Assoluta (Audio CD)
This could have been recorded yesterday, the sound quality is excellent and without blemish. By far the best recordings of Pons I have, and I would like to have others. She reminds me of Jo, separation of notes, clear, real trills, a range to rival Sumac, flexibility to perfection, and always that today neglected once standard fare of the coloratura, the requisite leap to the top note at the end of an aria. And a pretty sound. I love this album.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
What is coloratura about., March 1, 2010
This review is from: Lily Pons: Coloratura Assoluta (Audio CD)
People who claim that other so-so coloratura sopranos are 'top' ones simply have not heard the real things. One such is undoubtedly Lily Pons.
With the likes of Rita Streich, Mady Mesple, she brings much color to the repertoire of a lirico leggiero coloratura. Nor do I understand why coloraturas of this genre should 'force' themselves to become a dramatic coloratura in the like of Callas, Sutherland, or Gencer.
This dual-CD is an ultra-fine collection of coloratura arias and songs. Pons was particularly strong in the French repertoire.
Some reviewers draw parallel of Pons with Sumi Jo.
I don't think Jo owns a voice of Pons' color, though she is also exceptional in the genre of lirico leggiero coloratura. Perhaps the only soprano of this genre that was comparable with Pons in terms of agility is Streich. However, Streich's strength was different - her strength was in the German and Russian repertoire. This surfaces when you compare the Russian song 'Nightingale' recorded here with Streich's in her 'Waltzers and Arias' album.
I find to be particular interesting Pons' 'La Fille du Regiment' extracts. Though not a dramatic coloratura like Joan Sutherland, Pons was able to bring out the different vocal nuances and expressions in the four different arias of Marie, and with even better verbal inflection than did Sutherland!
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